All enquiries: DJs@audiojackmusic.com 

Audiojack are a British DJ duo with a sound that ranges from deep minimal tech through house and garage. Their remixes have been commissioned by artists like Underworld, Basement Jaxx, Groove Armada and Hot Since 82, and their original music features on labels like Crosstown Rebels, Solid Grooves, DTFD, 8bit, Toolroom, Shall Not Fade, Knee Deep In Sound, 2020vision, and their own Gruuv.

Since forming Audiojack in 2006, lifelong DJs Jamie and Rich have played their grooves in over 70 countries, on many of the world’s finest dancefloors, which is exactly where they like to be…

Dance Regular - Selectors Assemble - CDR - Kaleido

TONIC HOUSE STUDIOS, SHEFFIELD
Studio time £260 a day.
Get your free quote now! Follow the link below to my website.
Or just DM to enquire.
Chilled vibe, broadcast quality productions in every style: R&B, Metal, Funk, Alt, Rap, Indie, Pop, Blues, Dance.

--

I'm a Music Producer, and a Recording and Mix Engineer from Sheffield, UK.

APPROACH

Each band has a sound, which is usually the sound they produce when they play together. If the singer needs a mic to be heard, then that band’s sound already relies on technology. But take technology too far, and you lose the essence of their sound.

All my productions sound as loud and energetic as the experience you have when you hear them play together – even when you turn the volume right down…

… that’s what technology is for me.


TECHNIQUE

I’m constantly innovating new production, recording and mixing techniques – and I don’t just mean I have all the latest whizz-bang plug-ins. And I’ve developed a post-production style that has become just as important to my recordings as pre-production.

I make each production better than the last by stubbornly pursuing what I consider to be great production style, while jarring my mind open to bands’ production influences…

…plug-ins don’t make great productions – I do!


OUTCOME

A good recording becomes a great production when people can easily identify it, and identify with it. So just as a well-produced album hangs together as a single work, so everything a band is (songs, clothes, lyrics, ethics, lighting, sound, artwork, performance, etc.) should be indisputably THAT BAND…

…this is what I capture.


BIOG

I'm a Music Producer, and a Recording and Mix Engineer from Sheffield UK.

My family were profoundly musical when I was growing up, and I was classically trained from an early age. But when I discovered alternative rock in my mid-teens, it completely changed my perception of “good music”. I taught myself guitar and bass, and I've been in bands ever since, constantly expanding my musical taste and appreciation.

I produced my first album when I was 19 and developed my sound engineering skills throughout my 20s in studios like Jump Recording Studio and the much reputed Yellow Arch Studios. I also got really slick during 9 years as a live sound engineer, working in well-known venues like the Leadmill, and touring venues like Cardiff Arena and Hammersmith Apollo.

In 2006, I opened up Ebb-Tone Recording Studio in Sheffield with my band mates. The sound quality of the studio has improved massively because of the investment made possible by success. I’ve been lucky enough to record every kind of band in every kind of style, including a whole bunch of albums.

When I produced Downslide’s self-titled debut album, we worked really hard together to produce something unique but honest. We used their influences as a focus: accessible urban flavours with heavy guitars and vocals. I'm dead pleased with the sound and the shape of the album, and especially that it's a true reflection of the band as they are.

I also produced “You’re An Ocean Deep My Brother” by Firesuite, which I really think is a classic album: relentless in places, mournful and evocative in others, and definitely an album that is much weightier than the sum of its constituent tracks. We did it together, and the form, sound and musicianship make it a real artistic success.

E-mail - soundtape.com@gmail.com
Website - www.soundtape.com

No. 1 in the world at restoring and mastering sound tapes!!!
Focusing on reggae cassettes recorded from 1980-2006 before the CD Era.
I will add high quality versions of cassette tapes free of charge to ‘promote dancehall reggae culture’ and to preserve our history- the right way.

I have purchased quite a few collections of tapes in the UK and I am interested in buying more.... contact me.

Eclectic DJ
Music Lover 

Grab my Tracks  on Beatport : https://www.beatport.com/artist/hoodini/473895

Next Events, podcasts & lives  -> https://linktr.ee/Hoodini

--> https://www.facebook.com/DjHoodini
--> https://instagram.com/djhoodini

XOXO

to book heist
Chris@uaagency.co.uk

Heist, also known as Strider if you’re looking to go way back into his discography, has been dominating, innovating and revolutionising speaker bins for 20 years now. No matter the year, his tunes always felt relevant, yet discernibly his, and in many cases were integral in pushing the limits of the Drum and Bass spectrum a bit further and a bit deeper than the status quo. His sound has travelled the ins and outs of the Drum and Bass super-highway many times, maturing as it grew from its humble yet bad and bashy beginnings found on classics like ‘Company 7’, ‘Beetle juice’, ‘Philly Styler’ and ‘Iron Hide’.

Also a badboy DJ for just as long (longer than heist in fact - he was dj’ing in the early 90’s under a different synonym). It’s tunes like ‘Go to work’, Sleep in ya eyes and ‘Don’t hold back’ as well as his high-octane DJ sets, that propelled him into super-stardom way-back-when. And in the minds of many, solidified Heist as a bonafide legend resulting in too many collaborations, endorsements and appearances to list. 
Having graced the catalogues of many iconic, foundational labels like Playaz, Charge, Ganja, V, Digital Soundboy, Frontline, Full Cycle, Philly Blunt, Low down deep and Metalheadz! All one needs to do to understand why Drum and Bass royalty like Dillinja, Hype, and Goldie, took notice so early on is…listen. Listen to any of it! It’s as though Heist had the foresight to be as fastidious about what he released to others as he has been about what he releases on his own signature imprints, Sumo Beatz, Calypso and Co-Lab.

Receiving previous critical acclaim whilst engineering for DNB forefather and legend, Goldie, as well as on his own celebrated productions, Heist has found a home for most of his current output on two-time award-winning label, Low Down Deep Recordings. Big things are coming on the label from Heist, like the cheeky ‘Bug Patrol’ and also ‘Felt Rich’ both doing dance floor damage from a host of DJ’s and support on BBC Radio 1, Kiss FM amongst other radio stations for both of these tracks and most likely more Heist bangers! Some exciting future projects are also in the works for a few labels that have yet to see the likes of Heist...The return of Sumo Beatz is also in store, with a bunch of ‘select cuts’ he has been just waiting to get out there on his own label. If history serves, there’s truly no telling what Heist will cook up next or how hard his freshly-brewed baselines will hit, but the future does look bright for the now DNB legend, to say the very least. With a plethora of music in the works as well as tour dates across Europe and the globe actively brewing in the cauldron, 2025 is looking deadly.

Professional audio mastering services. Basic rate starts at £35/£45(Digital/Vinyl) (GBP) per track. Get in touch for more information: leon@bespokeaudiomastering.co.uk

Dj & producer from Rotterdam. Co-boss at Boogie Cafe Records.

RIDDIM, SOUND, CULTURE, MOVEMENT, VIBRATION > > >
EVM128 & JAMES RUDIE, LABEL RUNNINS  https://www.danceregular.com

Extra Breaks is following