Love Is Everywhere  (nasti bootleg mix)

YeYe『HUE CIRCLE』、sugar me『Why White Y ?』、アナログ盤(LP)同時購入特典に収録。

YeYe『HUE CIRCLE』
(LP) 
http://www.flakerecords.com/rcminfo.php?CODE=20940
(CD)
http://www.rallye-label.com/?pid=62302501

sugar me『Why White Y ?』
(LP)
http://www.flakerecords.com/rcminfo.php?CODE=20941
(CD)
http://www.rallye-label.com/?pid=66858441

YeYe × sugar me / Since Yesterday (short edit)

A lengthy, vast cinematic electronic odyssey unfolds with warm, breathing analogue synth pads and bright high chimes floating in a wide stereo field. A pulsing sequenced bassline underpins airy textures, accompanied by faint, understated arpeggiator patterns that weave quietly into the background. Evolving synth layers, rich with the warmth of vintage oscillators, emerge gradually. Minimal, crisp beats and soft percussive glitches join in, growing into radiant, harmonic swells. Expansive synth leads rise above lush chords, amplifying a sense of space and motion. Energy peaks with a euphoric climax before unravelling into drones, gentle repeating motifs, and deep reverb tails, ending on a single fading tone.

Frambient Licence

iFlowOnly - Eternal Summer ☀️🎧
Immerse yourself in a dreamy fusion of Vaporwave and Romantic music. Soothing piano, lush synths, and nostalgic samples blend with orchestral elements, crafting a unique sound that's both sensual and epic.
✨ KEY FEATURES: Atmospheric soundscapes, emotive melodies, and hypnotic rhythms.
✨ MOOD: Calming, Introspective, Romantic
✨ PERFECT FOR: Relaxation, Focus, and those seeking a sonic escape.
DETAILS:
🎵 Genre: Vaporwave, Romantic
⚡ BPM: 90
🎧 Best with headphones for an immersive sonic experience!
"The future belongs to those who believe in the beauty of their dreams." - Eleanor Roosevelt
SUBSCRIBE FOR MORE:
🔔 Subscribe to iFlowOnly for more innovative and atmospheric music: 
https://www.youtube.com/@iFlowOnly?sub_confirmation=1 
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TAGS:
#iflowonly #EternalSummer #Vaporwave #Romantic #RelaxationMusic #FocusMusic #AtmosphericSoundscapes

Discover Your Next Favorite Study Music With Eternal Summer

ラッキーオールドサン 
“ミッドナイト・バス c/w やりたいようになりたいように(feat. THE LOST CLUB)”

LABEL: kiti
CAT.NO.: ARTKT-011 (kiti-704)
PRICE: 1,389円 + 税
RELEASE DATE: 2016.02.24
BARCODE: 4941135458112
FORMAT: 7”（mp3 DLコード付き/45回転）

TRACKLIST:
Side-A: ミッドナイト・バス
Side-B: やりたいようになりたいように(feat. THE LOST CLUB)

＜リリース記念イベント＞
『華麗なるたいくつ一座』
出演：　ラッキーオールドサン
サポートメンバー： 田中ヤコブ(Gt.)、渡辺健太(Ba)、岡本成央(Dr.)、THE LOST CLUB
会場：　新宿プーク人形劇場
開催日：　2016/03/06（日）
開場/開演：　13:30/14:00
チケット料金：　ご予約3,000円/当日3,500円
＊学割有り：　ご予約2,000円/当日2,500円 当日の受付で学生証のご提示をお願いします。
＊未就学児入場無料。
ご予約方法：　kiti HP　ご予約フォームにて受付
お問い合わせ先：　info.kiti@gmail.com


やりたいようになりたいように (feat.THE LOST CLUB) by ラッキーオールドサン

王舟 - Thailand (抜粋, cgcg012 Thailand 収録)

http://www.thefader.com/2012/08/28/download-flau-records-fader-mix

Flau Records FADER Mix

「よあけ」

青木隼人
青葉市子
haruka nakamura



よあけ 
http://www.kitchen-label.com/daybreak/

よあけ   /   青木隼人、青葉市子、haruka nakamura

Sheeprint - キリンの運び方

夏影カバー
Natsukage from Air covered by rei_autumn

夏影 (Covered by rei_autumn)

It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was‘Komachi’, baptized in the earthly winds and static that define its comforting sonics.

