Name: REMEMBRANCES 012 w/ aboutmyblank invites Khaus (18.01.25) by Fade Radio in Remembrances w/ aboutmyblank
Duration: 51 min 40 s
Description: Emotional Dancefloor is the lightning ground that appears everywhere you need it to be, when everything is getting too much. It's ok to cry and dance at the same time. Let it go, close your (tearful) eyes and feel everything you can.

Remembrances w/ aboutmyblank

OFLUXO@QUANTICA.064 (F/W'23)

O Fluxo monthly takeover at Radio Quântica

Img: djsport3000/ @djsport3k

http://www.ofluxo.net/
https://www.radioquantica.com/

Tracklist:
Iokera - Heart Hole
Atte Elias Kantonen - hey
nueen - IV
USOF - brat
bod [包家巷] - regrettably beautiful
ම˚´˚ එල් ¬ - r.spir.22
Majidi. electric midi motoCrosz - 0000000000000000000000000000000000000
Glint - 2 times too
bod [包家巷] - she likes my music
Glint - Clear Eyes
Yunzero - Fading
ナースのお仕事44クール - 美享年(2008歳)
Kenji - Dja
FARWARMTH - Hymn
FMSAO - Celebration
16120world_life_adversity - __3
Tumy - Mercy
Omeed Norouzi - shell of light edit
Innerfreekling - never lost
nueen - The Non-now
rec - hope you doing what you want
Monocoat - Dusty
Imitation Therapy - Crunch Hymn__주여3창
Wa?ste - No Break
Christoff Riedel - 8
Omeed Norouzi - Privileged Loner
hironori nagatsuma - Utökad kropp
0comeups - glory
USOF - Goodbye Forever
Atte Elias Kantonen - leafcomb
Shiner - spirit force 2023
k2dj - remember____pm
kiki molina - truco
mu-tate - ∞∞ (ft. Space Afrika)
ANIMA - Change
7038634357 - Acolyte
Leibniz - M2
Colleen - Subterranean (Movement I)
JMV - Caldera arp
kiki molina - Ngen
Mary Yalex - Bridge Over Troubled Water
Andrew Thomas Huang - Galaxies In A Straight Line
Leibniz - Sleep
Christoff Riedel - shape memory #1

O Fluxo, 2023

OFLUXO@QUANTICA.064 (F/W'23)

baby bird

In 1954, the U.S. Coast Guard logged a classified incident in the Lake Michigan sector, a few miles off the coast of North Manitou Island. The report, later declassified in fragments, referred to it only as “Operation Wraith Tide.” The official story claimed it was a “meteorological anomaly" but locals in northern Michigan knew better.

Fishermen had been reporting strange occurrences for months, fog banks forming in perfect circles, compasses spinning, radios picking up faint distress calls from ships that no longer existed. And then came the night of October 7th, 1954.

A small passenger vessel called the Harriet Dee vanished mid-transit between Leland and the island. Twenty-two people aboard, no wreckage, no survivors, not even oil slick. The next morning, an uncharted sandbar appeared where the Harriet Dee’s signal last registered. It was roughly half a mile wide, covered in dead gulls, seaweed, and rusted debris. Locals started calling it Dead Island.

For weeks, no one went near it, until a Coast Guard team attempted to land there. The official records say they found no human remains, only “organic residue inconsistent with aquatic decay.” Unofficially, one of the divers Lt. Raymond Pike, told his wife before vanishing a month later, “They weren’t dead. They were waiting.”

By winter, the island was gone. Nothing left but open water. But in 1969, a research crew from the University of Michigan captured sonar readings of what looked like a submerged structure, circular, hollow, with vertical pillars roughly matching the dimensions of a passenger ship’s hull.

For decades, there have been whispered reports from boaters and divers: flashes of light beneath the surface, figures seen standing in the mist, a woman’s voice humming an old sea shanty. One of the earliest radio operators who handled the original distress call claimed to hear a phrase that never appeared in the transcript: “We’ve reached the shore.”

Some folklorists believe Dead Island is connected to a 19th-century Ottawa legend about “the Sleeping Tide,” a place where drowned souls gather until the lake gives them form again.

The song “Dead Island” uses frequencies modeled after sonar pings taken from the 1969 dive recordings. The low-end distortion mimics underwater resonance, if played loud enough, some claim it interferes with radio reception within a mile radius. The final 12 seconds contain a hidden field recording of Lake Michigan waves taken near Leland, if you isolate it, a faint voice can be heard repeating, “We’ve reached the shore.”

Dead Island

Half-improvised set with vocals and generative synthesizers, specially prepared for this invitation. Thank you to Mika Oki for having me, and Loto Retina for the sound and recording.


