Self Discovery

I created my first open collab. Since I've enjoyed working on Dirk's music, I asked him if he would be interested in working on my open collab. He created this lovely track as a gift to me. Thank you so much. I'm very touched.

Piano: @dirk-maassen-official & @ascoltadi
Violin & Viola: me

Thank you for creating this beautiful piece. Hope you all enjoy.

New Beginnings Collab - Dirk Maassen & Kayll Frappier

An improvised mediation between me, my piano and my synthesizer. 
Free download. 

Always Let It Go

Music for solo piano.

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Vision

Sierra

© 2015 David Hollandsworth
License this track: http://www.audiosparx.com/sa/archive/Dramatic/Ethereal-Music/Pause-for-Thought/725589

Pause For Thought

Nulla Cogitatio

Beyond The Woods


September is always a magical month of the year anywhere else in the northern hemisphere. It never ceases to present the perfect opportunity to go outside and enjoy the wonder of nature. It's the perfect moment to feel the warmth of the sun on your face as it pierces through the branches of trees whose leaves may have already been to show small signs of color. Its a perfect time to be thankful for the fun of summer and to prepare us for the deeper seasons we are about to enter. It always feels strangely like a graduation ceremony as well as the start of the next level of our growth and understanding. Its a decidedly peaceful month. It's a time of the year as well as state of mind. Perhaps the entire world could live in September for a while.

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"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

Andrew Souter -- September

This photo has been on my desktop for ages, and for as long I've toyed with playing a piece to match. This is it.

ripples

Ripples

Return

Remember

This is my first waltz, inspired by the great series of waltzes from Stephan Beneking, I could not hold back to compose my own one. It was fun composing it and I hope you like it....

Really Amazing Swan Video: http://www.youtube.com/watch?v=11k0ipBaz_0

If you like my music please give me a smile and like my Facebook page :-): http://www.facebook.com/Dirk.Maassen.Music

watch my piano video clips at youtube: http://www.youtube.com/user/ascoltadi?feature

Dirk Maassen - Stella (Valse #1) - (Project Ascolta !) - Don't miss THE SWAN Video in description

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Always Let It Go

Fabrizio Paterlini

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