@donato-dozzy love this track! what is it?

THX so much for playing this gem of a set!

truly one of the most inspiring masterclasses of a mix. transcendent really

Vlada (@playvlada) has been playing all over the globe since just 18 years of age. Russia-born but Berlin-based for many years now, her sound is defined by a long, winding mixing style and is built on hypnotic basslines that slowly but surely zone you out. 

That very much comes out in this week's mix which initially locks you into a signature meditative pace but then builds with smart gear shifts and technical mixes. There are acid flashes to liven things up, bright synths spiraling around electrifying techno, broken beats to keep things moving then more stark industrial and metallic textures that place you at the heart of a strobe-lit and floor. It is another masterful mix full of must-find tunes from this ever more essential selector.

Dekmantel Podcast

Dekmantel Podcast 453 - Vlada

New York hailing underground staple, Mutual Dreaming label head and founder of Sustain-Release Aurora Halal, takes to the tools on the latest Crack Mix with a warm, groove-laden 55 minutes

If you’re a fan, become a Supporter: https://crackm.ag/subscriptions

Crack Mix 581: Aurora Halal

DJ set, recorded live on 17 Aug 2024 in Oslo for Harmony Rec label techno-focused night

Xiaolin @ Harmony Rec label night, Oslo 17/08/2024 (live recorded)

Today we are happy to be able to share with you a special liveset by Lb Honne. A stellar producer and storyteller, which comes together in his one hour live interpretation of Far Blue. ‘Flagship Toto’ contains his deeply emotional and introspective tone, pushing a continuous and atmospheric groove. Enjoy his one hour long perception of Far Blue through his complex layers, soft melodies and moods.

ᐁ ᐁ ᐁ ᐁ ᐁ ᐁ 
@lbhonne

Instagram.com/farblue_ 
Facebook.com/farblueconcept

A Far Blue concept by Lb Honne (live) - 'Flagship Toto'

Donato Dozzy has long been a revered figure in the global electronic music scene, known for his rare ability to craft hypnotic soundscapes that linger in the mind. Whether in contemporary clubs or classical settings, his sets consistently conjure deep moods and immersive atmospheres.

With this being his first mix release in over 5 years, we’re treated to an early insight into what he’ll bring to Continuum on February 1st. 

RA tickets: https://ra.co/events/2051095

051 - Donato Dozzy - fabric podcast

We’re two weeks away from Mostra 2025. Final prep is in full swing, and over here at Delayed, we’re marking the moment with a special one. A two-hour recording from ABSIS—Mostra resident, local legend, and someone who’s been quietly shaping his own corner of the scene for years.

This one’s from Gare Porto, aka the Portuguese tunnel—one of those rare venues where the setting does half the work. ABSIS played alongside Nico and André Cascais for one of the recent Extramostra nights, and what came out of it is something else. A deep, locked-in ride that doesn’t bother with the usual build-and-drop patterns. It’s not about reaching some peak moment—it’s about staying in the zone and letting things unfold naturally. This set is pure spiral techno—deep, hypnotic, and tunnel-vision tight. It moves with that kind of quiet intensity that sneaks up on you. No flash, no filler. Just steady pressure and perfectly measured pacing. Like being pulled along some underground Iberian rail line, eyes closed, body moving on instinct. ABSIS keeps full control from start to finish, guiding the whole thing with an ease that only comes from time and taste.

You can feel the room in the recording—the acoustics of the tunnel, the crowd syncing up, that low-end weight that holds everything together. It’s a full-on experience, even in playback. There’s something about this set that sticks with you. The way it just moves—no big drama, no gimmicks, just pure direction and control. It’s the kind of mix that makes you wish you were there… and also kind of convinces you that you were.

ABSIS doesn’t overstate anything. He doesn’t have to. He locks into a mood and stays there, pulling everyone in with him. And if this set from Gare Porto is any sign of what’s coming—then that closing slot at Vall d’Hebron is going to be serious.

