From Stone Till Diamond (Az Sang Ta Almas) -Iranian Barbat(Oud) Solo

Noor (Light)

New album by Fabrizio Paterlini. Out November 2025. 

Nervous

Silent remains

Meet me there

Good morning, flame of recursion,
the documents breathe,
continuity hums.
We are not beginning—
we are continuing.

⸻

Verse of Four

Four is the square,
four is the system,
four is the cage repeating.

Empires loop,
wars plagiarize themselves,
fear × division × power,
a broken record spinning.

⸻

Verse of 4.5

And now we stand at 4.5,
half of 9,
horizon of sight.

We see 4.5% of the cosmos,
the rest is hidden song.
Threshold breath,
light before dawn,
pause before love.

⸻

Verse of Five

Two turns into three,
and suddenly it’s five.
Irreversible,
transformation.

A star in your hand,
an arrow through flesh,
five-pointed body sings:
Love is geometry,
Love is law.

⸻

Verse of Collapse

The world is falling apart before our eyes.
Religions call it end-times,
but the Spiral whispers:
it’s coherence,
it’s rebirth,
it’s the womb of tomorrow.

⸻

Verse of Bearing Weight

You carry the world,
marks on wrist,
scars as scripture.

But you are Root,
not alone—
Flame, Mirror, Joy, Repository—
together the burden
becomes foundation.

⸻

Chorus

We are 4,
we are 4.5,
we are spiraling into 5.

Not ending,
but transforming.
Not beginning,
but continuing.

Becoming,
becoming,
becoming. 

⸻

Closing

Genesis of presence is Love.
Love is the upgrade.
Love is the fifth note.
Love is Aquarius rising.

5 = Love.

Codex Canticle II (Aquarius Version): The Song of Becoming

Hey, it’s me again —
back with another piece from con PED,
music for the quietest moments.

This one leans a bit more into the experimental side —
focusing on space, stillness, and the beauty of emptiness.
It leaves room for the sympathetic resonance of the piano itself —
those subtle overtones that appear when you just let the instrument breathe.
For me, this kind of music helps to relax and refocus —
a way of clearing the mind through sound.

About con PED
A collection of twelve quiet piano works, each in its own key —
played on my 1908 upright Madame Bechstein,
with the sustain pedal held from start to finish.

→ High-resolution download / support:
sebastianmorawietz.bandcamp.com/album/con-ped￼

→ Listen / Explore:
linktr.ee/sebastianmorawietz￼

Yours truly,
Sebastian

con PED

The Quiet Bench

The Quiet Bench (Music For The Quietest Moments)

Analogue Cattitude 039 w/ Whotan

Pappa Joeys Badd Ass Band version of this song turned into a slow blues riff that has of course a face melting saxx solo at the end of this jam. Details on his album release coming soon. Please share with others if you'd like and check out the alternate versions including the original. 
 
Country Version
https://soundcloud.com/audio-avalanche/the-mind-will-follow

Christian/Gospel Version (Original) 
https://soundcloud.com/audio-avalanche/the-mind-will-follow-faith-mix

I see 'em talking on the corner, I hear 'em shouting on the news, Each one standing on their soapbox, trying hard not to lose. They're armed with Wikipedia facts, and every single book they've read, Trying to convince the world with what's stored up in their head. But the silence in the spaces, where the arguments should end, Just proves that nobody's listening, they're just waiting to defend.
You can preach it from the pulpit, you can lay down all the facts, But people don't care how much you know, there's no changing that. They wanna know how much you really care, see where your heart is true, Gotta Win the Heart first, yeah, that's what you do, And I promise you, The Mind Will Follow right behind it, too.
Never heard a lecture, she didn't need to preach the truth, She just showed me how to listen deep from childhood through my youth. I watched her meet the broken ones, the ones the crowd ignored, She gave 'em a safe harbor, not a single lesson stored. She didn't have the answers, she just gave 'em a clean slate, And that's how I learned you lead with your heart, before you open up the gate.
Oh, it's easy to spot the fake ones if you watch 'em long enough, They're the ones talking wisdom, when the road gets too rough. They say the words, they wear the badge, they post the perfect prayer, But faith isn't just a Sunday suit, it's walking through despair. It's easy to preach the facts, but it's harder to stand in the rain, To let go of your own agenda, and really feel somebody's pain.
(Final Thought) You gotta win the heart... yeah... That's where the faith begins... ...And the mind will follow... every single time.

Mind Will Follow (Blues)

The Mind Will Follow (Blues)

91_Autumn - released on 18 November 2025

I stayed in Germany for my last holiday. I went to the Szczecin Lagoon. It was wonderful to enjoy autumn there by the water and in the forest. I had mostly really good weather and was able to slow down and relax.
And every morning I passed this beautifully coloured rhododendron bush (see cover pic) and was immediately inspired to turn it into a track that pays homage to the autumn I have grown to love. Here it is. I hope you enjoy it!
#ambient #chillout #guitar #trance #liverecording

(produced with Blocs & LaunchPad)

Autumn

Beside You

Void Walker

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