Live at Brasserie Atlas - Bruxelles 24.11.07

w @morsel-tales

++ PRESENTATION ++

“Never in my born days did I see such night”

(  (("))  )
Club Late Music and Morsel are happy to present a new addition to GUN-X __ a series of releases that enlarge the processes of collaboration beyond the borders of the Global URL Nation. For each project, members of the GUN community collaborate with members from another collective or label - exploring the results of cross-pollination and pooling across the global ecosystem of electronic music.

After an edition with Heel.zone in 2020 and with Hide Productions in 2023, we warmly welcome Morsel from the UK ! Morsel is a Manchester based label and arts platform inspired by literature and folklore, exaggerating the mysticism of our urban environments. Launched in 2023 only, their very just and sensitive approach convinced us instantly to extend the series with them.

(  (("))  )
For this one, Morsel wrote up a poem, which would serve as the primary source of inspiration to create a new track by musicians from both extended communities. 

It resulted in 17 tracks from Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

“Never In My Born Days Did I See Such Night” is a collective exploration and experimentation into poetry as inspiration for composing music. The album oscillates between a sombre, dynamic landscape through a selection of heart-felt ambient tracks to bass driven club rhythms, mirroring the dark melancholic yet heavenly imagery painted in the poem. 

The album opens with angelic trance-like soundscapes decorated with glitches and robotic vocal elements that lead to a heavenly chorus of rich pads and textural field recordings. This feeling of euphoria is confronted with the latter half of the album drawing inspiration from deconstructed club music, flitting between sub basses and broken drum samples. The sludgy beats gather energy through the closing tracks through euro-dance-esque synths and electro-inspired drum patterns where they are met by the final track; an experimental collage of textures, computerised dialogues and dystopic sound bites that draw the compilation to a hypnotic close.

(  (("))  )
The release also comes with a zine of written contributions, which were inspired both by the original story, and by the tracks of the compilation, with Andres Komatsu, atrophene, Brice Reiter, Charlie O'Brien, Diana Serik, griddyeyes, Griigg, Ifuseekamy, julie nicol, Julieta Colantonio, l'autre champ d'eau, Léo Dubois, Le Spieman, Luz de Amor, Naledi Chai / Pillow Man, Older Brother, RAVEN, Solstice, & zozo.

The zine experiments with concrete poetry, broken narratives and long form writing as a response to the sonic landscape of the compilation. The collection delves into themes of longing, self discovery and hope through a textural lens reflected in the soundscapes of the album. Visual elements accompany the text facilitating melancholic narratives through depictions and arrangements of words, collage and graphics supporting the project.

(  (("))  )
For one year, all proceeds of the compilation will go towards Medical Aid for Palestinians. After that, the release will be proposed as Name Your Price, like all our other ones, and benefits will be reinvested into CLM & Morsel for upcoming projects and functioning costs. Thank you for your understanding and your help <3

++ CREDITS ++ 

Tracks produced by Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

Guest vocals on ‘The Fell Demiurge’ by Ingrid Chabert

Cover and visual works by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/

Mastering by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/


DOWNLOAD

Yaka - Urban Fears

Remembrances 010 w/ aboutmyblank invites 8soulchild (24.11.24)

For this final episode of 2024, I invite my friend Lou, also known as the creative force behind the fashion label Meiloumi –– for her first mix/collage. 
Immersion into the Garden of Eden, searching for angels between shadow and light. Rise above while keeping an eye on the angels that brighten your daily life <3.
@lou-millet-1

✰TRACKLIST*ੈ
J.S BACH – magnificat in D Major, bwv 243_ quia respexit humilitatem 
RYUICHI SAKAMOTO – birth 
HILDEGARD VAN BIGEN, STEVIE WISHART, SINFONYE – o virtus sapientie alio modo 
APHEX TWIN – Jynweythek 
BJÖRK – Unison 
TARQUINO MERULA, ENSEMBLE SUONAR- La merula
YASUAKI SHIMIZU – honda 
GAVIN FRIDAY – angel 
LENA RAINE – golden  
MC SOLAAR – solaar pleure 
ALAIN CHAMFORT – paradis (slowed) 
A. VIVALDI, JAKUB JOZF ORLINSKI - il giustino, rv717, act 1_ vedrò con mio diletto_ 
KLAUS NOMI – valentine’s day 
BENJAMIN BRITTEN – songs from friday afternoons, op. 7 – cuckoo 
MEREDITH MONK – respite 
SHAGGY – Angel 

✿ Meiloumi : www.instagram.com/meiloumi
✿ Ariane Kiks : www.instagram.com/arianekiks

✰ Initially aired on @lyl_radio the 17th December 2024

*XWISHES w/ Meiloumi ✧ lyl Radio

Elon Musk appears, in my view, as a man who has consciously severed ties with his past. Over time, he seems to be distancing himself from the human essence within him, almost as if rejecting his own sensitivity. It is through my collaboration with ChatGPT that I chose to revive an image of Elon Musk's past—his birth, his first love—before the American dream consumed him entirely and reshaped him into the figure he is today.

