For the debut digital EP on Viscera Transmissions, Komodo spreads his wings and takes his signature low slung psychedelica to the stars, to reap destruction on extraterrestrial dancefloors across the cosmos.

Title track Mirror Claws begins an ember in the desert, slowly stoked by guitar chord stabs and eerie screeches towards a slow yet inevitable psychedelic inferno.

For Night Crawler, the guitar steps back into co-pilot role as the acid bass takes the saddle, spurring the squelch dragon off into the void with a crack of the 303 whip.

Next up is Vanquished Angst with a dubby desert rock workout. Blazing guitar solos tear across the sky like thunderbolts whilst the hypnotic bassline and guitar progression burn through the dunes.

On the flip, Jonny Rock re-dubs the dub with his Vanquished Angst Dragon Remix. No slightly questionable guitar metaphors here, instead, a mind melting whirlpool of spiraling percussion, vocal quips, bass throbs and pads form a completely bonkers but brilliant piece.

Last but certainly not least, Chez de Milo arms Night Crawler with some serious ordnance. After changing up the beat pattern with a breaksy kick, electro warheads are ago, clearing the way for the original 303 line to cruise through. Heavy!

Credits: Thanks to Komodo for the amazing music in support of our new label, Jonny Rock & Chez de Milo for the delicious remixes, James Savage for the incredible masters, Kirsty Carrington for the gorgeous illustration and to Jessica Lau for digital design.

@komodo-jkt

PREMIERE | Komodo - Vanquished Angst [Viscera Transmissions]

Having featured on the Riviera Disco compilation series, it’s time that Donald Dust returns to Bordello. This time the Scottish artist is back with a five-track EP in the form of Nausea. Bending ideas and styles, the Edinburgh producer serves a sample-strewn, italo-infected grenade. Hoarse vocals sully clean chords and percussion as arpeggiators grind and growl. Drum patterns stagger and stumble in the bleary-eyed house-streaked “Sick Your Own Mix” of the original. The listener is never sure where Mr Dust will take them, with influences and surprises coming in equal measure. “Noise in the Stairwell” is an electro stalker, bolts juttering and jangling in this work of vocoder-scented giallo funk. The styles continue to be melted into new sound forms on the flip with two versions of Jupiter Jack. The “Groove Mix” takes the staccato stabs of new beat and supercharges them with punishing percussion and a good helping of dancefloor devilment. Leading us into the wee hours of the after, the “Jupiter Mix” leans on the darker tones and rusted-up rhythms for a final body jack before the realisation that work starts in eight hours.

PREMIERE: Donald Dust - Jupiter Jack (Jupiter Mix) [BORDELLO]

The third KRI Records release features the infamous Italo Moderni label boss Adrian Marth joining forces with the Italian EBM master Diana Berti (Violet Poison) and it's a belter. 

Warm and punchy analog beats are spiced with haunting melodies and sinister pads that will break even the toughest of ravers. Sturdy EBM-ish, dark italo and wave production is cushioned with Adrian's mysterious vocals adding yet another layer to a diverse EP accompanied by two heavy-weight remixes.

Magic Fantasia is reimagined as a dirty electro firecracker by Chupacabras (L.I.E.S.) while Panoramix Forest is transformed into a commanding EBM march by Chino (Pinkman).

Think of Dario Argenti walking into a dark club at 3 AM ...

Adrian Marth
Soundcloud: https://soundcloud.com/adrian_marth
Facebook: https://www.facebook.com/AdrianMarthmusic
Instagram: https://www.instagram.com/adrianmarth_/

KRI Records
Soundcloud: https://soundcloud.com/kri-records
Facebook: https://www.facebook.com/krirecords
Instagram: https://www.instagram.com/kri_records/

PREMIERE: Adrian Marth feat Diana Berti - Magic Fantasia (KRI Records)

Back From The Wave - Escape From The Void (Jorkes Remix) (FC068)

Zivot (Dub Mix)

Pim Secle, Orchid - Zivot Feat. Dijagnoza (Dub Mix)

READ > inverted-audio.com/premiere-globemaster-cronicas-del-cosmos

Presenting its sophomore installment of Retro Futur series, Lyon-based imprint @Melopeerecords feature thirty tracks to celebrate the sound of dancefloor nostalgia conducted by a guild of thirty-four international producers. @globemastermx

RetroFutur 2

Crónicas del Cosmos

Globemaster - Crónicas del Cosmos [Mélopée]

All Mutant Disco Radio Show premieres available on :

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Taken from "Mirko Krstičević - All and Nothing at All (Film and Theatre Music 1978 – 1988) LP (Fox & His Friends Records)". Out March 25th 2024. Buy here : Vinyl https://foxandhisfriends.bigcartel.com Digital https://foxandhisfriends.bandcamp.com

