Ezra Brunelli - Our Last Dance

This is my  submission to the second part of 'The Piano Clouds' (TPC) - 'Ebony and Ivory' Challenge (initiated and hosted by https://soundcloud.com/simon-reich), which involves creating a piece using only the black keys on the piano (yikes! hehe). The first part of the Challenge involved creating a piece using only the white keys ('As the Garden Grows'). This 'black keys'  piece was originally a piano solo improvisation, but I wanted to learn more and add some more FX and instrumentation, so I'm not sure what it is! The piano is still dominant for the Challenge, whilst I tried to incorporate a more 'ambient' mood. I'm now looking forward to listening to all the submissions for the Challenge, as I've only had a chance to listen to a few! :-) 

If you'd like to listen and give some feedback, especially given this approach to music is still relatively new to me, its always much appreciated :-) xx



When The Night Falls - Megs McCarthy (Black Keys Challenge)

Incarnation

Introducing "Glacial Phoenix," a transcendent collection of 10 soft piano tracks, each one a gentle whisper of melody designed to breathe life into the rich tapestries of RPG and JRPG worlds. As the title suggests, this album is an embodiment of both the serene and the majestic, perfect for developers and content creators seeking to infuse their games with an atmosphere of contemplative calm and subtle grandeur.

Crafted with the delicate touch of a storyteller, every track in "Glacial Phoenix" is a chapter in an unwritten saga, waiting to set the scene for heroes’ journeys, tranquil village settings, and introspective moments. The soft piano tones echo the quiet footsteps of a lone adventurer across icy landscapes, the warm light in a cozy inn, or the tender scenes that tug at the heartstrings.

"Glacial Phoenix" offers more than background music; it is an invitation to a sensory experience that complements the visual artistry of any game. With compositions that flow as gracefully as time-worn tales, these tracks are ideal for enhancing narrative depth, adding layers of emotion, and enriching the player's immersion.

For creators who craft worlds of fantasy and seek to captivate their audience, "Glacial Phoenix" is an essential companion. Its melodies promise to linger with the listener, like the soft echo of a distant myth, ensuring that every quest is not only played but truly felt.

Elevate your creative work with the ethereal touch of "Glacial Phoenix," where each note is a flutter of the soul's wings against the silent frost of imagined realms.

8 - Phat Phrog Studio - Glacial Phoenix - Whispering Winds

 Pre Sales on iTunes 5.12.2015, Official Release 12.12.2015

11 Dirk Maassen - Dikur Natem Vone

Rain all day... wonderful for some people, awful for the others... in my opinion the right thing to do is playing music :D

Wenn der Himmel die Schleusen öffnet

original music: luca longobardi

from the upcoming Ep White sky, small leaves, blue hands, out on May 10

Small leaves

VOID

Living in Loops

Blue sky, white clouds... use your imagination :-)

If you like this please consider liking my Facebook page: https://fb.me/purplerhapsody

Image is by Matthew Bowden and taken from https://www.freeimages.com/photo/sun-burst-1478549

Elephants In The Sky [Solo Piano]

This is an extract of the live streaming performance of my "Now" album performed on April 22nd. The whole performance is avalable as free mp3 (as this one!) on my Official Forum in Facebook. So - join it and enjoy it! 

Free concert!

Not from the past, not for the future (live)

The Voice of the Wind(cello by Eric Bowden)

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