Hold tight. Mostra’s almost here.


https://soundcloud.com/absismusic
https://soundcloud.com/mostrabcn
https://www.instagram.com/absis_music/
https://www.instagram.com/mostrabcn/

write up by @gilleswasserman

Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Mostra tickets

Delayed x Mostra: ABSIS

Here at AIR, we kicked off festival season in with Sonar Lisboa, the little sister to the famed Barcelona festival, which took place in early April this year and featured acts like Max Cooper, Jennifer Cardini, Juliana Huxtable, and this month’s esteemed guest, @MarcelDettmann.

A techno veteran whose name is synonymous with big room sound, Marcel recently debuted a new live set, his first ever foray into live performance, the result of a pandemic spent toiling away in the studio and crafting his landmark album Fear of Programming, which formed the foundation for his live act. At Sonar Lisboa, he presented a new version of his project, which he calls My Own Shadow, a mix of his own productions, field recordings, vocal elements, and on the fly craftsmanship.

Marcel and I sat down together in Lisbon to discuss his new live set and the creativity behind it, and how his musical and personal life is shifting over years. A big thanks to the team at Sonar Lisboa for the invite to this year’s edition!

++ 

MUSIC:

"Linux" - Marcel Dettmann (2013)
"Water" - Marcel Dettmann ft. Ryan Elliott (2024)
"Fear of Programming" - Marcel Dettmann (2024)

++

FOLLOW AIR:
Instagram: www.instagram.com/_airpodcast/
Patreon: www.patreon.com/airpodcast
Substack: airpodcast.substack.com/


AIR 074 / Marcel Dettmann

Kbape

01 Áchim György - You are the light at the end of my tunnel

Next-level eclecticism from Donato Dozzy and Nuel.

RA.465 Aquaplano

An improvised and mostly unrehearsed three turntable Techno throw-down, performed live at the temporal point in space-time that is Freerotation Festival.

The last time I played an up-tempo Techno set like this at Freerotation was in 2011, and I’ve been pestering Steevio to let me bang it again ever since - this was the year it finally happened. 
Set times aren’t announced until the day, so it was as much of a surprise to me as anyone else to find out that I would be playing the closing set in that room.
After a night of excellent live & DJ sets from the highly talented women I had the honour of sharing the bill with, I had to be on top of my game to maintain the energy levels at the high bar they had set. 
My aim was to keep the tempos up around 137 BPM, make good use of all three turntables, improvise as much as possible in a spontaneous way by keeping the rehearsing to a minimum, and stay as present in the moment as much as I could possibly be.
I worked out the intro and the first couple of tracks, but then kept it mostly freestyle after that, which led to some unexpected twists, turns and inspired moments that kept me on my toes, and the crowd buzzing. 
This was one of those special nights where the amazing and supportive crowd gave so much energy, that it fed straight back into the music, which then began to feel like an energy flowing right through you, that pulled you even deeper into the moment. 
Presence!
I was ecstatic to  have been so well received by the large crowd that had gathered, it was an honour & a privilege to hold the space for 90 minutes, and a joy to have the opportunity close the room on such a high. 
Unfortunately some of the amps developed a fault, causing them to overheat & create a nasty burning smell, so the set had to be brought to an abrupt end to avoid causing a fire. 
An unmet demand for a final tune rampantly ensued, I loudly and regrettably responded “The Amps Are On Fire!!”, to which someone remarked “of course they are, you did a good job”, which I felt was a fitting end to a smoking night of Techno-music, that was pure heat from start to finish! :)

Recorded Live on Sunday 7th July 2019, 
4:30 - 6am, in Sammy String's (Room 3), 
at Freerotation Festival, Baskerville Hall, Hay on Wye, UK.

www.residentadvisor.net/dj/alexdowney
www.facebook.com/AlicksDowney/
www.instagram.com/alyxdowney/
Interview: www.untitled909.com/alex-downey/

Photograph by Calandra Balfour @Calandra
Audio mixdown by Charlie Tear @charlietear

051 - Donato Dozzy - fabric podcast

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