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Marco Lucchi - Synth
Filippo Panichi - Guitar

Marco Lucchi & Filippo Panichi - The High Tide is Taking Everything

Marco Lucchi - organ and synthesizers
Filippo Panichi - guitars, drum machine, bass synth

Marco Lucchi & Filippo Panichi - Triumph

This track was made as a contribute to Zoviet France open remix project https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix
The samples were live scrambled together with Lyra 8 synth (also played live), using a software called Forester, made by Leafcutter John. The result was recorded direct to disk, so no editing

ZF 23 24 7

There are some beats here, just for a change. They are made with some silicone membranes whose normal use would be to cover food bowls. Soma ROAT and Aqusmatiq Dedalus Delay add a little of controlled chaos.

≸ }{ P ͣ }{ 42 °•  ⩨

One of several improvisations that i recorded in the attempt to build a live set based only on a guitar and effects, that doesn't sound like guitar music. So far I haven't been able to avoid some...ehm...guitar playing, so I keep trying 🙂

sifting the sand

Sifting The Sand

Some time ago i noticed that both me and Gianluca Favaron had made 2 tracks with the same title, Duning-Kruger Effect. So i had this idea of cross-breeding the tracks to make a (Dunning-Kruger)² track. This was made in a sort of dada way, applying to the 2 files a process intended to do something else: the "ambience" of one track is superimposed on the other using the process called Falltung in zeit from the Akra Rabelais' app, ARGEÏPHONTES LYRE (https://akirarabelais.com/al/). The track by Gianluca that you can listen here https://abshe.bandcamp.com/track/dunning-kruger-effect was "applied" on mine, that's here https://soundcloud.com/f-p/dunningkruger-effect

Micarea bauschiana

Micarea Bauschiana

when I change guitar strings I don't cut the part that is left over, like civilized people do, but I leave it and use it sometimes to make noises or to stop some strings from playing. In this case I "played" only these pieces of string, without touching the guitar

offshoots

Another Norns' instrument explored (this one for who's interested https://norns.community/time-rhythm) + some field recordings of cicadas from last summer. The image for the track is a frame from a russian '92 movie called Contact

CLICKS+

Synth analogico (Dark Energy), effetti, registrazioni e interferenze radio da qui: http://websdr.ewi.utwente.nl:8901/
Non ci sono fade perché è un loop...
Analog synth (Dark Energy), effects, radio recordings & interferences from here: http://websdr.ewi.utwente.nl:8901/
There are no fades because it's made to be looped...

Dunning–Kruger Effect

A sort of mating between the track Totentanz by Henrik Meierkord with Marco Lucchi and a stainless steel railing played by me as an instrument.

Henrik Meierkord : cello, hurdy-gurdy, violin, fx and electronics
Marco Lucchi : analog synth, tape and mix down
Filippo Panichi: Argeïphontes Lyre
music by Henrik Meierkord and Marco Lucchi
here the original track: https://soundcloud.com/marcolucchi/totentanz
* based on "Średniowiecze II" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/sredniowiecze-ii

zuɐʇuǝʇoʇ (Henrik Meierkord & Marco Lucchi)

Down The Long Drive And Then Northwards Along (from piano pattern no.2 by Marco Lucchi)

·sʇuǝɯᴉɹǝdxǝ ɔᴉʇsnoɔɐoɹʇɔǝๅǝ ⅋ ʇuǝᴉqɯɐ ʻǝsᴉou ǝpɐɯǝɯoH.
More https://soundcloud.com/groundloops

Filippo Panichi

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