FUOCO (EP)

my music

Fabrizio Paterlini

Relax

Taken from my last "Fragments Found" full album, published in 2010. 

Rue des Trois Frères

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"Impetus", a release as joyous as it is heart rending. Fantastic stuff and highly recommended." 
Futuresequence 

"...a fine example of how to thread human character through classical mastery." 
Rock-A-Rolla 

"Fans of minimalistic yet powerful melodies should not miss this!" 
SLAM 

"... the record is created to breathe life into classical chamber music." 
Pretty In Noise

"Piano’s point of view is absolutely transcending decades and eras." 
Scenepointblank 

Buy Impetus: www.denovali.com/sebastianplano
iTunes: http://snip.ftpromo.net/planoitms
Free Download: www.denovali.com/dl/?RXCASW

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Impetus - Emotions (Part II)

Everything Flows

FUOCO

Sparks

God's Creations Synchronise With Each Others

Relaxing Sounds Of Waves With Ocean Sounds - Soul healing - Headphones required

our destiny “piano& cello cover”

Full song link : https://soundcloud.com/saigner/charles-aznavour-hier-encore-sped-up?si=f97b3a89c08a427088c77d78d4cf07a7&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Charles Aznavour - Hier Encore but it's only the intro looped (Slowed)

memory.mp3

This is a delightful collaboration with Thomas Peter-Horas. We hope you enjoy this romantically charged music :-)

Anna's Song (Arranged for Piano and Orchestra)

Buy on Amazon

Live video: https://youtu.be/9UkfFSejzq8

Acoustic version of Vangelis' Prelude from the "Voices" album released in 1995.

Piano: Klavins Una Corda

Video

Vangelis - Prelude (Voices)

Piano cover of "Everyone wants to be found", composed by Fabrizio Paterlini. 
Performed and recorded by Dominique Charpentier, aka The Piano Lover.

Fabrizio Paterlini - Everyone Wants to Be Found

Piano cover of "Veloma" composed by Fabrizio Paterlini. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Fabrizio Paterlini - Veloma

Fabrizio Paterlini  - Somehow familiar

Official Single for the upcoming album "Secret Book", out on May 12, 2017. 
It's a free download, so please share it! 
Thank you, as always
Fabrizio

Secret Book

Narrow Is The Way

Best of 2015

I Love You (Original Mix)

Beautiful 639 Hz based music. Attract Love - Raise Positive Energy in and around you. This Track features music composed with Grand Marimba. A beautiful looking instrument. You may have also noticed this sound in Ed Sheeran's Shape of You song. 

This is a new musical series featuring a soothing continuous healing drones in the background, also generated from marimba and calm mallets sounds generated by softly hitting the marimba. Hope you will enjoy this music.

639Hz Solfeggio Frequency is the miracle tone of Love, Connection and Relationships. 639Hz is also one of the heart chakra frequencies. Benefits of 639 Hz frequency includes

✓ Enables creation of harmonious interpersonal relationships
✓ This tone can be used for dealing with relationships problems – those in family, between partners, friends.
✓ Talking about cellular processes, 639 Hz frequency can be used to encourage the cell to communicate with its environment
✓ Enhances communication, understanding, tolerance and love.

We hope this will help you.

Looking for sleep music based on 639 Hz? this might help : https://www.youtube.com/watch?v=wafbtGGW8_Q

Copyright ⓒ 2017 Meditative Mind. All Right Reserved.
http://www.meditativemind.org

--> Please drop a message for copyright issues, wont mind if needs to be taken down ;). Thankyou Meditative Mind for this lovely track. Love

639 Hz Music❯Attract Love❯Positive Energy❯Meditation> Repost if this music helped you.

My piano, the clouds

Yann Tiersen - Sur Le Fil

Single for the re-issue of the album "Autumn Stories", out on March 15th in a stunning vinyl edition! 
Differently from the original, which was a piano solo song, this one has been completely re-arranged - enjoy it!

Autumn Stories 2019

Week #10

Vinyl

TRIO MARA - Sari Gyalin - Սարի Գելին - Instrumental - Rouge Mix

Piano: Naze Isxan 
Violin: Nure Dlovani 
Music: Unknown

Sound Engineer: Roland Lücke 
TRIO MARA / LIVE RECORDINGS / Rudolf-Oetker-Opera-Hall / Bielefeld, Germany /30th September 2012 
Mix & Mastering: Roland Lücke

***

TRIO MARA press kit:
http://www.sonicbids.com/2/EPK/?epk_id=369621

TRIO MARA virtual WOMEX: http://www.womex.com/virtual/sakina_teyna/trio_mara

TRIO MARA booking contact: 
booking@ko-event.com, Fax: +49 221 168 42 83, John Tobisch-Haupt

***

KURDISH ETHNO MEETS CLASSICAL 
https://www.facebook.com/trio.mara.project

***

Discription & Biography

'Mara' is Zazaki, which is one of the oldest native languages in the Middle East. It means BY US.

Mara draws from the rich treasure of traditional Kurdish songs. They express them anew in their own particular way by contrasting classical and contemporary music. Presented in a way only women can sing them these songs turn into a great experience.

