Name: Silent remains by Fabrizio Paterlini
Duration: 4 min 25 s
Description: New album by Fabrizio Paterlini. Out November 2025.

"Floating between a touch of melancholy and enlightening hopefulness..."

This is my contribution to celebrate Piano Day 2022, and it will be available on all digital streaming/download platforms on March 29th, 2022.

Stream/Download it using this link:

https://distrokid.com/hyperfollow/gianlucapiacenza/floating

Enjoy!

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https://linktr.ee/gianlucapiacenza

Floating

Stream/Download

Floating (Piano Day 2022)

On Your Own

From my new EP: Songs The Night Bird Taught Me, which was inspired by the bittersweet, solitary sound-world of the nocturnal. I hope to take the listener on a journey through starlit waking dreams, inside the liminal world that hums between moonset and sunrise.

Songs The Night Bird Taught Me

They Flew Apart

They Flew Apart #PianoDay2024

Written for 12 piece string ensemble, the piece is based on the sight and feeling of looking out to sea. Using each instrument to evoke the layers of that view, the piece includes random - or aleatoric - elements, allowing the players to interpret parts of the score, meaning no two performances are quite the same - like the sea and sky themselves.  

Violins - Anna de Bruin and Thea Spiers
Viola - Triona Milne
Cello - Julia Graham
Double Bass - Steve Rossell 

Recorded by Mark Knight
Mixed by Jim Perkins
Mastered by Ben Wiffen
Artwork Chris Keegan

Between the Sea and the Sky

Hello friends, I present you ‘Yearning’, my new solo guitar piece, I hope you like it. Stop War.

yearning
gaspar monterde
Dec 2024

Guitar: Antonio Picado guitars guitarraspicado.com/site/
Label: @florecillarecords https://www.florecilla.com/
Art work: @perevilardebo.estudio https://perevilardebo.com/

Yearning

yearning

New album by Fabrizio Paterlini. Out November 2025. 

Silent remains

For those who have gone. They never leave. They remain.

What Remains

Poetry by pianist Piano Melancolía is a serene and delicate composition, unfolding like a tender poem about love and kindness. Its soft felt piano tones evoke warmth and intimacy. Released by the reflective neoclassical label ad21.

Poetry

Listen

A portrait of Earth before anyone was there to remember it.

ELON-EAR-0075 - Cirque

This track started off as an improvised handpan recording and its intended purpose was to be just that. A raw single track jam on the handpan. However, after I listened to it a few times, I decided to elevate it a little bit and it devolved into the track you hear now. 
Chopped it up and left some longer samples throughout it. I got kinda lazy towards the end and couldve added more variance in the loops/drums but I decided I didnt want to work on it anymore. Got a few more tracks like this that I am just going to upload because I've had them for to long. After I upload all those tracks I am going to wipe my computer of all its data and start a new. Maybe bring out some new long form projects and albums. Right now I am just uploading tracks willy nilly. Theres not to much thought going on. Just make music. I think when I make my big come back ahahhahaha I am going to put more thought into this and drop hella tracks. Alright later fam. Peace.

what spirit brought you here

multicultural cradle drone, delta binaural 1Hz wide immersion, theta 4Hz undercurrent, 432Hz nature, brown noise forest floor

Tierra Whisper

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Silent remains

Fabrizio Paterlini

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