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La Roux X CRW - In For The Love (Volaris Sin City Bootleg)

Hey Guys, here we are again at Aperitivo time! Grab a Spritz or a Martini, enjoy them while soaking in a sunset brimming with emotions, dreams, and love. Dive in fully and drop me a comment and a like... but most importantly, let's connect with ourselves. Cheers! 🌅🎶

L' Aperitivo #32

"🎶 Just dropped a time-bending remix of The Cure's 'Lullaby' featuring a mysterious rock vocalist and the unique flow of American rapper King Marino, all crafted by the producer Faber J. Rheder! 🚀✨ EDM meets nostalgia in a bass house twist that's sure to get you moving. Whether you're a die-hard Cure fan or an EDM enthusiast, this remix is the ultimate sonic journey. 🔥 Dive into the cross-generational dance party now! 💃🕺 

Lullaby [The Cure Cover]
(Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Roger O'Donnell / Simon Gallup)
Produced by Faber J. Rheder & Raxer Sound
Vocal: Mysterious Rock Singer
Rapping: King Marino
Executive Producers: Faber J. Rheder & Manel Martinez Marti

Lullaby

Lullaby (The Cure Cover)

I present to you once again the deep house cover of Alice Cooper's "Poison," now reimagined in a mesmerizing dub version titled "BOA." This hypnotic cadence, where the resonance of nostalgia harmoniously intertwines with the captivating fusion of deep house and nostalgia in "BOA". 🔊

Credits:
Poison (Boa Dub)
Music & Lyrics: Alice Cooper / Desmond Child / John M. McCurry
feat. Big Tia

Producer, Mixing, Matser: Faber J. Rheder
Art Director: Faber J. Rheder
Executive Producers: Faber J. Rheder & Manel Martinez marti

Poison (Boa Dub)

In 1991, I composed and produced "The Flames Sound," the opening track of my debut album "Music Violence." This song was a bold fusion of Techno Pop, electronic pop, and the funeral march of our newly formed group, "The Flames," just two years prior.

The pure energy of that era marked a 360-degree shift, extinguishing the flames of the past and initiating a complete transformation from Rock to Techno Acid blended with Electronic Pop. "Music Violence," with its 14 tracks, is now a demo album, yet it retains the overwhelming energy of youthful creativity, akin to a hurricane.

Today, I am thrilled to present its extraordinary evolution:

🚀 The Flames Sanctuary (2023): A journey through time - the same track now reimagined in an orchestral style reminiscent of a Batman soundtrack. The opening of my new EP, "Tarantula." Experience the evolution on [Insert SoundCloud/Bandcamp/YouTube link].

🎶 The Flames Sound (1991): Relive the golden era by listening to the track that defined a generation. Available on [Insert SoundCloud/Bandcamp/YouTube link].

And for the closest fans, I have a special surprise! "The Flames Sound" is now exclusively available to Bandcamp subscribers, accompanied by unreleased photographic and graphic material from that era. Thank you for always being by my side on this musical journey. 🎵✨ #TheFlamesSound #MusicViolence #TarantulaEP #MusicalMemories #TheFlamesSanctuary #BandcampExclusive

The Flames Sanctuary

About 10 years ago, the idea of covering Alice Cooper’s “Poison” struck me. Since then, I envisioned a sweet and melancholic version of this iconic song. During production, surprisingly, I steered towards a style that could have easily accompanied a Christmas perfume commercial, rather than recreating Alice Cooper’s original hard rock version.

My journey began in a recording studio in Barcelona, where I recorded a rock demo as a starting point. From there, I started to “muck around with everything,” experimenting and trying to capture the unique essence I had in mind. Two years ago, I released a Deep House version, jealously preserving my orchestral interpretation, hoping to enhance it over time.

Finally, this Xmas, I unveil “Poison (Orchestral),” performed by Big Tia and arranged together with Sebastian G. This version continues a parallel line in my discography, alternating between electronic and more “Classical” music, played with the piano or with a more Cinematic/Soundtrack or Orchestral style, a direction I embarked on last year with “Autunno [EP]and this year with “Inverno” [EP].

I hope this new interpretation resonates with you and conveys the intense emotions that guided me in its creation. Share your thoughts, and expect something special this Xmas!

Poison (Warmer Master)

About 10 years ago, the idea of covering Alice Cooper's "Poison" struck me. Since then, I envisioned a sweet and melancholic version of this iconic song. During production, surprisingly, I steered towards a style that could have easily accompanied a Christmas perfume commercial, rather than recreating Alice Cooper's original hard rock version.

