Exportion:
映像作家／画家のYuki Izumiと音響作家Takahisa Hiraoの２人で2008年結成、活動を開始する。
「多重化、断片化されたサウンドおよびビジュアルの再構築、変形の値の模索」をコンセプトに環境音、楽器、電子音、人間の声、絵画、写真やビデオなどを駆使した作品制作、ライブパフォーマンス、視覚と聴覚の両方向からのアプローチを行う。その他ではソロまたはグループとしてこれまでにいくつかのサウンドプロジェクト、美術展への参加、また海外レーベルから作品のリリース、展示やダンス、演劇、映画の為のデザイン、楽曲提供等を行ってきた。
2012年から小原薫（NERAE)、小山　祐介（ふゆうか）の２人の加入をきっかけに、よりジャンルレスで柔軟性のある活動を目指してメンバーの増加を計り、現在の『アート／エクスペリメンタル集団』の原型を形成する。
Formed in 2008 by videographer painter Yuki Izumi and musicographer Takahisa Hirao.
Together, they take a dual, audio-video approach through recordings and live performances that incorporate environmental sounds, instrumental music, electronica and human voice as well as various painting mediums, photography and video.
Through their design and music contributions, they have played an active part in numerous sound projects, art exhibitions, dance and other stage performances, and films to date.
Since 2012, the duo began welcoming new members from diverse musical and visual backgrounds, all of who are free to collaborate or not collaborate on any given project so as to further enhance Exportion’s organic, “no fluff” approach. In doing so, the collective has been able to further defy genres and be more flexible in its pursuits, adapting its live performances to cover a wide array of themes and stage venues.

yukiiexportion@gmail.com

HTTP://SHELTER-PRESS.COM
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Shelter Press is a record label and publishing platform founded in 2012 by publisher Bartolomé Sanson and artist Félicia Atkinson building up dialogues between contemporary art, poetry and experimental music through printed publications and records.
Shelter Press is also carrying and collaborating on the releases of the Ideologic Organ, Recollection GRM and Portraits GRM labels.

Mantarochenrecords on Bandcamp: Mantamag & Music

Freaky Hiphop, funkige House beats, knackige Lines mit smoothen Vocals.
In-House Produktionen, Avantgarde bis Oldschool sexyness.

Clerck, Jabana, Freee.Will, Lee, Troy the boy ken, Lil schmae & mehr.

Ameera Michelle is one of the first amputee Singer/Songwriter/Producer. She is a lover of all Genres of Music and can write to any track. Ameera has been writing since the age of six and in 2017, she decided to take her writings and music to the next level. Her tracks are created out of experience and her music tells the story of her life. If you love a twist of RnB with Indie, you will love Ameera Michelle.

ambient ~ drone ~ organic ~ meditative sounds for free

download & stream full releases for free on bandcamp:  
https://anemone-rec.bandcamp.com

鳴らした場合
Narashitabaai

members :
Ippei Kato [ guitar ]
Yuki Kaneko [ electronics, tape, toys ]
Naoya Murata [ turntable ]

Web Store
https://penpekepen.stores.jp/

Soundcloud
https://soundcloud.com/narashitabaai

facebook
www.facebook.com/Narashitabaai

twitter
https://twitter.com/narashitabaai

mail:
narashitabaai[at]gmail.com

1st album 「ふつえぬ」 release!!

『鈴木勲OMA SOUND』『日野皓正クインテット』『渋さ知らズ』『三上寛trio』『Tabletop Guitars』などでギターを弾く加藤一平のリーダーバンド『鳴らした場合』が1stアルバム「ふつえぬ」をリリース！
『EDITS:編人』を主催し、『DJ 顔』『おやつタイム』を率いる村田直哉(turntable)。
『balen disc』を主催、『polyphonic parachute』『qb(quantized boys)』などに参加するyuki kaneko(electronics, tape, toys)が参加。

想い出が記憶の中でバグって、勘違いと美化の末に言葉と時間軸もすっ飛ばし、良い塩梅に発酵されたフォークミュージックに？もしくはたった今生まれたフォークロア。
モノトーンの朴訥としたモチーフがリアルタイムエフェクトで引き伸ばされたり、早回し、逆回転で姿を変え、ターンテーブルとエレクトロニクスによる多彩な音のカットアップによりキラキラとギラギラとコンポーズされていく。
淡く滲む情緒と激しく鋭いスピード感を伴ったギターは、ビート、声、楽器、非楽器の断片と共に、三人の妄想を飄々と形にし、聴いているうちにじんわりと何処かへ連れていかれたかと思えば、急に目の前の景色と結びついて生々しく立ち上がる。
そう言えば記憶の片隅にこびりついているあの三人組のサウンドトラック。
もしかしたらティーンエイジシンフォニー。 

balen disc
BALEN-009

01. D sleep 
02. えいしこ 
03. ふぃい～ゆき 
04. ふつえぬ 
05. しかぞく
06. らすく 
07. ぎあも
08. てぃぱ

Please Also Consider FOLLOWING My Other Accounts and those of my Many Collaborators As Well.  Thank You
Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

Experimental / Ambient / Drone producer from South London.

Runs First Terrace Records / Monthly show on Resonance Extra

Exportion is following