⸝⸝ 💿 ︴ ‧₊˚ aᥣᴇ᥊ ᵍ .﹍ ᵗʳᵃᶜᵏ 𝟎.7 ﹗║ 𖦹
   ╰ “Met a boy who likes my body
Said he wants to break your teeth”
ꕀꕀꕀꕀꕀꕀꕀꕀꕀꕀ
      ·̠ paranoia.com

һᥱᥣᥣₒ﹗ 
      ₙₒₜₑ : cut everyone

﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊
     “ I hope you like the confusing musical taste ”
﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊﹊
𖦹 : 
    
   𝐈’𝗆 𝖺 minor
     .̠ and love Alex G , VacationsBand , etc
 
my favorite album is: ... 
 
   “    ﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
            Andrew Blaze (born Andrew Stair; January 13, 1992 - June 8, 2015) was a gamer, blogger, activist, and a Crimsonite shooter. He is known for blogging private website for friends at Facebook from 2012 and shooting and killing students and teachers at The Westborough High Massacre.
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌     ”

  I will answer you if you call me
Im from 🇧🇷 
  *★
       

That one guy who (did) uploaded a lot of thd songs
NONE ARE MINE I AM NOT THE CREATOR

Gooseberry is a trio from Brooklyn, New York born during the Fall of 2019. Their combination of alternative rock, indie, and blues is a recipe for a unique sound that Gooseberry delivers in each song. The band consists of Asa Daniels (guitar, vocals), Evin Rossington (drums), and Will Hammond (bass).

Since the release of their 2022 debut EP Broken Dance, Brooklyn, NY indie rock trio Gooseberry have been busy. Their eminently engaging music has tickled the ears and stirred the hearts of both music fans and the industry itself. The band has racked up hundreds of thousands of streams, garnered praise from editorial stalwarts Under the Radar, Ones to Watch, and more. 

Yet, more than anything, in the ten months since the release, Asa Daniels (guitar, vocals), Evin Rossington (drums), and Will Hammond (bass) have been focused on doing what they do best: playing shows. Deeply connected to the scene in NYC and Brooklyn, they have dazzled crowds from the iconic Baby’s All Right to the legendary Knitting Factory. “We are super fortunate to call a lot of really great - and buzzing - NYC bands our friends” says Daniels. “We feel ourselves part of that community and eternally grateful for being welcomed with such open arms. Our hometown has truly shaped what this band has become.” Gooseberry has played all along the east coast, often with local heartthrobs (My Son The Doctor, Meyru, Cab Ellis) and major touring acts (BabyJake, Grady Spencer & The Work, Tanner Usrey, Maybird) alike.

Now, the power trio is back with a new slate of songs born in Greenpoint and honed to perfection on the road. Conceived and fleshed out over the course of a year, Validate Me as a cohesive piece of art eloquently showcases the unique alternative rock sound that is wholly Gooseberry. “Life as a trio allows us to really lean into dynamics,” explains Daniels. “We can hit you with a squall of distortion and guttural shouts, then shift on a dime and sing you a lullaby.”  

Thematically, Validate Me grapples with the relationship between love and making art, magnifying the sacrifices and leaps of faith both require. “Anger as a device can lead to both polished and rough expressions of passion,” says Daniels. “Much of that anger manifests from fear, which drives us down many wayward paths, whether it be fear of rejection, fear of too much understanding, or fear of losing control.”

In addition to Daniels, Rossington, and Hammond, the record features performances by honorary fourth member, Dan Janis, on saxophone and flute. Tracked at two Manhattan studios, Precision Sound Studios and Orbital Music & Sound, the record was produced by the band along with Grammy-nominated engineer Colin Bryson. Longtime collaborator and Grammy-award winning engineer James Meslin (Dream Theater, Liquid Tension, John Petrucci) mixed the record. 

What the trio created during these sessions is a record that is foundationally, fundamentally, whole-heartedly Gooseberry. No more, no less. Daniels’s dynamic songwriting soaring over Rossington’s bombastic drums; Hammond’s fluid bass lines the glue holding it all together. Road-keen musicianship wrapped around witty lyricism. More than anything, though, Validate Me proves that Gooseberry knows exactly who they are – gritty rock born at the nexus of DIY and arena-ready pop – and good god they are unapologetic about it.

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