My journey began in a recording studio in Barcelona, where I recorded a rock demo as a starting point. From there, I started to "muck around with everything," experimenting and trying to capture the unique essence I had in mind. Two years ago, I released a Deep House version, jealously preserving my orchestral interpretation, hoping to enhance it over time.

Finally, on December 22nd, I will unveil "Poison (Orchestral)," performed by Big Tia and arranged together with Sebastian G. This version continues a parallel line in my discography, alternating between electronic and more "Classical" music, played with the piano or with a more Cinematic/Soundtrack or Orchestral style, a direction I embarked on last year with "Autunno [EP] o this year with "Inverno" [EP].

I hope this new interpretation resonates with you and conveys the intense emotions that guided me in its creation. Share your thoughts, and expect something special this Xmas! 

Credits:
Poison (Instrumental Orchestral)
Music & Lyrics: Alice Cooper / Desmond Child / John M. McCurry

Producer, Mixing, Master: Faber J. Rheder
Orchestral Production: Faber J. Rheder & Sebastian G.
Art Director: Faber J. Rheder
Executive Producers: Faber J. Rheder & Manel Martinez marti

Poison (Instrumental Orchestral)

Poison (Orchestral)

Welcome to the future of music! 'RE-EVOLUTION,' from my album RE-USED, blends 80s synth-pop with a modern twist. The promotion highlights the human-AI duality, exploring how technology shapes our evolution. Embark on a retro-futuristic journey with me. It's time for the RE-EVOLUTION!"

Faber J. Rheder: RE-EVOLUTION
Music & Lyrics by Faber J. Rheder
Produced by Faber J. Rheder 
Executive Producers: Faber J. Rheder & Manel Martinez Marti

Re-Evolution

80s  VS 90s
mixed and selected by FJR Faber J. Rheder

80s VS 90s: Re-Evolution

"Flowers" (Lyrics)
Love hurts / Renaissance feels...
Love balls / Drops of Ecstasy
Love loves / Subliminal beats...

Love Love is strong, It's pure, It's a genius 
Boom, Boom, Boom, Boom 
Expltion of polysex, 

Flowers / Corazon y labios juntos son
Flowers / Este amor es una caje de amor
Flowers, Flowers

Que el curso pide y necesita bailar...

(Deep in colors, Deep as lovers, Deep in Flowers, Deep in dance
Deep in pleasure, Deep in rainbows, un, dos, tres...).

Love hurts / Vamos niño
Renaissance feels...
Ven pa' ca' y vamos a bailar
Love balls / Drops of Ecstasy
¡A moverse!, ¡a moverse !
Love loves / Ven pa' ca'
Subliminal beats... 

Love is strong!, It's pure!, It's a genius! 
Boom, Boom, Boom, Boom 
Explotion of polysex, 

Flowers / Corazon y labios juntos son
Flowers / Este amor es una caje de...
Flowers, Flowers

Flowers
Somos una bomba / Un explosivo de placer 
Ven pa' ca' y ¿Muévete!  (Flowers)
Que mi cuerpo pide..., 
Mi cuerpo pide y necesita bailar  (Oye, Flowers)
¿Muévete niño! (Flowers)
Ve pa' ca' / Bailar / Ven a ca' 
Que el cuerpo pide y necesita bailar 
¡A moverse !

Flowers
Quiero mover todo mi cuerpo y Bailar
Flowers, (Este amor es un acoge de )
El amor sube, sube, cuando tu lo amas
Flowers
¿A Moverse!

Quiero mover mi cuerpo en ti
Quiero mover mi cuerpo en ti
Quiero mover mi cuerpo en ti
Me atrapas hogándome de amor

Flowers (Credits)
Vocals: Faber J. Rheder
Vocal & Chorus: Niurka
Chorus: Karol
Guitar (Acustic) & Chorus: Andrea Anzaldi
Produced by Faber J. Rheder
Executive Producers: Faber J. Rheder & Manel Martinez Marti
Music & Lyrics by Faber J. Rheder (Fabrizio Cucciniello Cenni)

Flowers (Spanglish Slowed Re-Work)

Flowers (Spanglish Slowed Re - Work)

FJR [Faber J. Rheder] has constantly deal with his opposites,...
"We strive to be linear, normal but we ❤️ trasgretion, desconection".
Music makes us live in the moment without thinking and balance the opposites".
FJR DJ sets bring you in a journey inside out feeling through multi genres from funky soulful to deep, house, melodic techno touching those opposites to play with happiness.

Lullaby

Faber J. Rheder

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