An improvised mediation between me, my piano and my synthesizer. 
Free download. 

Always Let It Go

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Kıran da olsa kırıl düş, fakat eğilme sakın! Hak bildiğin yolda yalnız da kalsan yürüyeceksin!

Dear music,thanks for always clearing my head ,hearing my heart

پیانیست | موسیقی‌باز

When I listen to music, I lose touch with my body and turn into a soul that no longer belongs anywhere. I was born in Iowa, grew up listening to jazz and blues in Chicago, spent many years in the Middle East studying Persian and Arabic literature, and was exposed to the beauty of African music. To be honest, though, not even literature can move me emotionally like music does.

࿐.✦. 𝐂𝐑𝐔𝐃𝐄  ೋ✦.࿐

 ঌ ᴄʏʙᴇʀ-ꜱʜᴀᴍᴀɴɪᴄ ঌ

𝘳𝘦𝘤𝘰𝘳𝘥 𝘭𝘢𝘣𝘦𝘭 𝘢𝘯𝘥 𝘪𝘯𝘵𝘪𝘮𝘢𝘵𝘦 𝘤𝘭𝘶𝘣 𝘯𝘪𝘨𝘩𝘵 𝘳𝘶𝘯 𝘣𝘺 𝘛𝘩𝘦𝘳𝘦𝘴𝘢, 𝘴𝘩𝘰𝘸𝘤𝘢𝘴𝘪𝘯𝘨 𝘧𝘳𝘦𝘴𝘩, 𝘦𝘤𝘤𝘦𝘯𝘵𝘳𝘪𝘤 𝘵𝘢𝘭𝘦𝘯𝘵 𝘦𝘮𝘦𝘳𝘨𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘶𝘯𝘥𝘦𝘳𝘨𝘳𝘰𝘶𝘯𝘥 𝘸𝘰𝘳𝘭𝘥. 
𝘈 𝘯𝘦𝘸 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘪𝘯 𝘢 𝘥𝘢𝘳𝘪𝘯𝘨 𝘮𝘢𝘯𝘯𝘦𝘳 - 𝘊𝘰𝘯𝘴𝘵𝘢𝘯𝘵𝘭𝘺 𝘳𝘦𝘪𝘯𝘷𝘦𝘯𝘵𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘧𝘰𝘤𝘶𝘴 𝘰𝘯 𝘧𝘢𝘴𝘵𝘦𝘳, 𝘧𝘪𝘦𝘳𝘤𝘦𝘳 𝘢𝘯𝘥 𝘧𝘳𝘦𝘢𝘬𝘪𝘦𝘳 𝘴𝘰𝘶𝘯𝘥𝘴 - 𝘮𝘢𝘯𝘪𝘧𝘦𝘴𝘵𝘪𝘯𝘨 𝘤𝘺𝘣𝘦𝘳-𝘴𝘩𝘢𝘮𝘢𝘯𝘪𝘤, 𝘮𝘦𝘯𝘵𝘢𝘭 𝘢𝘯𝘥 𝘦𝘭𝘦𝘨𝘢𝘯𝘵 𝘪𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 ~ 𝘱𝘴𝘺𝘤𝘩𝘦𝘥𝘦𝘭𝘪𝘤, 𝘵𝘸𝘪𝘴𝘵𝘦𝘥 𝘢𝘯𝘥 𝘵𝘳𝘪𝘱𝘱𝘺 𝘧𝘳𝘦𝘲𝘶𝘦𝘯𝘤𝘪𝘦𝘴.
      
꩜꧁꧂ 𝘊𝘙𝘜𝘋𝘌´𝘴 𝘦𝘵𝘩𝘰𝘴 𝘢𝘯𝘥 𝘪𝘥𝘦𝘯𝘵𝘪𝘵𝘺 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘦𝘹𝘰𝘵𝘪𝘤𝘪𝘴𝘮 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘣𝘦𝘢𝘶𝘵𝘺 𝘰𝘧 𝘥𝘪𝘷𝘦𝘳𝘴𝘪𝘵𝘺 - 𝘤𝘰𝘯𝘵𝘳𝘢𝘴𝘵𝘪𝘯𝘨 𝘺𝘦𝘵 𝘱𝘦𝘳𝘧𝘦𝘤𝘵𝘭𝘺 𝘵𝘳𝘢𝘯𝘴𝘪𝘵𝘪𝘰𝘯𝘪𝘯𝘨 𝘴𝘰𝘶𝘯𝘥𝘴 ༓ 𝘢𝘭𝘪𝘦𝘯 𝘢𝘯𝘥 𝘮𝘺𝘴𝘵𝘪𝘤𝘢𝘭 𝘥𝘪𝘮𝘦𝘯𝘴𝘪𝘰𝘯𝘴.
𝘈𝘵 𝘪𝘵𝘴 𝘤𝘰𝘳𝘦, 𝘊𝘙𝘜𝘋𝘌'𝘴 𝘤𝘰𝘯𝘤𝘦𝘱𝘵 𝘳𝘦𝘷𝘰𝘭𝘷𝘦𝘴 𝘢𝘳𝘰𝘶𝘯𝘥 𝘴𝘦𝘵𝘵𝘪𝘯𝘨 𝘯𝘦𝘸 𝘪𝘮𝘱𝘶𝘭𝘴𝘦𝘴 𝘢𝘯𝘥 𝘤𝘶𝘳𝘪𝘰𝘴𝘪𝘵𝘺 - 𝘦𝘮𝘣𝘳𝘢𝘤𝘪𝘯𝘨 𝘵𝘩𝘦 𝘳𝘢𝘳𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘦𝘤𝘶𝘭𝘪𝘢𝘳.

𝘳𝘦𝘴𝘪𝘥𝘦𝘯𝘵 𝘢𝘳𝘵𝘪𝘴𝘵𝘴: 
✺  𝘒𝘢𝘺𝘵𝘴𝘦𝘯𝘨 @kay_tseng
✺ 𝘘𝘪 @qi_varder

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