LA VOCE DELLE PERLE CHE SI SVEGLIANO DI NOTTE
IL PIANOFORTE DI GHIACCIO
IL GESTO CHE INCANTA IL SUOLO

ALATA ONDA 3 SONGS

Glass Top Redux :: https://ericfrye.bandcamp.com/album/glass-top-redux

Glass Top Redux

Dimitry's Promenade

Primeiro single extraído de 'Selections 2', mais recente EP de usof, editado a 31 de Março de 2022.

ORDER: rottenfresh.bandcamp.com/album/selections-2

usof - definite [FRUIT28]

Goddaughter - Goddaughter C38. Available Summer MMXXII
Echoes of music smeared with urban field recordings from NY's Weston Czerkies (Magnetic Coroner / Prime Ruin). Simply GORGEOUS! Limited to 80 copies with screen printed artwork.

Goddaughter - Goddaughter C38 (Excerpts)

SHT001

Space Fetus

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

"Pulsar Acid" is OUT NOW on SUPERPANG
https://superpang.bandcamp.com/album/pulsar-acid
Watch the video:
https://youtu.be/HrG6n9Wc3KE

*Playback on stereo speakers is recommended, otherwise single stems might not be audible*

Composed and produced by Jung An Tagen & Eric Frye
Software by Marcin Pietruszewski
Mixing and mastering by Jung An Tagen
credits
design: Joe Gilmore
released October 10, 2020

Jung/Frye - "Pulsar Acid"

grow ft. nueen

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

"Intimate Ghosting", a compilation album featuring nine musicians from Japan and South Korea, is being newly introduced to the roster of the Netherlands/US-based record label Psychic Liberation. Under the curation of novelist and musician Jiyoung Wi, the album contains the works of Arexibo (KR), Arles (KR), bela (KR), Jiyoung Wi (KR), Joyul (KR), Kazumichi Komatsu (JP), Kenji (JP), Ultrafog (JP), and Yeong Die (KR). ‘Intimate Ghosting’ is a lucid invitation to the effervescente sonic field progressing throughout the experimental, left-field, ambient music communities of said regions. The album artwork is from Moon Bae, an artist working in the US and South Korea.

Curation : Jiyoung Wi
Mastered : Elizabeth Davis
Design : Moon Bae

Distributed in the United States by Fantastique LLC

ALATA ONDA 3 SONGS

Francesco Cavaliere !

Recent comments

Columbo On Acid

ASOA XXX2.55555 

Francesco Cavaliere !

Francesco Cavaliere !

Related tracks