Spectacular this finale. Fabrizio, I think you've done a memorable album you must feel very proud. Based on simple piano lines and very emotional, letting the silences, strings and synthesizers accompany each gem. A concept very well implemented.

Forever Yours until the final breath of mine. Ever, Ever and Ever!!!!!!!

Hi all,

Continuing on the theme of real acoustic piano recordings, this is a version of my track Reflections recorded on my old Challen upright piano. 

I hope you enjoy this track. :)

Follow me on Facebook for details of my forthcoming album... www.facebook.com/EdHaydonMusician

Ed

Reflections (old piano version)

Sometimes when I´m locked, not feeling the music I like to take a fixed something and just play around it. Thats what this improv is, right hand just keeping the beat (mostly fixed but some errors there :) ), and the left hand just doing melodic and harmonic stuff around it. 

Not my best work but kind of liked to do something tonight.

Center

Full album available and limited edition CDs available here: http://bit.ly/bandcampwdmc

Recorded at "The Attic" and First-Trinity Presbyterian Church in Laurel, Mississippi
Mixed and mastered by Jameson Nathan Jones
 
Violin - Samuel Rolim
Viola - Diana Elizabeth Arguijo
Cello - Alvaro Miranda Gamarra
Piano, Rhodes, Synths, Percussion - Jameson Nathan Jones
___________________________________________________

Artwork and design - Tim Sandwick
___________________________________________________

for my wife, Allison

www.jamesonnathanjones.com
jamesonnathanjones@gmail.com

What Dreams May Come

Silence Waits

Download

06. Silence Waits

Home

Written and recorded over 2 days in South East London, ‘Carried’ is a collaborative EP from violinist Fiona Brice, cellist Tony Woollard and composer/producer Jim Perkins. The project began as an antidote to the sometimes laborious academic tradition of composing, scoring, revising, rehearsing, recording, editing and producing music. 

Each piece was created without score or prior preparation, relying on instinct, discussion and collaboration, with a focus on capturing the energy and essence of an idea whilst it is still fresh. 

The result is a suite of 5 emotive, meditative and distinctive pieces combining drones, elements of minimalism and chamber music with textured harmonics and the occasional melodic line. ‘Carried’ honours the spontaneity and spark of a new idea and nurtures it, creating a deeply engaging and cinematic sound.
credits
releases May 24, 2019 

Violin - Fiona Brice 
Cello - Tony Woollard 
Piano - Jim Perkins, Fiona Brice 
Tape Processing on Murmurs by Jameson Nathan Jones 
All tracks written by Tony Woollard, Fiona Brice and Jim Perkins 
Recorded and produced by Jim Perkins 
Mastered by Ben Wiffen 
Artwork by Lucille Clerc.

Carried

Hope

Cenes - Hope?

Music for piano.

Follow:

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Bandcamp: stevengutheinz.bandcamp.com

Web: stevengutheinz.com

Near

Light Falls

Lines

Silhouette

Gone

"La Caresse" from the compilation album "Recollections Vol. 4" to be released on March 27th, 2020 by Sonder House.
Pre-order here: https://dominiquecharpentier.bandcamp.com/album/la-caresse
All music written, performed, recorded by Dominique Charpentier.
Mastered by Alex Saltz.
© 2020 Dominique Charpentier. All rights reserved
© 2020 Sonder House. All rights reserved
#pianoday

"La Caresse", the french word to describe a gentle and loving touch, was composed for my daugther Manon. And indeed, when I play the piece for her, the vibration of the sound coming from the strings of my piano is like a delicate caress on her cheek..."

Recollections Vol. 4

La Caresse - PIANO DAY 2020

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violins: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos



Finale

10 Waltzes

Wüstenlied

Wustenlied - Garreth Broke

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Finale

Fabrizio Paterlini

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