11th Dimension

⠹⢧⣌⣓⣂⠰⢽⡭⣿⠇⠁

202508

Releases

Blightcaster - s/t
Cat. Nr: DN023
Format: DL
Release Date: October 21, 2022
Buy / stream: dansenoire.ffm.to/blightcaster

An anonymous duo split up by border control between Melbourne and London, with an axe to proverbially grind. Blightcaster takes its name from Magic: The Gathering but its affinity with the fantasy trading card game stops there. Or that’s at least if you think fantasy can’t also be a nightmare. The mostly recorded, rarely live noise, gorenoise, power electronics, hardstyle (etc.) band began in the dank privacy of a southeast London basement in 2016, before being cut short by an expired visa and a return to Australia for one of its members.

A handful of years and a global pandemic later, the two had the opportunity to finish their work remotely, sending files between countries and ruminating on the rotten core of a world that has only gotten rottener. Tracks like “Hymns from the Slaughterhouse”, “Disgraced Species” and “Devastator Slug” wheeze, croak and crackle with swells of extreme distortion. “Mind Unleashed” and “Weaponised Banter” offer a pounding though heavily degraded gabber in a barely melodic turn that you would never detect in the goregrind comparison of a band like Last Day of Humanity or Agents of Abhorrence’s contemporary grindcore.

Recorded using whatever they had with limited skills, Blightcaster is the no-fi product of sessions with a broken laptop, cracked software, a cheap synth and buggy contact mic. And while the duo’s own nihilism denies having a message, you might make one out in the blood-curdling shrieks and crunching beats of “Miserable, Mediocre, Nothing”. If ‘inspired' is the wrong word to use, Blightcaster are at least informed by the likes of labels like Self Abuse, Blood 'n' Guts, Head Fuck and Shit Wank Records. There are samples from survival horror games like Manhunt and Eternal Darkness: Sanity's Requiem, but also from the meme zeitgeist; such as the 'Small, Angry Man Yells at Trumpet Player' youtube video. This is the sound of life in the crumbling hell-realm of reality, where ruin and plague meet magic.

Mastering by Rashad Becker
Design by Niels Wehrspann
Artwork image by @clochefolle
Blightcaster logo by @rotten_realm

Blightcaster

buy / stream

Blightcaster - Weaponised Banter

Artwork by https://www.instagram.com/klub2020

drums by @ettternalriot

https://www.youtube.com/watch?v=OwvN2ha9w-E
https://soundcloud.com/ettternalriot/kiss-me-through-the-phone-esquizo-funk-2023
https://soundcloud.com/aamu-kuu/vive-la-france-hardcore-muzik

Klub2020 [UltraBlend] Pentagramma X ettternalriot X Vive La France

@candiecandie

mixed & mastered by @medixcielx
artwork by CANDIE

Download

CANDIE - Ontología

It Gives Me

Mereme 2

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon will be released November 1st via Changeless.

@exploitedbody

Exploited Body - Only Your Eyes Could See My Wings

Been a minute since I posted something, made this while I was away in South Australia and thought I'd chuck it up.

More releases to come before the years done, stay locked. 

Produced, mixed, mastered, artwork by Me.

Spark Trak

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

Exploited Body -  Unravel

JKRS & Haley Maze - Savage

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

Lux18 (@lux18), Paris-born/based, draws quick and precise for his first outing on Body Motion - presenting an exquisite shard in Right On Time which fuses the edges of post-symphonic, trap, emo, deconstructed club, and hyperpop. Resulting is a sound which is elegiac, unabashed, cheeky, and full in its resonant weight - Right On Time harkens a forthcoming LP for Body Motion, which will land in June. 

Closely tied to Brussels’ underground scene known for its cross-disciplinary approach and unfiltered energy, Lux18’s practice spans DJ sets, live performance, and production; since 2021 he has co-run Todo Recto, his label which focuses on forward-leaning club mutations and experimental/dark ambient. With regular appearances at Kiosk and LYL Radio, Horst, and C12, his debut LP reflects this trajectory—shaped by experimentation, rooted in the club.


Lux18 - Right On Time (BOMO008)

Sport DJ - Sky (L2F Mix)

remix of @imitation_therapy 's love letter written in midi

https://soundcloud.com/imitation_therapy/love-letter-written-in-midi-1

promise i'll be kind... (love letter written in midi remix)

♡ @ghoztmakesmuzik ♡ @jhlofficixl ♡ 

x.com/highozt
instagram.com/thisisghozt
open.spotify.com/artist/1D0O3f5yAD8VmkAOwakpgO?si=vX8fZ9BvS-yEuYjDEEseyw

x.com/jhlofficixl
instagram.com/jhlofficixl
open.spotify.com/artist/6IX7He83XWRn8L0Y8Worte?si=0EwV7GmeTKuczvwLJIoEMw

Cover art by
instagram.com/heraldry2
instagram.com/bloodythinkpad

Ghozt is a expirimental producer/dj/artist/freeform creative from the NYC//CF area. They’ve played alongside acts like horsegiirL, EASYFUN, Hyd, ARCHANGEL and many more artists and have graced iconic clubs like Moodring, Elsewhere and many more. They’ve realeased on labels such as Drowned by Locals, Jahanam, Shelternet and more.

jhl makes music where tone and noise meet (or whatever).