Remembrances 011 w/ aboutmyblank invites Bouzouk (24.12.24)

barnabaie invite daní  - Bran ar barn finds (Janvier 2025)

That special time of year has come to an end. We did it. Gathered with our loved ones, spread merriment and cheer, reflected on the year. More importantly, we flexed our top song, how many minutes we listened, and what niche artist made it to our top five that you could’ve sworn your friends wouldn’t know. But they did. We all did. Thanks to that algorithmic DJ in the sky.

Does he always answer our prayers? What about those who belong to different faiths, like SoundCloud or Nina Protocol? How do these different platforms, different churches, influence music? How do they influence our perspectives, our communities?

In our first episode of Bop Fantasies, we turn away from producer or DJ and start from the beginning of anyone’s musical journey: the listener.

🌐 "Outsiders" is our daily pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com


Outsiders: Bop Fantasies - Algorithmic DJ In The Sky @ Kiosk Radio 13.01.2025

Emotional Dancefloor is the lightning ground that appears everywhere you need it to be, when everything is getting too much. It's ok to cry and dance at the same time. Let it go, close your (tearful) eyes and feel everything you can.

REMEMBRANCES 012 w/ aboutmyblank invites Khaus (18.01.25)

Deuxième émission présentée par le collectif Entre-Soi, avec : une interview en terrasse un dimanche glacial avec Attention le Tapis Prend Feu ; un nouveau zapping souterrain, collage sonore de notre envoyé spécial dans les caves à concert ; et une petite selecta commentée de nos (plus ou moins) récentes découvertes musicales…

Entre-soirées w/ Attention Le Tapis Prend Feu (23/01/2025)

Jules Moynat is a designer and visual artist from Toulouse, France.

REMEMBRANCES 013 w/ aboutmyblank invites Jules Moynat (25.02.25)

In my childhood home, the radio was always on. There was one in the kitchen, another in the bathroom, and one in my father’s workshop. For my birthday, I received a great stereo that could play CDs. I set it up above my bed, with the speakers next to my alarm clock so I could listen to shows and my favorite albums before falling asleep. Always on, no matter the circumstances.

It’s been a few years since I last lived in my teenage bedroom. In fact, in a few days, my parents will have to leave the house. After 27 years of renting, the landlord has informed us that the lease will not be renewed.

As a tribute to the room I grew up in, I tried to compose this episode using the sounds it produced—those that came in through the window and out of my speakers between 2016 and 2018.

My name is Ugo Puntous. I grew up in a small town on the outskirts of Toulouse, in the south of France. Since moving to the Toulouse metropolitan area, I've been dedicated to exploring and showcasing the artistic initiatives flourishing throughout our streets.

Recently, I became a resident at Radio Campus Toulouse, where I host 'Nobles Métaux', a program dedicated to documenting and highlighting the work of young local artists. As the new owner of a DJ controller, I’ve been having fun mixing on the airwaves and at a few venues around the city under the pseudonym ugoxoxo!

https://www.instagram.com/ugoxoxo_/ 
https://www.instagram.com/nbmx.radio/

REMEMBRANCES 014 w/ aboutmyblank invites ugoxoxo (16.07.25)

Prod me
@66ANPU ON IG

I’d call you back everyday
Don’t ignore all the things that you say
I love you, just expect me to stay 
I’m here forever
I’m here forever
Forever for you
For me to I love you so much
You bleed too
Your the one that I trust
Your the one that I trust

They think that I am lonely
I kinda feel like that
But I have you still
And I have my last
Dream that I had I don’t know what to say
You were in it though
I don’t know how to play it cool

I told you just hold on 
I’ve loved you for so long
You make me feel special 
I kissed you I meant too

Don’t know how to love me
I still don’t understand myself
Is so hard to trust in me
When I’ve been going through hell
Talk to me but slowly 
I missed it I know it 
Please calm down 
Control it
Tell myself that same thing
Inside I know it

call you everyday

Fade Radio is an independent platform that experiments with diverse music approaches expressed through DJ sets, live performances, podcasts, and art-related projects. Aiming to build a community-oriented network, it operates as a core that aspires to support independent artists and creatives.

REMEMBRANCES 012 w/ aboutmyblank invites Khaus (18.01.25)

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