I used short snippets of a 78rpm recording of Pagan Love Song.

Faded Map

This track showcases edited highlights from the second improvisation around guitar sounds provided by @encym, @drunkenforest and from Si himself. 

Recorded on the 27th of November 2021, the full jam can be heard in the second half of episode 5 of Sonic Soup For The Mind, first broadcast on 17/12/21, archived here: www.listen,camp/#shows

Three Guitars Jam 2 (Encym & Drunken Forest Collab) 27/11/21 - Edited Highlights

Voilà Nico et Antonin partis sur une base vaguement dub, au final ça donne un truc, comment dire, post-something?

Recorded @ 147, July 22nd 2022, with:
- Nicolas Claus (guitar, bass, loops)
- Antonin De Bemels (groovebox)

Impro session "dubby"

Ghosts of Christmas

14 October 2022
Image - Object from Hans-Jörg Georgi

MOTIONLESS FLIGHT

center signifies noumenal

Commissioned and performed by Prague Quiet Music Collective

Part of a project called 'Five Uncertain Situations' with Prague City Gallery. Exhibition and concert at Dům U kamenného zvonu (Stone Bell House), Old Town Square, Prague in December 2022.

Bass clarinet - Anna Paulová
Baritone electric guitar - Ian Mikyska
Violin - Milan Jakeš
Double bass - Luan Goncalves

Mixed by Juraj Mišejka

This piece was written in response to a set of photograms from Aleksandra Vajd’s The Thirty-Six Dramatic Situations, which features two parallel lines, each changing colour halfway. To me this work is about things in flux, things moving toward or away from something else. In my piece, I am interested in how players might focus on periods of instability and change within and between sounds. By leaving the score more open, I hope to provide more space for the players to follow their curiosity and their ears, to be responsive to the sounds and to each other in the moment. - SL

"Sylvia’s piece is a rare occurrence: a simple, relatively undefined score that does not provide instructions for formal development over the entirety of the piece, yet immediately, the first time we rehearsed it, it was clear that the piece had a clear-cut character and a complex web of internal relationships. The simplicity and directness of Vajd’s photograms is here transformed into a focus on all the chaotic and noisy shadows, interferences, and byproducts that appear when players are tasked with exploring well-chosen, fluctuating effects and various transitions between them. Here, instability is always present at multiple levels — perhaps we could even speak of an interaction between instabilities, a dusty sonic layer covering the simple material play of the photograms." - Ian Mikyska

Overlapping Transformations (2022)

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via The Euclidean Chromaticon

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Number

The Euclidean Chromaticon  | The Loneliest Number - disquiet0591

From my album "Through Trains" available on Bandcamp:

https://soundbymark.bandcamp.com/album/through-trains

Scratchings

The Fair

Photo: Cathy Pyle

Lisa Illean
Weather a Rare Blue
Extract of movement 1, double-exposure
www.lisaillean.com.au

Recorded at RCM Studios, November 2018

Taylor MacLennan, flute
Alex Roberts, clarinet
Emmanuelle Fleurot, piano
David Lopez, violin
Morag Robertson, viola
Deni Teo, cello
Lisa Illean, electronics

Lisa Illean — Weather a Rare Blue [clip]

contemporary music ensemble based in London

Lisa Illean — Weather a Rare Blue [clip]

Explore Ensemble

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