Born and raised in Soweto. Mohale “Fulskillakilla” Motsei’s illustrious career on the South African Hip Hop was first experienced in the late 90’s when he belched a statement of verbal revolution as he was heard for the first time on Voice of Soweto under the allias of Full Skill The Pest known to close acquaintances as Don Juan The Pest. 

The time he’s spent in the game has seen him evolve from street corner battle rapper to a 5 year host of the esteemed Splash Jam in Orlando West, Soweto, to single handedly over coming tension and grievances with Deep Soweto, (the same guys he first gave a platform to exhibit their skills),to a mixtape recording artist,to being a prominent street cred clad producer who’s featured on an array of projects and is currently finalising a project with the verbose and controversial social commentator Adis Ababa, a trait they both share in abundance. He also is held esteemed for producing a controversial track titled “Amadoda Ayafeba” on Siya Shezi’s (Deep Soweto member) ep Iqaba”. The symbol of a true trend setter, one who emulates the statement it is not the fastest not the biggest of creatures or species but those are easily adapting to change. 
He has proven to be one with a definite survival life span in a game of uncertainty. FulskillaKilla,The Pest known to close acquaintances as Don Juan The Pest 
  

Career Path

1999 - 2000: 	

•	Radio interviews, performances on Rap activity (Y-fm) and Voice of Soweto. Overall winner in his solo performances in comparison to peer competitors   
•	Performances at Le Club/Rippington’s JHB CBD
•	Esteemed member of Assylum Tribe
•	Emcee Audition Host for the Saturday HipHop show at VOS(Voice of Soweto)

2001:

•	Instrumental in the coordination of the Black August Tour to Soweto which Featured international artists like the likes of Talib Kweli,Deadprez,Jeru Da Damager&Black Thought
•	Performances at the Black Sunday Showcase
•	Performances at Slaghuis



2002 – 2007: 

•	Graduation from(D.T.M) sound engineering school
•	Resident Host of the SplashJam Showcase
•	Involvement in the dark-child basketball tour of Gauteng as a member of the crew known as Headquarters (Along with Dot Com and Sling Short)
•	Production and Features on the Reality Bites Mix-Tape (Together with Dot Com)which had a number1 hit single on the Yfm HOT9@9 charts for 6weeks in a row.

2008 – 2009: 

•	The release of his personal mixtape: Koncept Karnival vol1. As an artist, producer and executive producer, the project was mixed by the Splash Jam legendary DJ Zakes
•	Performances at various locations and different showcases around the country(Eastern Cape,North West,Western Cape,Pretoria)
•	Production on Cheezy Beat Tape 2nd and 3rd Semester by Danamiyc 1852(Tape features producers like WHP,Vybe Beats,Supastar Luvly,SoulChef&many more)from around the Country&The globe<www.Dynamic1852.com>
•	Production for Practice Run by Mental Odyssey,The Circle, Rapid,Viral and Missin’ Link(Ride with the rythm)
•	Become part of the team at the Soweto Towers bungee jumping facility/site. Where he reached and qualified for the accolade of power swing master, he then later, driven by passion for visual and audio technology became the head of the Multi Media Department
•	Guest host at the Street Hawker Concept Store’s Next Movement HipHop showcases   

2010:

•	Producer for Adis Ababa’s Album – Tell it like it is; no fear, no snitch, no favours,which has a controversial hit song “Coptsotsi” on various radio stations like Yfm,KQfm,Radio 2000,UJfm,Gwala Gwala fm&Munghana Lonene fm.
•	Production on a track titled Motherless Child with Yahkeem Ben Israel, a track which featured Adis Ababa & Missin’ Link after the successful attendance of the Eastern Cape tour Grassroots Arts Festival
•	Various numbers of his works downloaded(http://www.soundcloud.com/fulskillakilla),(http://www.reverbnation.com/fulskillakilla),(http://www.myspace.com/fulskillakilla) and purchased by different members of the community either through download sites or directly by him
•	Recruited Khipa Cash (Maskandi Musician) to work as FSK’s session guitarist,vocalist and pianist 

2011:

•	Production on Table Manners – 3rd Wave(http://www.3rdwave.com)
•	Production on Tell it like it is, no fear, no snitch, no favours & Mthetho wa marhuzu – Adis Ababa
•	Production on Pimville Times – V– Killa 
•	Production on Ten Yards – Sling Short
•	Production on The Yard Of The Spitters



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Jockolatex is available for heavy productions and deluxe DJ sessions.

Jockolatex está disponible para producciones y sesiones deluxe. 

jockolatex@yahoo.com

http://www.facebook.com/pages/Jockolatex/322756217736732

Check out my own productions at www.myspace.com/jockolatex
and turn it up!

