Uma boa onda grande que nos envia aqui. No surf, cuidado com o Wipe out !

Really rocking and melodic at the same time, great song

Nice interludes at 55% and the end with otherwise a sonic magic carpet ride for all

Silver and Gold

Recorded at Studio 15 by fabiano matiolla
fabiano matiolla - All guitars, bass, keybords and drum samples...
Release date: 20-08-2021

◆Spotify: https://open.spotify.com/album/5At71bluc7MP4PdagdjWMT?si=xnLMXm55STqFOmgbpXm-tA&nd=1
◆Tidal: https://tidal.com/browse/album/193952888
◆Deezer: https://www.deezer.com/us/album/251269352?deferredFl=1
◆Apple: https://music.apple.com/us/album/surf-alone/1580793528?i=1580793529
◆Soundcloud: https://soundcloud.com/fabianomatiolla
◆Instagram: https://www.instagram.com/fabianomatiolla
◆Qobuz: https://www.qobuz.com/nz-en/album/surf-alone-fabiano-matiolla/k6q406srg2i4a

Surf Alone

2/2 2022

Synthesizers:
Behringer ARP 2600   --- dripping sounds
Novation Summit
DeepMind 12
Roland TR8


Reposting a message from Jennyfer Aninavi Kiev UKRAINE

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...Pray for all the innocent living in Ukraine...
Please help to rise donations, and repost it!

@user-341120493

Purple twilight

Shell/Fox Ears

some more fun with my talented friend Georg

Moon Stars  w/ Georg Boehme

Colaboração com meu grande amigo @IPG1, em seu vocal de fogo, fiz o instrumental em dope eletronics style's... cinematic elements, urban flow!

Original Vocal - www.soundcloud.com/ipg1/heavy-magic-vox-94-bpm

Save The Nature!

Heavy Magic - IPG1 (prod. Assá)

Poverty
The "Schwabengehen", which finds its first mentions already in the 16th and 17th century, experienced its peak in the 19th century. It is estimated that at that time five to six thousand children worked annually on farms abroad as herd boys, maids or as farmhands. The background to this was the extremely low soil yields in the alpine regions and the associated poverty, which drove parents to send one or more of their numerous children abroad.

The Ways
The ways from Tyrol and Vorarlberg or from Switzerland to Upper Swabia were long and arduous. For some of the children, most of whom were between 5 and 14 years old, it led over mountain passes such as the Arlberg, which were usually still covered in snow in March and which many had to overcome with poor shoes and scanty clothing. Usually their companion was an adult, sometimes a priest, who made sure along the way that the children could settle down to sleep in warm stables and who negotiated prices at the markets. The construction of the Arlberg railroad in 1884 made the journey easier for the Tyrolean children.

The "children's markets" in Upper Swabia usually took place around Josephi (March 19). At Simon and Juda (end of October) or at the latest at Martini (November 11) they went back home. In the luggage were then the so-called "Doppelt Häs" (a double set of clothes from the headgear to the footwear) and, depending on the age and the negotiated price, a few guilders.

The Hütekinder arrived at the port of Friedrichshafen by ship from Bregenz. Since 1891, the central market place for the Hütekinder was in Karlstraße in Friedrichshafen. The children who were not placed traveled by train to Ravensburg to be placed there.

The work
In their homeland, Swabian children were exempted from compulsory schooling every year, and in the Kingdom of Württemberg the compulsory schooling that had existed there since 1836 did not apply to foreign children. The politically repeatedly demanded extension of compulsory schooling was prevented until 1921 by an Upper Swabian farmers' lobby.

Schwabenkinder (Swabian Children)

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, Arrangement & production

From the age of 15 when I first stepped into the world of employment I was told it would be a major advantage to get a job that lasted through to the State retirement age of 65. At the time I'll admit it was not something I took at all seriously.  When you’re that age, the last thing on your mind is bloody retirement.   

However, by the time I reached my early 50’s and had been diagnosed with multiple sclerosis, my mind became a little more concentrated on reaching what might now  conceivably prove to be an eminently missable target.  In the interim, the UK government decided that, given the population was living considerably longer than it once had, they would incrementally be raising the retirement age, meaning that mine now became 66. 

Our dear old Nan was a dedicated Bingo player and knew that number callers used particular phrases for certain numbers, one of the best known being 66, known as  ‘Clickety Click’.  So reaching pensionable age became inextricably linked to Bingo, hence the title and subject matter of this song.   

The number one - ‘Kelly’s Eye’ - seemed a good place to start and having done some fascinating research, I worked my way through the Bingo calls, choosing the ones whose scansion worked best, until I reached the magic ‘Clickety Click'.  

As the chorus explains, there were no guarantees I’d actually get there, it was just a target.  But I did get there and this song celebrates the fact.  

The song ends with the traditional exclamation of the player who has won the game, being either ‘House!’ or ‘Bingo!’.  When I was recording the vocals, my constant and beautiful companion Marvin (it is he who is pictured in the cover art) reacted to my shouts with a loud bark, perfectly in time, so we decided to keep it in.  Marv is with me at 99% of the recordings and enjoys being involved when the opportunity presents.

As always, huge thanks to the wonderful Hans Albers for another brilliant backing track which is, as I think you’ll agree, perfect for the song.  That man is a genius.
Thanks so much for listening.   (Terry Reeves)


It all started with Ned Kelly’s eye (1)
A cup of tea (3) to stop going dry
Tom Mix (6) wearing hat, riding fast
Monkey’s cousin (12) hanging, trying to last
Key of the door (21), two little ducks (22)
Paid half a crown (26), keep up the luck
In a state (28), rise and shine (29) but alive
One dirty knee (33) to help jump and jive (35)

Sixty six not to preconceive
Sixty six, a target to achieve

Half way to laugh, more than eleven (37)
As life begins (40), time for fun (41) isn’t heaven
Up to tricks (46) towards four dozen (48)
Five-0, Five-0, it’s off to work (50) with percussion
Danny la Rue (52), a man at the door (54)
The snakes are alive (55) but don’t wriggle more
Shotts bus (56) to Scotland, check the sign
Variety of Heinz (57) to the Brighton Line (59)

Sixty six not to preconceive
Sixty six a target to achieve

A baker’s bun (61) all tickety boo (62)
Tickle me (63), almost retired (64) laughing too
Retirement age(65), it should have been fun
Clickety click (66), getting paid
Take the money and run  
Route 66, nearly there
Clickety click, the sound of my wheelchair

CLICKETY CLICK - CRIPPLE CLUB & HANS ALBERS

Feuerfanz

A sleepless night

Peter Pasch aka @docfritz > Drums / Remix & Production
Ralf Wadephul > Keyboards & Synthesizers
Composed, Arranged & Performed by 
OESJ | ORCHESTRA OF ELECTRIC SPACEJAZZ 
© 2022 OESJ | All Rights Reserved | www.oesj.eu

Surf Alone

fabiano matiolla

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