piamo

classic

Piano

PIANO NEOCLASSIC

Love

Fabrizio Paterlini

Wind song

Taken from my last "Fragments Found" full album, published in 2010. 

Rue des Trois Frères

Ludovico Einaudi - Una Mattina

Me playing the piano piece Nuvole Bianche by Ludovico Einaudi.
Piano: Roland RD-300GX

Ludovico Einaudi - Nuvole Bianche

New music is coming on August 29, 2011. "The star the fell over that night" (originally composed for FBL sound postcard) will be part of the album that will be released under Creative Commons license @ www.fabriziopaterlinirecords.com.

Download the single and share it :)

The stars that fell over that night

My piano, the clouds

Re-issue of the best selling album "Autumn Stories", in a new remastered version and with some added strings arrangement to several tracks. Printed in a strictly limited vinyl edition.
Out on March 15th 2019, on Memory Recordings label.

Week #13

Week #9

Week #8

Week #6

Week #5

After Over 2 Years of hard working and recording sessions. here is my first OFFICIAL album called "Blue Variations ".
The Album is completely Free . 
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IF YOU LIKED IT , Please be a voice from me and share it in any way you can .Thanks

Blue Variations

Lost in Time

Elegy for a Suitcase

Untold Words

3:15 PM

Hauser  Petrit Çeku - Concierto De Aranjuez

random bts songs

Single for the re-issue of the album "Autumn Stories", out on March 15th in a stunning vinyl edition! 
Differently from the original, which was a piano solo song, this one has been completely re-arranged - enjoy it!

Autumn Stories 2019

Week #10

Vinyl

Call Me By Your Name

Solo - Raul di Blasio \\ by Bndr Als

Reuse is an original theme composed by Mario Viñuela to conmemorate the Piano Day 2019

Reuse (piano)- Mario Viñuela

Taken from my Autumn Stories album, Digipack Edition.

Week #5 (Piano solo)

Theme for Water Crisis Short Documentary (Watch On Youtube Channel)

How many emotions can you express in less than one minute? Check it and you'll know. 
"PianoMicroStories" is an idea from the italian pianist and composer Fabrizio Paterlini with the aim to compose one minute of piano music every day. 
To check all the updates, go to his instagram profile: 
www.instagram.com/fpaterlini

Piano MicroStories #43

This is the previously unreleased track included in the benefit compilation "... and darkness came", curated by Headphone Commute for helping people affected by Hurricane Sandy. All the income generated from this release will be donated to Doctors without Borders and The Humane Society. 

You can buy it and contribute to the cause by checking:
www.headphonecommute.bandcamp.com

Fabrizio plays the piano.

Silvia Dal Paos: Cello
Chiara Spagnolo: Violin

Buy 

There's a light we might see

"This song is a pure improvisation, played on the day of the recording.

The atmosphere of the ancient villa in which we were recording, together with the softness of the sound obtained by the felt mounted between the hammer and the string of the grand piano, led my to discover this unknown territory, in which everything is light and ethereal. The result is in a silky melody, which can only by listened with eyes closed."

Transitions (EP)

Buy Digital

Eyes closed

"Transitions II" is the second chapter of the "Transitions" trilogy concept which began with the previous EP, back in November 2019. 
All these songs, mostly around 1 minute and half of length, are part of the "piano microstores" project, which has been developed last year on my IG profile consisting in releasing one short piano story per day during all the summer season.

Hours Passing

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live electronics by London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


Buy the CD

After the rain there will always be the sun

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violin: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos



Darkness is not the opposite of light

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violins: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos



Finale

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
