Ides Of March Live At GoatStock

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]
rec.name: " November 4 -score music 26 "
credit :flute ,vibraphone
date:4-11-2024
more "score music ":
https://www.youtube.com/watch?v=feIcgFS12Rc&t=228s

November 4 Score Fragment Music

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " science replica "
credit : ipad 9
date:6-11-2024

https://www.youtube.com/watch?v=oZOCn6pr8OU

Toxic So Called

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " science replica "
credit : phenol ,doepfer
date:7-11-2024

Olnn88

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " science replica 2 "
credit : re-upload
date:8-11-2024

Black Squares 31

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " science replica 2 "
credit : phenol ,doepfer
date:10-11-2024
https://www.youtube.com/shorts/kW9VkWHvTJI

Aleatoric Structure Music

Coincidence again - positive loss of control

In the past few months - or rather 1.5 years - I have been working more with random block ideas.What is it about? You need a series of recordings in advance - I only ever had 2-3 with a length of3-10 minutes. The respective tracks are created by a clearly structured randomness of a computer or
A noise generator generates impulses that have a speed of up to 70 bmp and are A-rhythmic, i.e. without repetition
or looping tones are generated, modulated and filters and envelopes are changed. From the two tracks which are always produced in a timely manner  during the final cut, the track parts are superimposed, removed or slowed down. This means that only when cutting does this consciously occur listening instead of .The precise limitation of the random sound generation is important and makes a composition possible at all.
The question: "...what does chance do to the chosen tone?" and what do I do with the result?  So a distanced, almost purely analytical method to "find meaning", so to speak. Due to the temporal separation and the
Your own "disempowerment" as an individual "instrument player" is where the electronic component really comes into play...yes
In general, this is the domain of this instrumental family (...if you want to call synthesizers or computers instruments at all..)
It is particularly important that the principle remains simple and simple - so the main focus is on sound control and cutting of the trace material generated, which should also be greatly reduced in manageable quantities - so max 5 tracks. Some variations are of course allowed - mono/stero lane changes and extreme speed changes are always possible and even a desirable goal.The idea comes from the visual arts...I had the idea of ​​not throwing away bad drawings but cutting them up 
and re-arranged, stick it on and paint over it.
This approach is also so simple that it can always be used as a by-product, ideally for “recycling leftovers”. When I get stuck, I cut everything up and make something new out of the pieces. But it always comes back to haunt me a shift in values, the positive reinterpretation of the term "loss of control" into passive serendipity as a means of composition and thus moving away from a clear overestimation of the transience of the moment...we always have that anyway. It's not The "happy coincidence" is: the distance from the stranger, the desperate act - the emergency solution that we pay homage to. During these experiments I have often noticed that the finished result only “reveals” itself after some time.

Random Room Situation

Musician and composer interested in jazz, experimental music and classical music, at the same time not really believing in boundaries between genres.  Based in Bristol, UK. My latest release can be found here:https://distrokid.com/hyperfollow/fabioferri/griboyedov-incident

Ides Of March Live At GoatStock

Fabio Ferri

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