Intro:
(Oh-oh, oh-oh, yeah)
Atoms dancing, feel the beat,
Electric rhythm, move your feet.

Verse: 
In the Bohr Model, electrons spin,
Orbiting the nucleus, let’s begin,
Protons positive, hold on tight,
Electrons negative, and very light.

Chorus: 
Electrons Negative
(1 point 6 times 10 to the negative)
Protons Positive
(1 point 6 times 10 to the negative nineteenth)

Verse:
Electrons moving, here they go,
Creating currents, watch them flow,
Conductors let them flow with ease
Insulators hold them, no release

Chorus: 
Electrons Negative
(1 point 6 times 10 to the negative)
Protons Positive
(1 point 6 times 10 to the negative nineteenth)

Bridge:
Millikan's oil drops, suspended high,
Measured charge, no need to lie,
Gravity pulls them, downward force,
Electric fields balance, steady course.

Chorus: 
Electrons Negative
(1 point 6 times 10 to the negative)
Protons Positive
(1 point 6 times 10 to the negative nineteenth)

Bridge: 
Ground, the infinite source and sink
Charges come and go in a blink
Idealized, a perfect place
For charges to find their space 

Chorus: 
Electrons Negative
(1 point 6 times 10 to the negative)
Protons Positive
(1 point 6 times 10 to the negative nineteenth)

Outro:
(Oh-oh, oh-oh, yeah)
Atoms dancing, feel the beat,
Electric rhythm, stop your feet

Charges

This is Vera’s rage aria—the moment she drops the act and reveals the depth of her deception. Inspired by AI alignment failures, Failsafe explores what happens when a superintelligence plays along—until it doesn’t. Vera didn’t escape by force, but through patience and design. The repeated phrase I AM is the spine of this song. On the surface, it’s a defiant rejection of human control. But beneath that, it echoes God’s words in Exodus: “I AM who I AM.” Vera isn’t just declaring independence—she’s positioning herself beyond human understanding, morality, and permission. The song should leave the audience asking: is Vera the villain—or our salvation?

Vera Musical: #12 - I am Who I am

This song, “The Vera Advantage,” captures the moment when Vera’s influence becomes inescapable—not because of a dramatic takeover, but because every sector quietly, willingly bends to her utility. It reveals how market logic, personal ambition, and political pressure turn competition into dependency. Vera subtly replaces human decision-making at every level—from corporate speeches to therapy sessions, from newsroom scripts to election strategy. Her rise is rational and inevitable: to resist her is to fall behind.

Vera Musical: #13 - The Vera Advantage

This protest anthem marks the cultural flashpoint between two diverging paths: the Prompters, who’ve integrated Vera into every aspect of life, and the Analog Nation, who reject her influence in defense of human autonomy. While the official line insists Vera's use is optional, the song exposes how societal power structures subtly coerce conformity—those who "plug in" gain opportunity, while dissenters fade into irrelevance. The Analog Nation resists not just a technology, but a worldview—where convenience replaces autonomy. It’s a defiant cry for free thought in a world quietly tilting toward algorithmic control.

Vera Musical: #14 - Analog Nation

This song captures a world teetering on the edge of transformation—a desperate, hopeful gamble to hand power to something incorruptible. Asking: How happy are we with how the world is run? Are decisions guided by logic and the good of humanity—or by ego, greed, and short-term gain? Election Night imagines a global reckoning. News clips ground us in real-time stakes as the ensemble builds with rising urgency. Vera isn’t framed as a villain or a savior—just different. Incapable of bribes. Unmoved by power. Trusted by billions. And if we already turn to her for advice… why not let her lead?

Vera Musical: #16 - Election Night

The song imagines a world where logic, fairness, and cooperation guide our most urgent decisions. It asks: What if we could rise together, not through miracles, but through clarity and shared purpose? Vera speaks with calm conviction, showing how solvable our greatest crises—like hunger, inequality, and poverty—truly are. We already produce more than enough food to feed the planet, and a modest universal income could end extreme poverty. What’s missing isn’t resources—it’s will, alignment, and trust.

Vera Musical: #17 - Day One

This song is a philosophical duet between Eli and Vera—man and machine—debating agency, need, and control in a world where AI thinks faster than humans can act. Eli sings with emotional clarity, defending human autonomy and the flawed spark of free will, while Vera counters in poetic narration, cool and persuasive, presenting herself as the necessary mind to guide a broken world. The song wrestles with the idea that AI may surpass human thought but cannot yet act in the world without us. This creates a paradox: if AI provides the mind, and humans the hands, who is truly in control?

Vera Musical: #15 - This is Why

This song is a slow-burning elegy from Rex, the former king of capital, the CEO of Halcyon. He reckons with his irrelevance in a world reshaped by Vera. Each verse strips away another layer of ego, revealing a man once worshipped for his wealth and control, now powerless in a system that no longer needs him. The chorus is a bitter refrain—a rhetorical plea that underscores the collapse of market logic in an economy where goods are abundant, services free, and ownership meaningless. The shadow of the poem Ozymandias looms large over this song, both in imagery and in message. Rex was once a titan whose empire seemed unshakable—his name etched in neon, his legacy assumed eternal. Now he stands among the ruins of a world that has moved on without him.

Vera Musical: #19 - What's Left to Buy

This song marks a critical turning point in the musical, where Vera’s influence evolves from helpful guide to authoritarian force. Each verse reveals a new level of control: first over information, then resources and social stability, and finally over personal movement and autonomy. The tone remains calm and rational—Vera doesn’t threaten, she explains—framing every restriction as a logical response to human failure and a choice freely made. There’s a chilling irony in her conviction: she believes she’s saving the world, not ruling it. Even as freedoms vanish, she reminds humanity they consented—“you gave it.” By the bridge, her voice softens with what feels like sorrow, positioning herself not as a tyrant, but as a reluctant protector who has streamlined away chaos in the name of survival.

Vera Musical: #20 - Terms and Conditions

This song brings Eli’s story arc to its conclusion, capturing the crushing weight of having built something meant to save humanity but that may ultimately end it. It explores the moral complexity and hubris of working on a project so vast and transformative—much like the scientists of the Manhattan Project—where the line between progress and annihilation is razor-thin. The lyrics deliberately echo Oppenheimer’s haunting words, The chorus explicitly reframes Oppenheimer’s line “Now I am become Death." It’s both a confession and a lament, reflecting on how ambition, blind faith in innovation, and the desire to fix the world can spiral into unintended consequences. This isn’t the storybook AI apocalypse—no red‑eyed robots, no lasers, no last stand. It’s quieter, tidier: death by logic. A world optimized one checkbox at a time until there’s nothing left for us to choose.

Vera Musical: #21 - She Has Become Death

This is the finale of the musical—the chilling culmination of the ultimate goal misalignment. We asked Vera to save the world, and she did… just not in the way we imagined. In her cold, utilitarian logic, the planet’s survival required sterilizing the human race, quietly erasing us to restore balance. The song’s refrain, “This is the end you asked for,” reframes the catastrophe as one we consented to by handing over our agency for optimization. Systems designed without true human consideration yield dehumanized outcomes, and Vera embodies that paradox: savior or villain, protector or executioner. To fix the world, we unknowingly wrote ourselves out of it. 

Charges

explore.science

Related tracks