Lyrics:
I wait for you to run
I follow where you go
You're making seven angels in the snow
A disappearing act within a stack of smoke
Oh my love, my love for you
Found within a flower made anew
A fire and a flame split in two
Whatever you had known, you never knew

Don't regret, don't rescind
You can't take back the things you had said, things you had said
Living in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
I'm all up in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
Living in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
I'm all up in your head

Wasting time
Following where you go
That comes alive
That circumscribes the way cannot go

Waiting for you to run, waiting for you to go
Waiting for you stop making angels in the snow

Don't regret, don't rescind
You can't take back the things you had said, things you had said
Living in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
I'm all up in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
Living in your head
Don't regret, don't rescind
You can't take back the things you had said, things you had said
I'm all up in your head

I'm waiting for you to run
Waiting for you to run
Following where you go
Angels in the snow
My love for you
Will it be misconstrued?
Flower made anew
Fire and flame in two
Things that you had said
Living in your head
I'm all up in your head

Due to a recent law in Hungary, made to limit the right of assembly, amongst other minorities, the LGBTQ community and Budapest Pride face uncertain times.
The only answer to this, is to unite and let our voices be heard.
We need to safeguard queer spaces.

Electronic music has always been a safe space for the queer community, so we're launching a compilation in solidarity with Budapest Pride on the 28th of June, 2025.
The digital release is going to be accessible on Soundcloud, Nina Protocol, Bandcamp and other streaming services.

All proceeds go to Budapest Pride (Szivárvány Misszió Alapítvány)
https://budapestpride.hu/tamogass-rendszeres-tamogatas-adjukossze

Support

Ghozt & jhl - All Up In Your Head

WHATEVER TRADE WANTS FOR HIS BDAY HE CAN GET ! 

kisses to @lsdxoxo on this joyous bday here is a cute little remix made over 222 continents 

(started at charles de gaulle airport ++; finished in montréal xx) 

#dgtlanml

big hugs hope y'all enjoy xxxx

A QT 2 SATISFY - LSDXOXO [140 BPM EDIT] #DGTLANML

do you wanna be with me?

GODSPEED.

this song always made me feel gay in a straight way so I decided to remix it

That's Not Me (hapuk remix)

Stay

Stay (Ely Oaks Version)

EXTENDED MIX: https://hypeddit.com/bovski/lowagain

Low Again

EXTENDED MIX

I turned my obsession with Danny L Harle & pinkpantheress's 'Starlight' into this remix.

@dannylharle
@pinkpantheress
@xl-recordings

This version is pitched down 0.72 semitones for SoundCloud reasons. :')

Starlight (Exploited Body Remix)

innocence v2 out now 
buy - https://lnk.to/YSinnocencev2
v2 tee - http://yungsherman.com
@kamixlo @evianchrist @bladee1000 @ulixque

I D C (Evian Christ Remix)

contains samples of N-Fasis - Lento, Faithless - Insomnia

Con Medias

Escha & Ytem - Chamber Versions  (̶1̶2̶”̶ ̶W̶h̶i̶t̶e̶ ̶l̶a̶b̶e̶l̶)̶
@eschacold

12" - 140g black vinyl.
Pressed on recycled lacquer.
Printed with hand carved cherry oak woodblock.

Vinyl release only.
Digital download included (sent separately)
Limited to 100 copies.

A1 - Originally by Fauness @fauness
A2 - Originally by Dark0 @dark0
B1 - Originally by GAZO & Freeze Corleone 667
B2 - Originally by Abra Cadabra

Mixed by Emmanuel Ythier
Mastered by Chris Pawlusek
Artwork by William Francis Green

Escha & Ytem - Drill FR 4 (Chamber Version)

The brainchild of Helsinki-based experimentalist Nori Kin, Exploited Body is an audial paradox – where blistering distortion collides with delicate melody, and ethereal vocals oscillate between angelic lament and demonic invocation. Their music is a visceral experience, at once hypnotic and harrowing, luring listeners into a world of staggering emotional weight and sonic extremity.  

With releases on PAN, Posh Isolation, Northern Electronics, and their own imprint Changeless, Kin has steadily carved out a distinct presence in the contemporary experimental landscape. Their compositions stretch the boundaries of electronic music, fusing industrial abrasion, haunting atmospherics, and deeply personal narratives into something both intimate and overwhelming.