Live mix from preparty Trimurti 30.03.2013 in the place “Open World” 

Design cover by Stanislav Kazantzev 

Импровизация с кисло-сладким привкусом прошедшая сквозь меня, как информационный водопад в виде звуков летящих с высоты птичьего полета! Музыка, что взлетает над вратами ночи и рассыпает флюиды свои среди гаснущих звезд, видя, как из-за пределов мира встает солнце. 

Это кисло-сладкое путешествие посвящаю своей прекраснейшей жене, которая не смогла присутствовать на событии, но очень хотела бы отжечь на танцпольчике в то время, когда эта музыка звучала ))) 

А также хотел выразить отдельную благодарность Денису Спиридонову из проекта Shogo Buzz за его способность проводить через себя и реализовывать столь гениальное творчество! Его композиции использованы в этом миксе.

www.mixcloud.com/Dj_Afro

Afro - LiquidSounDrops

Soundtrack for GO_FASTER(), the winner of Dreamhackathon Summer 2015

GO_FASTER()

Soundtrack I made for the game Square Brawl!
It's a local multiplayer shooter released pretty soon!

It has a trailer: https://www.youtube.com/watch?v=1i2B-KJOA-U&feature=youtu.be

And a subreddit: https://www.reddit.com/r/SquareBrawl

Fair And Square

cory arcane found her comfort zone in a constant state of crisis, and her liberation through love, sensuality, and high-speed internet access.
as some might recall, she used to struggle with her own decay, navigating an intricate web of bureaucracy, endless social-media scrolling, 24-hour news channel feeds and marketed strategies of seduction.
her intense and continuous obsession for surf, breakdancing and cat videos might have saved her from a silent decline, but it would be her first attempts at integrating a professional ballet company that provided the initial spark. her unorthodox dance movements were often considered shocking, transgressive, and barely legal; and even though some recognised her genuine talent, it was clear she would never make it into this structure. this is when she started her slow drift towards the outer limits of society, in search of the way to achieve the conditions for absolute freedom.
her emancipation was surely marked by different forms of excess: the inappropriate use of fireworks, the consumption of large quantities of alcohol and controlled substances, as well as the occasional blasts of kitchen appliances.
she bypassed the gender war and became an expert in advertising sabotage. soon cory would give academic courses on the true liberation of the mind, or, in her own words, the apotheosis of senses.
lately, she could be seen squatting in the outskirts of different giant metropolises, embracing the mayhem, contemplating the crumbling of a system. the sound of the city, mixed with the music on her headphones, would weave complex rhythms and futuristic textures into a beautifully coloured, pixellated surface.
looking out onto this fabulous chaos, she smiled.

»cory arcane« is kangding ray‘s fifth album on raster-noton and will be released as CD, double vinyl LP, and digitally.

kangding ray - dark barker

Lotic - Trauma
Lotic - Carried
Lotic - Feign
Lotic - Banished
Lotic - Bravado
Lotic - Wince
Lotic - Nuance
Lotic - Rewound
Lotic - Surrender
Lotic - Pressure

Cover by Kyselina
Mastering by Jeremy Cox

Lotic - Agitations (JANUS004)

a brief live improv using the Buchla Easel and Eurorack lunchbox.

Fragmenta

KABLAM - Intro
KABLAM - Crisis
KABLAM - Arch
KABLAM - Nu Metall
KABLAM - Choking
KABLAM - Stare feat. Le Mystère des Voix Bulgares, Hildegard von Bingen, X-tina, Masahiro Ikumi, Furiosa screaming, Hole
KABLAM - Intensia

Cover by James Whipple
Mastering by Jeremy Cox



KABLAM - Furiosa (JANUS005)

During the studies at the ICEM Folkwang University I programmed an instrument in csound to understand the additive synthesis. This is an improvisation with this instrument made around 2006. The instrument works live with 32 sine waves. Each one of them is individually controlled in amplitude and frequency deviation.

Etuede In Granit

The basis of the twelve-tone technique is the tone row, an ordered arrangement of the twelve notes of the chromatic scale (the twelve equal tempered pitch classes). There are four postulates or preconditions to the technique which apply to the row (also called a set or series), on which a work or section is based:

1. The row is a specific ordering of all twelve notes of the chromatic scale (without regard to octave placement).
2. No note is repeated within the row.
3. The row may be subjected to interval-preserving transformations—that is, it may appear in inversion (denoted I), retrograde (R), or retrograde-inversion (RI), in addition to its "original" or prime form (P).
4. The row in any of its four transformations may begin on any degree of the chromatic scale; in other words it may be freely transposed. (Transposition being an interval-preserving transformation, this is technically covered already by 3.) Transpositions are indicated by an integer between 0 and 11 denoting the number of semitones: thus, if the original form of the row is denoted P0, then P1 denotes its transposition upward by one semitone (similarly I1 is an upward transposition of the inverted form, R1 of the retrograde form, and RI1 of the retrograde-inverted form).

marvin blotto

A quiet track with my avantgarde alias Martin le Artiste. Made with a Makenoise shared system. Assembled in Cubase with some eq. Find more music on Spotify, iTunes, Youtube etc. Search for Martin le Artiste, or Martin Flodin if you want to hear slightly more "normal" music.

Tuning in

My name is Martin Flodin and I live in Örebro, Sweden. (There´s a lot of Martin Flodins around these days, beware of imitations :-)) I have been working with percussion and synthesizers for many years, mixing my nordic roots with world music.  I have previously made 8 albums under my own name Martin Flodin. You can find them om Spotify, iTunes, Amazon etc.
I have posted some samples from the previous albums and some tracks from another of my projects, the fusion group Mallet Speak.

Tuning in

Fadern