night

Dream

We don’t talk anymore

New & hot: Classical

اینشتن می گوید: زنها با مردها ازدواج می کنند به این امید که آنها عوض خواهند شد 
مردها با زنها ازدواج می کنند به این امید که آنها عوض نخواهند شد
درآخرهردو ناامید می شوند                                                                                                                                                                              وقتی به سنی رسیدم که بدنبال مرد زندگی ام می گشتم مادرم گفت :
مادرجون خدا اون بالا سرش خیلی شلوغه  تکلیف ات را با خواسته هات معلوم کن و مشخصات مورد علاقه ات درست به خدا بگو... افسوس که دیر به صرافت افتادم!

من بدنبال یه مردم 55 سال به بالا     کیه که بشمره اما سنش از 60 نره بالا
نه بلند نه خیلی کوتــــــــــاه                   خـــوش قد و قواره باشه
جورج کلونی نه ولی خوب                    کــمی خوش قیافه باشه

من بدنبـــــال یه مردم             کـــه طلاق گرفته باشـــه
نـــه که با رسیدن من            بخـواد از زنش جدا شـــــه
بچه هاشو داشته باشه          نخواد دیگه بچه دار شـــــه
مردی که بدونه حـــالا          بهتره که نوه دار شـــــــه
مردی که با من بمونه           قدر لحظه رو بدونه
جمله ی دوست دارم رو         بنویسه و بخونــــه

مردی که منطقی باشــــه               نه که لجبــــاز و یه دنده
رک و راست باشه و راحت           صبح تا شب خالی نبـــنده
مردی که شیطونی هاشـــــو          پیش از اینها کرده باشـــــــه
نه که انگار تــــــــــازه حالا          چشم و گـــوش واکرده باشه
من بدنبال یه مردم سردو گرم چشیده باشه    از فلسفۀ هگل و نیچه خـــونده یا شنیده باشه
نه پایین نه سطح بالا             نه گــــــدا  نه خیلی دارا
مردی که اهل کتاب و          موزیک جـــــــاز باشه حالا

مردی که حسرت بدل نیست        چشم و دل سیر شده حالا
می دونه جوونی رفته              یه کمی دیر شده حـــــــالا
مردی که کنار چشمش              چند تا خط افتـــــاده باشه
از همه روزای رفتــــه              یادگاری داشته باشــــــــه

مردی که فهمیده باشه              بد و خوب و دیده باشـــه
مرد پر حرفی نباشه                سخنش سنجیده باشــــــــه
مردی که مثل خود من             عاشق زندگی باشــــــــــــه
جرِات عاشق شدن رو             تا دم مرگ داشته باشــــــه

مردی که بامن بمونه     قدر لحظه رو بدونه
جملۀ دوست دارم رو بنویســـــــه و بخونه
مردی که بامن بمونه      قدر لحظه رو بدونه
جملۀ دوست دارم رو بنویســـــــه و بخونه
                    
                                                          آمریکا 2010

My Man

My Man مردمن

From the new Icelandic label that brought us Atli Örvarsson, Sin Fang, Christopher Royal King & Nico Rosenberg, comes a new composer, hailing from Naarm (Melbourne). As a professional concert pianist, Rose Riebl has captived the audience from around the world with her performances which include her own compositions. Her musical work "extends her intimate relationship with the piano into a realm of more fragile, soulful and transcendent works that guide the listener into vulnerable emotional spaces," and when you play through the previously released two singles, you'll know that these words ring true. Now that she's been signed to INNI, Riebl is preparing for her debut album of compositions, titled Do Not Move Stones, due out on June 18th. Meanwhile, I am here today to tease you with a beautiful piece borrowed from her album, titled "Even As The Light Fades". Here, the sparkling piano keys, weaving in the plush bed of organic reverb, carry and lift the soaring strings into a poignant dance, that is at once a little melancholic and triumphant in its song. Echoes of romantic classical composers, Rachmaninov, Tchaikovsky and Chopin, return in ghostly melodies that pluck at the emotions in your heart, recalling false memories of the past lives, when sitting in a concert hall was enough to be transformed with only music.

“I think sometimes people forget to feel, or it’s easier not to,” she told classical and new music magazine CutCommon. “So, I like my music to elicit some kind of emotional response. Sometimes, that’s just rest or calm; other times, it’s more intense – there’s fury, rage, longing. We all walk around carrying these things, and if music can act as a bridge back to feeling, allowing us to access those dormant parts of our own little universes, then it’s doing what it’s meant to. I think art wants to wake people up.”

Do Not Move Stones

Even As The Light Fades

TRACK PREMIERE : Rose Riebl - Even As The Light Fades

emmit fenn - allégro

USE WITH CAUTION Become Underweight [Riri Subliminals]

A Girls Feelings💕

Derecho  
May 2021
Duration: 2:40
Derecho (from Spanish "straight" as in direction) is a widespread, long-lived, straight-line wind storm.  A warm-weather phenomenon, derechos occur mostly in summer, especially during June, July, and August in the Northern Hemisphere.
For strings, brass, woodwinds, piano, harp, celeste, wind chimes, timpani, field recordings of wind and percussion

Derecho

Gregorio Allegri - Miserere mei, Deus.

Forest In You

Freiheit wär viel lustiger

I Died When She Left Me

03 183 Times

Kai Engel - The Scope - 02 Cutrains Are Always Drawn

The new album, composed having in mind the idea of releasing it mostly on vinyl, has two different "sides" - the "Solo" side, in which I am playing a delicate and intimate felted grand piano and the "romance" side, in which I composed music with strings, in a more cinematic style.

Fragile On A Summer Night [Romance]

13- Finale - Gale Of Memories

This is my demo of Spitifre audio "Kristiansand Concert Steinway", for the pianobook project. 
Download it for free here: www.pianobook.co.uk
I performed one of my original piece, "Experience": https://bit.ly/2Iqu7wM
Mixed and mastered by myself, to adjust the raw sound of the piano to my taste. Feel free to comment! :-)
© 2019 Dominique Charpentier. All rights reserved
https://www.dominiquecharpentier.com/

Experience

Experience - The Piano Book demo / Kristiansand Concert Steinway

The Debut Album of Ashh Nm called Dream Land released in 2020. "24K" is the Third Track of The album "Dreamland".

24K(Ft. Eiman & Golsa)

تارا صلاحی و کریستف رضاعی - سال دوم دانشکده‌ی من
Tara Salahi and Christophe Rezaei - Sale Dovvome Dneshkade

تارا صلاحی و کریستف رضاعی - تیتراژ سال دوم دانشکده‌ی من

Download: https://tristaneckerson.bandcamp.com/

Listen on Spotify: open.spotify.com/artist/24LGVKHzsrVV7oo94nlNE1

Listen on Apple Music: itunes.apple.com/us/artist/trista…erson/1243764726

Patreon: www.patreon.com/tristaneckerson

Hendelse

There are some pieces that exist quite simply to brighten your day... the instruments dance and you are there, enthusiastically acting along to an indescribable scene....

'People' by @oliver-patrice-weder is just such a piece :) Feeling elated to share it with you, as entry no. 5 in our summer single series.

🎵 orcd.co/opw-people

Artwork by Mikhail Mishin / Mastered by Martyn Heyne

People

Stream/Download

Oliver Patrice Weder - People

Rana Mansoor Shohare Pooldar

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
