Unterschrift for solo piano (2019)
Dedicated to Pavlos Antoniadis
Besides his music, I was always attracted to  Beethoven’s manuscripts, that uneasy almost frenetic way in which he expressed his musical ideas. I went back to those manuscripts,  I was struck -above all- by his signature, the fragility in which the great Ludwig van sealed his works. Unterschrift is an investigation or perhaps a reflection on that space, on that periphery of his music. MT
Live performance at 2021 Contemporary Insights Summer Academy for Present-Day Music. Supported by the InSzene program of the German Music Council with funds from the Federal Government Commissioner for Culture and Media

Unterschrift (2019)

Mariana Stratta, Juliana Moreno & Patricia García, flutes.

Estaciones

Performed on 20 September 2014 at the Sint-Janskerk in Maastricht, as part of Musica Sacra 2014, by Arne Deforce (cello), RB & Patrick Delges (electronics). The electronic part is here mixed down from the original 8 channels. The score is available as a free pdf download from richardbarrettmusic.com - bear in mind however that the performance was of version 2.3, incorporating a few revisions of details, which has not yet (27 September 2014) been finalised and uploaded.

life-form (2012) for cello and electronics

Pieza acusmática encargada por el Mixtur Festival, estrenada el 21 de abril de 2016 en Barcelona. 
Todos los materiales fueron producidos con diferentes sintetizadores, digitales y analógicos (Buchla 200).

Wind1000

Mainly made with unprocessed piano sound recordings.

Fourth Garden: Exodus -for piano- (2018)

Let us imagine a small invented world, a micro universe where everything exists... matter, energy, spirit, telluric movements, mysteries, natural and supernatural forces. That world is whole and from afar, whoever watches, sees it as a living ocean.
This work was composed in the Musiques-Recherches studio and is dedicated to Annette Vande Gorne and Francis Dhomont.

La Mer Emeraude

AWARDS:

- FIRST PRIZE DESTELLOS FOUNDATION 2019 [Argentina]
- PRIZE FESTIVAL EXHIBITRONIC 2018 [France]
- LAUREAT BANC D'ESSAI 2018 | INA-GRM [France]
- HONORARY MENTION MÉTAMORPHOSES 2018 [Belgium]
- TERESA RAMPAZZI PRIZE | ASSOCIAZIONE DI INFORMATICA MUSICALE ITALIANA | XXII CIM 2018 [Italy]

Astérion

Astérion [2018]

Claustro 5.1 (for Huw Mcgregor) 

Derived from the Latin, "claustrum," meaning "shut-in" or "enclosure." Claustro is the third composition in a series of works which explore aural micro-space. A sounding place of improved intelligibility through greater aural intimacy. The work is an invitation to come in and listen out for the thin line between philia and phobia that such places evoke. The discontinuous and non-homogenous nature of acoustic space inspires the arrangement of sound materials here.  Recordings of original sound sources were conducted using a micro multichannel array designed and built in collaboration with Huw Mcgregor.

Claustro Stereo Reduction

WASTE LAND (2019)
FOR SOLO AMPLIFIED & PREPARED MARIMBA, PREPARED TRANSDUCER & PRE-RECORDED ELECTRONICS.
Live recording on Abril 5, 2019 at the Festival Mostra Sonora de Sueca
Valencia, Spain.
Marimba: Juanjo Guillem

WASTE LAND

Alquimia, Magia, Sueños

Ezequiel Esquenazi.
Profesor de composición, improvisador.
Compuso piezas para orquesta, ensambles, instrumentos solistas, electroacústicas y mixtas. Sus obras fueron estrenadas y programadas en festivales de Argentina, Suiza, Bélgica, Francia, Chile, México, EEUU y España. 
Durante 2010 fue becario en el Laboratorio de Investigación y Producción Musical de Buenos Aires.
En 2011 su pieza electroacústica “Caída, memoria y restitución”  recibió el segundo premio en el concurso organizado conjuntamente por las fundaciones Destellos (Argentina), Motus (Francia) y Phonos (España).
Actualmente es coordinador de producción del festival de Música Contemporánea “Nuevas Músicas por la Memoria”.
En 2015 Kohlenstoff Records, sello radicado en Montreal (Canadá), dedicado a la música acusmática y experimental, edita su álbum "Conflictos con la Metafora".


Ezequiel Esquenazi
He graduated as Composer.  
He  wrote music for orchestra, ensemble, soloist instruments , electroacustic and mixed works. His music has been played in Argentina, Switzerland, Belgium, France, Chile, México and Spain. He also performs musical improvisation. 
In 2010 he was  granted a scholarship  at the Investigation and Musical production Laboratory (LIPM, Buenos Aires, Argentina)
In 2011  Destellos foundation (Argentina), Motus foundation (France) and Phonos foundation awarded  him the Second prize for his work “Caída, memoria y restitución” (Fall, memory and restitution) 
At present , hi is coordinating the production  of the contemporary music Festival Nuevas músicas por la Memoria (New Music for memory), in Buenos Aires, Argentina. 
In 2015 Kohlenstoff Records, based in Montreal (Canada), dedicated to acousmatic and experimental music, released his album "Conflictos con la Metáfora".

Wind1000

Ezequiel Esquenazi

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