Yelnatsniw<>Winstanley..his interesting name is of Anglo-Saxon origin, and is a locational name from Winstanley, near Manchester, in Lancashire. The placename is composed of the Old English pre 7th Century personal name "Wynstan", composed of the elements "wynn", joy and "stan", stone plus the Olde English word "leah", which originally meant a forest, but later "a clearing in a forest". Thus the placename could translate as Wynstan's forest, clearing or enclosure in a forest. It was recorded as "Unstanesle" in the Lancashire Pipe Rolls (1206) and as "Winstanesle" in the Feet of Fines (1212). The surname itself first appears in the late 12th Century. One Hugh de Wynstanlegh was recorded in Lancashire in 1387 in the Lancashire Inquisitions. The Wills at Chester in 1555 mention a James Winstanley, of Winstanley. A notable namebearer was Gerrard Winstanley, who came to notice in 1649, when leading a band of men who cultivated waste land in Surrey to assert the right of common people to do so without paying rent. Henry Winstanley (1644 - 1703) was the engineer who designed the Eddystone lighthouse in 1696, and lost his life in a storm which also destroyed it. Five Coats of Arms have been granted to Winstanley families including that of Sir Thomas Winstanley of Lancashire (circa 1216), one of the knights attendant on the Black Prince in the expedition into Spain, which depicts two silver bars in chief and three red crosses formee, on a gold shield. The first recorded spelling of the family name is shown to be that of Roger de Winstanley, which was dated 1199, in the "Pipe Rolls of Lancashire", during the reign of King Richard 1st, known as "Richard the Lionheart", 1189 - 1199. Surnames became necessary when governments introduced personal taxation. In England this was known as Poll Tax. Throughout the centuries, surnames in every country have continued to "develop" often leading to astonishing variants of the original spelling.

Suly John aka Bioplazm, started his project in the mids of 2007 playing full on night. In the beggining of 2008 finds his style in progressive trance and  progressive dark trance, playing in parties of the Zona da Mata mineira region. In 2009 performes in Ark Preview in Timóteo, sharing the stage with Necropsyco. In the mids of 2009 he performes at Symbiose in Cataguases sharing the stage with Scrovinsky, Bruno Barudi among others and also performes at Auryum – Mariana. In the beggining of 2012 starts his project in the same styles mentions before seeking to evolve his acquired knowledge. In 2013/2014 performes at After FAK 2013, Fluence open-air Mariana, Fritolândia #01 Viçosa, Novo ciclo Viçosa, Psychogenesis 1 e 2 , sharing the stage once again with Necropsycho and with Tijah, Dizza and Errado, among other artists from the Minas Gerais scene. this year he performed at Magic Forest 1 Viçosa, Atmospheric Lafaiete, ended as a sub the Mundo Imaginário festival, 3 h long set at Freeday in Santos Dumont. Organizes various parties in Viçosa – MG.

#goa #industrial #videoGameMusic #violin #eletricViolin



What happens if you combine two musicians who live and breathe epic and hardhitting cinematic music? It get’s even more epic and cinematic! Welcome to Toxic Recordings, a company created by a professional duo formed by Martijn de Bont and Robert Slump.

Toxic Recordings delivers epic and thundering cinematic rock and metal tracks combined with dubstep and electro elements, industrial music, and stunning trailer music. Toxic Recordings delivers professional music for trailers, movies and games, tv spots, advertising, commercials, media entertainment, youtube, gaming channels, previews and TV programs, news, featurettes, promotional videos, product presentations, crowdfunding projects and business related videos & presentations.

#edm #arrangement #orchestral #composition #contemporaryClassical #violin

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