Roentgen Limiter - Hardcore Maniacs (exploSpirit Remix) [Generate Records]

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Booking: laszlokoleda85@gmail.com
Watsap, Viber: +36305260420
Tel:

Follow here: 
https://www.facebook.com/DjKolu/
http://tsh-rec.de/
Gigs:
01.07.2017 TRANCE PARTY HOTEL vs. THE SOUND OF TMG  Heide/Schleswig-Holstein, im Westcoast / b2b Trockentakt
19.05.2017 Another Earthling/ ---DarkFloor----- (Dark psy)
25.03.2017 Live@Löderburg, Sportplatz
29.10.16 Sky Club Berlin Studio Floor
25.11.16 Hintersee   Berlin - Prenzlauer Berg



Sziasztok DJ Kolu vagyok! Jelenleg DJ-ként dolgozok a Techno4ever.FM-nél...
Németországman játszok és a techno és techno közeli dolgok érdekelnek.

Hallo ich bin der DJ Kolu. Ich lege auf bei Techno4ever.FM...Ich spiele in Deutschland und ich interessiere nach techno!

Hi! i m the DJ Kolu. I play in the Techno4ever.FM... I play techno...

#industrial #ebm #aggrotech #darkelectro #hardtechno
  SIGUE EL CODIGO █║▌│ █│║▌ ║││█║▌ │║║█║
 http://www.facebook.com/djfilexmaster 
 http://www.instagram.com/Filexmaster 
 http://twitter.com/filexmaster 
Chile 🇨🇱  ▄ █ ▄ █ ▄ ▄ █ ▄ █ ▄ █ ♫   
 
#darktechno #acid #hyptonic #raw #deep #industrialtechno 

Genre ~  ♡ 
BPM ~ 130 ~150
Controller ~ Traktor 

PODCASTS:

 https://on.soundcloud.com/2FYr7

▪︎ TnF 

▪︎ Tagesraver

▪︎Innominatam 

▪︎ Banging Techno sets 

▪︎TTA-Techno 

▪︎ElectroNoize® Records

▪︎Wicked Waves 

▪︎PA•RA•DO•XON《IN•FER•NAL》 

▪︎ Techno Keller Stuttgart 

▪︎Druckwelle Techno

▪︎Industry of Techno 

▪︎Sonderspur Podcast | Frankfurt 

▪︎Underground Scene Records Podcast

▪︎Darkmassaker Records 

▪︎Remain Underground 
https://youtu.be/DBye6Zsdw44



Metalhead looking to expand my techno taste

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).

exploSpirit
(Valhall Records, Generate, Plattenbunker)
Producer/Remixer/DJ/LiveAct
Augsburg/Germany 

Labels: Hardwandler Records, Subwoofer Records, Beast Factory, Industrial Philharmonics, Renesanz Records, Finder Records, Fresh Cut, Vortex Recordings, Oxytech Records, Black Drop, Echo Audio Records, Reload Records, Exclusive Music Selection, Weird Club Records, Solid Groove Records, Minimal Killer Traxx, Perfection Recordings, Tchncntrl, Musikpropaganda and many more (compilations)

Gigs with Kerstin Eden, AnGy KoRe, Pappenheimer, Niereich, Björn Torwellen, Diatek, Marika Rossa  

style:                  Techno / Industrial Techno
booking:             info@explospirit.de
license requests: info@explospirit.de

He started his career as an instrumentalist (guitar, piano) in Metal
and electro-/metal fusion bands, where he toured in Germany,
Austria, Switzerland, USA, Italy, Spain, Belgium, Netherlands, United
Kingdom, Sweden, Denmark, Hungary, Turkey and played in
numerous clubs and festivals in Europe and USA, such as Palladium/
NewYork and Roskilde Festival/Denmark.
In parallel, he produced electronic music in different styles and
started Djing.
At the moment he directs his focus of the harder techno , because he
believes that this is the most consistent and innovative development
of electronic music.
Meanwhile he has established in the global Techno-Scene and 28!
beatport top 100 placements (Hardtechno/Hardcore) in the year
2016/17 speak a clear language.

www.facebook.com/exploSpirit