Name: Not from the past, not for the future (live) by Fabrizio Paterlini in Marijuana
Duration: 3 min 32 s
Description: This is an extract of the live streaming performance of my "Now" album performed on April 22nd. The whole performance is avalable as free mp3 (as this one!) on my Official Forum in Facebook. So - join it and enjoy it!

Would it be possible for you to allow film makers such as myself to use your work for future films under your permission?

Still remember how you complaint at the concert that your fans don't appreciate difficult pieces on which you worked so hard and so long. Please forgive them, that's a pity they can't see a diamond. I really like this version with all my soul. 

Marijuana

This is my  submission to the second part of 'The Piano Clouds' (TPC) - 'Ebony and Ivory' Challenge (initiated and hosted by https://soundcloud.com/simon-reich), which involves creating a piece using only the black keys on the piano (yikes! hehe). The first part of the Challenge involved creating a piece using only the white keys ('As the Garden Grows'). This 'black keys'  piece was originally a piano solo improvisation, but I wanted to learn more and add some more FX and instrumentation, so I'm not sure what it is! The piano is still dominant for the Challenge, whilst I tried to incorporate a more 'ambient' mood. I'm now looking forward to listening to all the submissions for the Challenge, as I've only had a chance to listen to a few! :-) 

If you'd like to listen and give some feedback, especially given this approach to music is still relatively new to me, its always much appreciated :-) xx



When The Night Falls - Megs McCarthy (Black Keys Challenge)

Incarnation

Soon I will be on the shore again... can't wait to be with my toes in the sand... a feeling of boundless freedom... 

You like what you hear and want to buy some of my music? Visit my profile on Bandcamp: 
www.macrima.bandcamp.com

MACRIMA - Sand zwischen den Zehen

when you believe (lovely piano)

original music: luca longobardi

from the upcoming Ep White sky, small leaves, blue hands, out on May 10

Small leaves

Live recording of an excerpt from Do Make Say Think's appearance at 2010's Toronto International Film Festival Lightbox events, performing a live score to Eric von Stroheim's 1924 silent film 'Greed.'

Do Make Say Think • "Greed Waltz"

Stars

"Sérénade" from the compilation album "Piano Clouds Series - Volume 5" to be released on May 1, 2020 by 1631 Recordings.
Pre-order here: https://1631recordings.bandcamp.com/album/piano-cloud-series-volume-5
All music written, performed, recorded by Dominique Charpentier.
© 2020 Dominique Charpentier. All rights reserved
© 2020 1631 Recordings. All rights reserved

Piano Clouds Series - Volume 5

Sérénade

http://www.youtube.com/watch?v=IHoBtRayPto
http://teaadora.bandcamp.com/track/the-only-one


I 
didn't wanna do this.
I
know its something I could never defend.
When it comes to blood, the rules change.
When it comes to war and love, the blood is the same.
I
didn't wanna do this.
Marked with a curse, noose around my neck.
The view above spectators, waiting for me to break my neck.
To watch my nerves, be my final movement as I squirm.
Its all ok, I am just paying for what I earned.


When we first met, I used to make you laugh.
You raised the stakes, for a lover to stay.
You said I was the sun.
When we had our final fight, you said I ruined
the only meaningful thing you found in your life.
You meant I was the one
You said you never told anyone.
It's what you meant when I said I was the sun.
I didn't know what that meant then I was too young.
Too young.... to hold on...
I learned in my destruction 
Either way, I could not be the one. 
The savior... with love another one. 
If you are not giving all you can.
If you're not the one and they're not the one.
Learning to be alone is learning to love...
someone. 
Its seems now a days, its the most forgotten,
if you are not someone, you are not going to find the one.
Because first you have to be the one. 

Recorded in October 2010 in Full Moon
Image by Stella Margari
















"A JAMAIS VIERGE / VIRGIN FOREVER" for January 2012
http://teaadora.bandcamp.com
http://www.soundcloud.com/teaadora


The Only One

I've survived enough...we've survived enough, why must we endure?
A simple answer: Until the world is pure.

Survivor (Perhaps One Day - Orchestra Version)

This is the adagio sostenuto first movement of Beethoven's famous Sonata No. 14 in C sharp minor Op. 27 no. 2.

This track was recorded and uploaded on Sunday 17 February 2013, on a weekend of intense sadness. Thanks to your support, it was featured in the Explore Classical set. Thank you for clicking on the 'like' button and reposting, and for taking the time to comment on the track.

Pamela Chng - Moonlight Sonata by Beethoven

VOID

Living in Loops

Blue sky, white clouds... use your imagination :-)

If you like this please consider liking my Facebook page: https://fb.me/purplerhapsody

Image is by Matthew Bowden and taken from https://www.freeimages.com/photo/sun-burst-1478549

Elephants In The Sky [Solo Piano]

Credit:George Crewdson

Simply an inspiring artist

Una mattina d’inverno, quando tutto si ferma

This is an extract of the live streaming performance of my "Now" album performed on April 22nd. The whole performance is avalable as free mp3 (as this one!) on my Official Forum in Facebook. So - join it and enjoy it! 

Free concert!

Not from the past, not for the future (live)

The Voice of the Wind(cello by Eric Bowden)

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Not from the past, not for the future (live)

Fabrizio Paterlini

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