Ashes Ain't Enough

God Fist

Lyrics:

Suffocating

I am not alive
Pull me under the tides
Leave me empty of light
Telling me that I am nothing I know that it's true

Wasting away, it's leaving me lifeless
Trying desperately to find a purpose
Just eat me alive
Left for the vultures, I've seen my demise
Let me rot in disgrace with
Me myself and I
Left to rot in this fucking pigsty
Traces of my past coursing through my veins
I wanna slit my throat and leave the pavement stained

Why wait for death when I've got it right here in the palm of my hands again
Why beg for life
When I am not the one who gets to decide 

Only God will decide

What is right?
What is right?
Is this truly what I deserve?
Run and hide
Run and hide
Remove my soul, evict the earth 

Incinerate
Burn the very fucking core of my being and leave me empty and waiting
But nothings changing

Let me rot in disgrace with
Me myself and I
Hollowed out, dehumanized
Traces of my past coursing through my veins
I wanna slit my throat and leave the pavement stained

Why wait for death when I've got it right here in the palm of my hands again
Why beg for life
When I am not the one who gets to decide 

MYSELF & I

Guitars, bass, keys and all instrumentation: Dr. Aaron Keller
Lyrics and Vocals: Redouane Aouameur
Mixing and Mastering: Clint Luttjohann (Sounds of Chaos Below)

Gear:
Guitar: ESP LTD EC-401
Piano: Yamaha P-125
Bass: Ibanez SR300E
MIDI Plugins: Spitfire Labs
Guitar & Bass Plugins: Neural DSP Archetype Gojira, Petrucci, and Parallax
Drums: Krimh Drums
All vocals written and recorded by: Redouane Aouameur

Dr. Keller | Behind the Veneer of Civility | Feat. Redouane Aoumaeur

My Curse

GENERATION DCLXVI

Loosely inspired by "Balls to the Wall" heavy metal song by the German band Accept, which was released in 1983 as the title track of their fifth studio album. It's one of the band's most iconic and enduring songs, widely recognized in the metal genre for its powerful riff, rebellious energy, and politically charged lyrics.

Cross Drilled Crankshaft, features a slow, chugging guitar riff that builds intensity, a pounding, anthemic rhythm ideal for live audiences, Dirkschneider’s raspy style aggressive vocals, which deliver the lyrics with defiance, a strong, arena-rock chorus.

Axxell ft. Melody Von Allen - Cross Drilled Crankshaft

Whispered words in the dark night shadows 
Casting spells on the cold dirt meadow 
Fingers twitch like a mad magician 
Locked in a spellbound apparition  

Black smoke rising from a cracked old book 
Eyes like fire give a devilish look 
Chanting louder as the flames grow higher 
Burning hearts in a cursed desire

Abracadabra rock.mp3

You Motherfuckers .mp3

Metal/Death Metal/Industrial-Tinged Death Metal.

Official YouTube: https://www.youtube.com/@Hauntshade

Official Releases:
YouTube Music: https://music.youtube.com/channel/UCW9qc5B5KDyRQn5qZwvdcXw
Apple Music / iTunes: https://music.apple.com/nl/artist/hauntshade/1817374824
Spotify: https://open.spotify.com/artist/68cnPaXWK276LYnYQgBfOB
Deezer: https://www.deezer.com/nl/artist/327799491


Lyrics written by me.
Music created with AI.

Wasteland Wraith

New band I’m making called “Nullskin” making late 90’s nu metal tracks

The Only One

Music producer, armchair AI artist and deathbed songs provider pushing the boundaries of sound by blending human creativity with machine intelligence. Based in Canada, Rachel uses cutting-edge AI tools to generate melodies, harmonies, and soundscapes, which is then sculpt into immersive electronic compositions. OWW work explores the intersection of technology and emotion, often training custom AI models on personal sound libraries to create music that feels both familiar and otherworldly. Rachel releases have garnered attention for their innovation, appearing in digital art exhibitions and on experimental music platforms.

Poor Indians and Nigerians scammers you are very welcome to try your scams with me if you like and repost my tracks.