Nice stuff

Singer: Soheil Nafissi
Song: Gazale Khoon (By Ebrahim Monsefi)

Soheil Nafissi - Qazale Khoon

This is a re-recording of the Song "Time changed everything" without background noises.

Hope you enjoy it.. =)

Nyctalgia- Time Changed Everything

Chalk Rum

November

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada

Ichiru

Buy CD/Digital

And This Is How It Ends

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : https://modernarecords.bandcamp.com/album/ichiru
iTunes : https://itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : https://open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada 
mastered by emil thomsen (et mastering)

Daigo Hanada - Solitude

New album "Isolated" from Roberto Attanasio, available to pre-order. 
The album will be fully released on October 20th.
Available in digital and limited white vinyl edition.

Isolated

Isolated III

Pre-order

Roberto Attanasio - Isolated III

Original soundtrack composed for the movie "The Cakemaker" (2017) directed by Ofir Raul Graizer. www.ofir-raul-graizer.com 
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
All music composed, performed, mixed & mastered by 
Dominique Charpentier 
© 2017 Dominique Charpentier. Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker Original Motion Picture Soundtrack

Buy Now

Kinema - The Cakemaker Original Soundtrack

Music for piano.

Follow:

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Facebook: https://www.facebook.com/stevengutheinzmusic/

YouTube: https://www.youtube.com/@stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Musicbed: https://www.musicbed.com/artists/steven-gutheinz/4360

Web: https://stevengutheinz.com

Atlas

Original soundtrack composed for the movie "The Cakemaker" (2018) directed by Ofir Raul Graizer. Watch the video of my performance here: https://www.youtube.com/watch?v=lqICyb7fhjY
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
This is a live recording from my studio, July 2018.
All music composed, performed, mixed & mastered by 
Dominique Charpentier © 2018 Dominique Charpentier. 
Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker (Original Motion Picture Soundtrack)

EP + FREE Sheet

The Cakemaker Soundtrack - Live from my Studio (July 2018)

Piano solo piece from my new album "Carnet de Voyage", released on October 26 2018, with Memory Recordings.
© 2018 Dominique Charpentier. All rights reserved
© 2018 Memory Recordings. All rights reserved
Photo by Laurent Pistiaux: http://cargocollective.com/laurentpistiaux

Carnet de Voyage

Raz Blanchard

Jocelyn Pook & Parvin Cox - Upon This Rock (Live)

Jocelyn Pook - Upon This Rock (Live)

My piano, the clouds

 آهنگساز فیلم «جدایی نادر از سیمین» گفت: موسیقی در این فیلم فقط برای سکانس پایانی و تنها با ساز پیانو و چند ساز زهی ساخته شد تا مهر تاییدی بر روایت زندگی روزمره باشد. 

ستار اورکی  ضمن بیان این مطلب در خصوص کم و کیف ساخت موسیقی فیلم «جدایی نادر از سیمین بگفت: اصغر فرهادی قصه خود را به خوبی می‌شناخت و معتقد بود که به دلیل روایت دقیق داستان، وجود موسیقی از ابتدای فیلم نیاز نیست چراکه داستان به گونه‌ای است که آهنگ زندگی و یک تصمیم برای ماندن و یا رفتن را در بردارد. 

وی در ادامه افزود: من هم با نگاه فرهادی موافق بودم و معتقد هستم که نظر این کارگردان درباره کم و کیف حضور موسیقی در این فیلم به جا است به همین دلیل طی جلسات بسیاری که با محمدرضا دلپاک و فرهادی داشتیم به این نتیجه رسیدیم که موسیقی در این فیلم فقط در سکانس پایان فیلم و تیتراژ نهایی مورد استفاده قرار گیرد به همین دلیل رنگ مایه موسیقایی فیلم از صدای پیانو بهره برد. 

این آهنگساز در پاسخ به این سئوال که چرا ساز پیانو را به عنوان ساز اصلی درنظر گرفته است گفت: تصمیم برای استفاده از این سازبه عنوان ساز مادر از لابلای تصاویر فیلم بیرون آمد به این معنا که در طول فیلم یک سکانس وجود دارد که کارگردان مشغول بالا بردن ساز پیانو هستند در واقع این سکانس به این دلیل نشان داده شد که پیانو در عین حال قدرتمند به نظر می‌رسد بسیار شکننده و حساس نیز هست و فرهادی نیز بر این نکته تاکید بسیار داشت که نمایش این ساز حکایت تلویحی از فیلم است و از من خواست که صدای پیانو در موسیقی این فیلم به کار برود و من هم طبق نظر ایشان کار کردم و در‌‌نهایت متوجه شدم که استفاده از این ساز هوشمندی ویژه‌ای از سوی فرهادی بود؛ البته ناگفته نماند که اصغر فرهادی هنر موسیقی و رنگ موسیقایی فیلمی که می‌سازد را به خوبی می‌شناسد.

Sattar Orki - Jodaeiye Nader Az Simin (a separation)

Waltz No. 1

2/11
From [MR. VIOLET] Album

(Waltz No. 1) والس شماره‌ی ۱

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


My piano, the clouds

Fabrizio Paterlini

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