More mixes I can't post here for copyright reasons at www.mixcloud.com/jockolatex

The most faithful and resolute of electronic music producers maintain the rare ability to mold a collective series of sounds into a definitive structure that not only captures the essence of a given genre, but the essence of the artist himself. Those who are brave enough to venture outside the studio and present their craft to the world via DJ session or Live PA, carry the burden of having to seduce a crowd with their raw charisma. The responsibility of the artist and the performer are not always symbiotic. Sometimes the characteristics of the artist outweigh the performer. Sometimes it is the other way around. Any way you cut it, artists like Los Angles based Dubstep producer Jacob Coma seem to amount to the sum of both these traits with the greatest of ease.

     Coma is a rare specimen who has rhythm tattooed to the invisible surface of his conscience. From his days as a child banging on pots and pans while his mother worked in the kitchen to his prodigious introduction into electronic music as a Hip Hop DJ, it has always been abundantly clear that music is in his blood. But a deep, intrinsic love and understanding of music can only get an artist so far. They must be able to accept, analyze and embrace all forms of music with an unwavering sense of curiosity. Perhaps it is that very sense of curiosity that has allowed Coma to excel stylistically. His musical pallet is seemingly endless, with influences that revolve around a complex constellation of genres. From House to Reggae, Jazz to Drum and Bass, Hip Hop, Breakbeats and beyond, Coma has spent the better part of his life lapping it all up.
     
     Coma’s current endeavors into the realm of Dubstep have yielded a dynamic array of sounds. Melodic hooks, sweeping breakdowns and wobbling bass lines have become ubiquitous characteristics of his style. However, Coma carefully balances his driving, dance floor busting grooves with subtle audio edits and precision-crafted effects that provide an unsettling moodiness to his tracks. While listener’s bodies absorb the fullness of his audio-logical aura, their minds wonder elsewhere, carried off by molecular eruptions of ambient noise that seem to radiate into deep space.
The creature he becomes on stage further highlights the impact of his musical presence. While performing Coma physically transmits his energy to the audience, giving them little choice but to become physically involved. He presents himself as a mythic Banton of sound system culture, gracing the decks with an uncanny ease as he rallies a crowd around his big, bad bass. But as he winds his way through his performance, jumping and bouncing all over the stage, he maintains an air of humility. He is part of the party, not the party itself
    
     Coma’s remixes of artists such as T-Pain, The Yeah Yeah Yeah's and The Baby Namboo’s have put him on the map as a crafty up and coming producer. His music has also seen support from dance music luminaries such as Udachi, Trillbass, Mochipet, Noah D, Puppy Kicker and Bassism Records. Coma has released tunes on Savory Audio, Open Circuit Recordings and recently recorded a DJ mix for R.FM.
-Andre Ross
February 23, 2010

Dub Terminator is renowned for his unique blend of roots flavoured dubstep and future style reggae. 
 In 2010 he started an independent digital label "Soul Island".

Sounds carry intelligence.

----------------------o:-------------------------

Dan Watts

For any booking, music or general enquiries, please see email below.

contact: iamdanimoto@gmail.com

Darkchamberz are South African extreme astral Goth Hip Hop clan that formed in Johannesburg Soweto in 2006.The clan’s musical style evolved from black Metal, Gothic symphonic metal, abstract Hip Hop, Esoteric Hip Hop and other extreme musical dark spiritual arts. Their lyrical theme and imagery are heavily influenced by poetic mythology, theosophy and esoteric Gothic literature.
Darkchamberz consists of 4 members namely. Inverted Crucifixuz, Lord Invasive, Sir SCiber and Mind King  Tutaseta. The clan’s manager is known as Fantom G.O.D. Each with his own eccentricities, most known for their raw lyrical delivery, their lyrics frequently contains references to war on spirituality, reality, Metaphysics and politics…
They have sometimes been perceived as satanic by stereotypic arrogant casual observers, even though
Their outright lyrical references to Satanism are few, their use of satanic imagery has arguably always
Been more for impact value rather than any seriously held believes, they view themselves being beyond
Religious rigid dogma and not victims of brainwash systems “truth is beyond social acceptance”
Darkchamberz has recently collaborated with both local and international artists, in which they share the same passion for music, working with these individual indicates that Darkchamberz remains relevant in attempts to expand its music, reaching the masses in and outside the borders of south Africa which is essential for growth hence it is transparent in Darkchamberz mission statement. What separates darkchamberz from other hip hop clan’s is the understanding of individual that form this group.
Different personalities with a common vision and patience for archiving recognition and dominating the underground hip hop market.

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