Antonella Anela, a.k.a. ANELA born in Belgium. She started as a model till when discovered the Techno that was love at first sight. She turned her passion into a job. First deejay, she was is a producer of her own tracks. Anela has an intense musical background also achieved in Amsterdam, today she is ready with her style to play in to most famous clubs in  Europe.

Contact (Bookings, Promos, Remix) : 
booking@aneladj.com

F.R.E.D. AKA (Derek Mc Manus) started his DJing career in 2006 learning his trade on the decks of Trinity Rooms Nightclub initially grabbing opportunities to experiment during 'breaks' from his day job there as a storeperson. It wasn't long before Derek's DJing talents were spotted and his day job was quickly made into a night job as he was made a resident at the club. Fast-track forward 5 years and Derek has come a long way supporting the likes of Deadmau5, Dave Seaman, Japanese Popstars, James Zabiela Marco V, Mauro Picotto, Ferry Corsten, Eric Prydz, Sander Van Doorn, Dave Clarke, Pyscatron, Felix Da Housecat, Leeroy (Prodigy), and also played back to back with Eddie Halliwell in Trinity Rooms while finding time to play in the PlanetLove Festival twice. After DJing success he began running his own clubnight Sunday Sessions which hosted top Irish acts such as Ian O'Donovan and Psycatron whilst giving local acts opportunity to play as he had been given.

Derek was also a resident and promoter at one of Ireland's top clubnights BUNGA BUNGA playing with the likes of Mark Knight, Luigi Rocca and Ant Brooks where his style has moved on from his early progressive years to what is now bouncy  to chunky Tech House and Techno. He has also been hosted on the main stage at the Aquaphonic Festival in the Czech Republic played at Electric Picinic, Egg London And Oxegen Festival. 

These days Derek is full time in the studio. Producing his forward driving Techno sound. The future is bright for F.R.E.D.'S productions and releases with track support from 

Marco Carola, Ritchie Hawtin, Maceo Plex, Marcel Dettman, John Digweed, Laurent Garnier, Solomun, Ilario Alicante, Danny Taneglia, Nic Fanciuli, Chris Lake, Paco Osuna, Paul Okenfold, Roger sanchez, Claptone and many more. 

https://www.facebook.com/FREDTechnoMusic

https://open.spotify.com/artist/5uqGys6blcgk3z48s24EvE?si=hBRAjMQPS0Wji5uB_Baghg

https://www.beatport.com/artist/f-r-e-d/270901

Check out RazeRecords on #SoundCloud
https://soundcloud.com/user-441922887-480424100?ref=clipboard&p=a&c=0

Anfisa Letyago Naples based Dj and Producer

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


JaYne is an Irish songstress. Drawing a well of inspiration from experiences and observations on life, love, politics, travel and her home town of Limerick in the west of Ireland. Her love of jazz and soul music shine through her melodies and vocal style.

Hey,

nice to meet you in my profil. I' a Tech House & Techno producer and DJ from Stuttgart - Germany. Don't forget to like and follow ;)

Peace

Self made music Ambassador
Check out my Auto-Biography "Positive Energy"

Booking infos:
bookings@nakadia.com

Farnan is an Irish Dj/Producer and has been well round the block of underground raves and parties since near the beginning. With 20+ years under his belt he has evolved with the music and now rests his soul in the Techno department.

His productions are hitting the right notes here and his Djing skills next level. This Irish man is sure to please most techno tastes. His style varies from pumping driving techno to insane Acid rhythm.

Having found his love for techno in the slower bpm range for the big synths and kick drums, Vollans now finds himself mixing the faster, groovier drums and tribal percussions that still incorporate the euphoric elements that captured him from the start.

Now known for his productions of rolling and percussive techno drums coupled with euphoric synths and vocals chops, his records are beginning to gain traction and recognition in the Leeds and Manchester scenes. He continues to craft a sound around the harder more rolling grooves of techno.

Jon Rundell's Upcoming Gigs
Fri 20 Mar, 20 
Midi Club, Cluj-Napoca, Romania

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F.R.E.D. is following