***

Sakina 
SAKINA began her career self taught, as an autodidact, before she received professional education and voice training. 
In the 90′s she was a member of the Mesopotamian Culture Centre, a Kurdish artists association based in Istanbul but acting throughout all of Turkey. Its members suffered various reprisals by the government because of their Kurdish lyrics. Some of them paid their artistic dedication with their lives. 
During this time she organized many (due to the government led forbiddance of the Kurdish language until the late 90s) illegal concerts, until eventually she was forced to flee. 
She continued her work in Armenia, Syria and Kurdish-Irak. 
Currently she is living in Vienna. 
Since 2008 she has become increasingly involved with human rights issues in particular women’s rights issues. 
She views her music as a way portraying the life of people in the Kurdish regions. She realizes this with a sensitive performance of striking melodies by which suffering and melancholy, courage for life and yearning become palpable.

Naze Isxan 
Naze Isxan began to play piano at the age of six. The pianist graduated from the Rimsky-Korsakov Conservatory in Krasnodar as a concertmaster and music teacher. Since the end of the nineties, she has given concerts in Russia at first and since 2001 she also appears on a regular basis in other European countries. 
She has a passion for Kurdish music that she would like to introduce to a wider non-Kurdish audience in her concerts. Therefore, she also arranged traditional Kurdish melodies for piano and published the first Kurdish music book for piano in 2004 (Evina Kurdistane - Bona Pianoforte).

Nure Dlovani 
Nure Dlovani is a solo violinist who also works as a teacher for violin and piano. She received her professional education at the conservatories in Moscow, Erevan, and Frankfurt. 
Her repertory is rich and comprises classical music and pop as well as sound tracks or crossover performances with the New Philharmonics in Frankfurt. She also works with a variety of well-known Kurdish musicians both in the studio and as a solo violinist in live concerts.

***

TRÎO MARA 
Trîo Mara ku ji jinan pêk tê û stranên jinan bi înstrumentên klasîk ên rojava û teknîkên deng ê gelerî ji nu ve sirove dike, di kemanê de ji Nurê Dilovanî, di piyanoyê de ji Nazê Îsxan, di stranbêjî de ji Sakîna pêk tê. Rewîtiya Trîo Mara ya mûzîkê berê salek û nîv destpê kir. 
“MARA” bi zaravêya zimanê Kurdî Kirmanckî de tê wateya “Ji Me”. Gelek zimanên din ên Rojhilata Navîn de pêyva “ma” pêyvêk mê ye. Bi Kirmanckî û Ermenîkî tê wateya dê. Mara bi Erebî tê wateya Jin. 
Trîo Mara li keleka sê zaravên zimanê Kurdî, bi Tirkî, bi Ermenîkî û bi Azerî jî stranan dibeje. Endamên Trîo Mara bawer dikin ku sînorên ku deshilatdaran di nava gelande ava kirine bi rêya mûzîkê ku bi xwe zimanek taybete û herkes dikare tê bigîhe ji holê radibin. Bi israrek mezin divê mirov bi zimanê astiyane ya mûzîkê bi pêyîve. 
Her sê hunermendên jin, di stranên xwe de qasê trajedîya gelê Kurd û jinan, heman demê, evîn, sahî û cosî, ês û janên civata xwe jî dixwazin bînin ziman. Hember nêrînên deshilatdar ya zîhniyeta mêran dixwazin bibin dengê jinên ku naxwazin bê deng bimînin. 
Stranên TRÎO MARA ji me wek bêhnek, deng û awazek û rîtmek, ji were bibin xelat. Em hêvîdarin ku hin caran we li serê çiyayên bilind û asîde, hin caran li keleka çemên dîn û har diherikin de, hin caran dêstên bê dawî de derxînin rewîtiyêk xwes ê bi mûzikê re.

***

TRIO MARA 
Kadinlardan olusan, kadinlar tarafindan söylenmis sarkilari klasik bati müzigi enstrümanlari ve geleneksel ses teknikleriyle yeniden yorumlayan TRIO MARA, kemanda Nurê Dilovanî, piyanoda Nazê Îsxan, vokalde de Sakîna'nin yer aldigi bir üçlü olarak müzikal yolculuguna bir seneyi askin bir süre önce basladi. 
MARA, Ortadogu’nun kadim dillerinden biri olan Kürtçe’nin Kirmanckî lehçesinde “Bizden„ anlamina gelirken, Ortadogu dillerinin birçogunda da birbirine yakin disil anlamlar tasir. Ma, Ermenice ve Kirmanckî'de köken olarak ana anlamina gelir. Ayrica Arapça'da MARA kadin demektir. 
Kürtçe'nin Kurmancî, Kirmanckî ve Soranî lehçelerinin yanisira, Türkçe, Azerice ve Ermenice sarkilar da seslendiren TRIO MARA, halklarin kültürleri arasinda olusan yapay sinirlarin ortak bir dil olan müzik yoluyla anlamsiz kilinabilecegine ve israrla müzigin barisçil diliyle konusmak gerektigine inaniyor. 
Yüzyillardir savaslarin, kanin, gözyasi ve acinin dinmek bilmedigi Kürdistan’dan gelen TRIO MARA üyeleri, repertuarlarinda kadinlarin ve halklarin trajedilerini yansitan sarkilar kadar, asklarini, coskularini, yasam biçimlerini yansitan sarkilara da yer veriyor. 
TRIO MARA, egemen bakis açilari ve yargilari karsisinda susmayan kadinlarin sesi olmayi amaçliyor. 
TRIO MARA sarkilari bizden size bir nefes, bir ses, bir ritm olarak gelsin. Kah vahsi dag baslarinda, kah coskun irmak kenarlarinda, kah uçsuz bucaksiz ovalarda, müzikle güzel bir yolculuga çikmaniz dilegiyle.


TRIO MARA - Sari Gyalin - Սարի Գելին - Instrumental - Rouge Mix

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