This is a collection of music for the various films and theatre plays by Mirko Krsticevic, Croatian and Yugoslavian composer and musician active since 1970s. “All and Nothing at All (Film and Theatre Music 1978 - 1988)” [“Sve i nista (Filmska i scenska glazba 1978. - 1988.” in Croatian] focuses on his work for the underground and avant-garde cinema from the era: directors Ivan Martinac, Svemir Pavic, Lordan Zafranovic, Aleksandar F. Stasenko and Vanca Kljakovic are all part of the Split Cinema Club association; their work explores art, death, sexuality and eroticism. Krstičevic compositions for various theatre plays are also included.
★ From the Original Master Tapes
★ LP Vinyl Gatefold LP
★ Extensive Liner Notes
★ Photographs from the Films
★ Direct Metal Mastering (DMM) by Record Industry NL
★ Limited Edition of 100 copies
★ Not available in stores
★ Hand-numbered
★ With 12-page full color booklet
★ Additional texts, info and photographs
Svemir Pavic’s portrait of surrealist painter Ljuba Popovic, made in the same year as its counterpart by Walerian Borowczyk, features scenes form Beaubourg Gallery in Paris and Udo Kier as a guest. Side B of the record is all about theatre: plays by Sam Shepard, Rainer Werner Fassbinder and Jean Giraudoux were all produced in Sarajevo and Split in the 1980s, with the rare electronic takes by Mirko Krsticevic and his subtle minimalist soundings of the themes from the Cold War era. This unique and diverse compositions by founder of the rock band Metak and sound studio Tetrapak from Split, are document of the time that is, especially in the closing Chernobyl theme, relevant again.
Composer, musician and musical arranger Mirko Krsticevic was born in 1948 in Sibenik. He graduated in music theory at the Pedagogical Academy in Split and then at the Music Academy in Sarajevo. He studied composition with Josip Magdic, Mladen Pozajic and Miroslav Spiler. He is the co-founder of the Tetrapak music studio in Split, where numerous performers and musicians have recorded (Animatori, D'Boys, Haustor, Oliver Mandic, Gibonni, Srdjan Marjanovic, Stil, Trotakt Projekt and others).
Together with Ranko Boban and Momcilo Popadic, he founded the Metak group in the spring of 1978 in Prigradica on Korcula. In the group, he is the author of songs and lyrics, and he also plays the bass guitar. “Da mi je biti morski pas” is the group’s most successful single, which in 1980 became one of the most played songs on radio and television. Metak performed in Belgrade in front of 70,000 people, and the media declared them the best group along with Macedonian Leb i sol. In compositional work and arrangements for other pop and rock artists, Krsticevic had high commercial success with Tutti Frutti Balkan Band, Biljana Petrovic, Seid Memic Vajta, Pepel in kri, Osmi putnik, Oliver Dragojevic , Djordji Peruzovic, Henda and others.
Parallel to his pop and rock career, Krsticevic composed stage and film music for 45 films, mostly collaborating with the circle of experimental and amateur directors of the Split Cinema Club (Kino klub Split) as well as the rest of the local underground scene. He is the author of stage music for 130 theatre plays (mainly for HNK Split and Narodno pozoriste Sarajevo).
Artist social media :
https://www.instagram.com/m.krsticevic

All and Nothing at All (Film and Theatre Music 1978 – 1988) LP

Mirko Krstičević - The Opening Night (Theme From Ljuba Par Lui Même)

PREMIERE : Mirko Krstičević - The Opening Night (Fox & His Friends Records)

Contrafact is a sublabel of Deeptrax Records. Based in The Netherlands, Deeptrax is also a store, all founded by Chris Roorda in 2004. Focusing on the deeper side of electronica, and eclectic leftfield dance jams, exploring those spaces between deeper house and techno, with hints from the past, and visions of the future. Now the label welcomes Dutch icon and studio wizard, Orlando Voorn, who brings a fresh new sound with a double vinyl album entitled ‘The Master 2’, a collection of laid-back jazzy heaters with Orlando’s trademark sci-fi touch, stamped all over it.
 
Orlando Voorn’s career kicked off in the 80s and he has been widely recognised as a genius.  Voorn spent years living in Detroit working with the like of Juan Atkins and Metroplex Records, and with the mighty
Kevin Saunderson on KMS. Although he has made music under many monikers and has delivered releases in varying styles, he is mostly known for his Detroit tinged, deep house and techno vibes.
 
On this long player we see Orlando delivering an album that flips the switch, moving through different shades of jazzy house, soulful funk, but still very much in the Detroit zone. It’s an infectious mix of debonair soul and hi-tech jazz injected with Voorn’s versatile palette of dynamics, next-level machine talk, and otherworldly funk. Staying true to the velveteen house vibrations that’ve been the driving force to his seminal records through nearly three decades of mythology, Voorn drops a textbook sample of his lush and unhindered vision for innovative and soul inspiring music. This album rolls up its sleeves and pulls out a potent artillery of foot shuffling jazzy house beats, intricate drum work, and some bleached-out synths that will wash away all those February winter blues.

Back From The Wave - Escape From The Void (Jorkes Remix) (FC068)

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