On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashioned in the album’s subtitle, a “satire of old Japanese aesthetics”. Each entry’s distinct flavour hasearned Meitei acclaim for conjuring a bygone culture through his transportive form of ambient music. ‘Kofū’ arrives as a deconstruction of this approach. His first release with KITCHEN. LABEL, Meitei has quietly defied expectations set by his previous two albums, while continuing to challenge modern notions of Japanese sounds.

Once again, Meitei resumes his focus on a Japan that has long ceased to be. This time, ‘Kofū’ is deliberately playful in bridging a sensibility that connects this imagined past to the present. Fractured piano chords are the first to greet you on ‘Kintsugi’ before they make way for a spectral elegance that parades the haunted mask of Kwaidan on ‘Man'yō’. 

But like an ambient soothsayer schooled in the art of the 808s, Meitei quickly drives ‘Kofū’ with propulsion on ‘Oiran I’, which shares a sibling in Side B track ‘Oiran II’. On both songs, he builds tension served up by flickering hip-hop rhythms — achieved by carefully processing old drum and metal sounds — with a subversive spirit unforeseen in any of his work thus far.

Dissecting vocal recordings to the point of incomprehensibility, Meitei aims for something stirring beyond- words — not unlike J Dilla and his mountain of cut-up soul samples, or The Caretaker with decaying 78s. He abides by a principle attributed to the master Hayao Miyazaki: “Beyond logic speaks of human nature”.

‘Kofū’ allows full immersion into fragments of the past without the trappings of nostalgia. The tracklist is denoted by prominent (and unseen) figures of this history. Tracks ‘Sadayakko’ and ‘Otojirō’ are named after renowned entertainers from the Meiji era, while ‘Nyōbō’ is dedicated to a long-suffering line of working class women within a patriarchal Japanese society. The sounds of ‘Oiran’, sharing the name of the title bestowed upon courtesans, were sparked after learning about the treatment of red light district workers within this era. It paints a grim picture of baidoku (also known as syphilis) and its ravage spread.

These stories cloud the overall mood of ‘Kofū’, but Meitei takes a Mizoguchi-like approach to mould that unimaginable pain with tenderness. ‘Oiran 1’’s hidden subtitle is Hana, and ‘Oiran II’ is Shiokaze. As Meitei explains, “Hana means gorgeous and glorious. Shiokaze is the sea breeze — for her life.” Tracks like ‘Urameshi-ya’ and ‘Gen'ei’ provide a meditative space amidst the turbulence, while ‘Shōnen’ takes a turn for the cinematic. The eight-minute odyssey is engulfed by shadowy voice loops, mixed best for a headphone experience in a solitary setting.

Meitei bids farewell to an expedition first sparked by a passion for a long-forgotten cultural past. ‘Kofū’ is a definitive conclusion with an open invitation to listeners from Japan and beyond — encouraging continued appreciation of this sacred part of history, wholly untethered from the world at large.

‘Kofū’ will be released on LP, CD and across all digital formats via KITCHEN. LABEL. Chihei Hatakeyama mastered this recording in Tokyo, Japan.

Release Date:
CD, Digital - 25 Sep 2020
LP - 30 Oct 2020

Ⓟ & © 2020 KITCHEN. LABEL

Meitei - Oiran II (Kofū, 2020)

The FADER is the definitive voice of emerging music and the lifestyle that surrounds it. Through in-depth reporting and a distinct street sensibility, The FADER aggressively covers the most dynamic breadth of music and style emanating from the fringes of the mainstream to the heart of the underground. The FADER is the authority on what's next.