Buy EP

Units Mulched w/ TXETEXT, TCV, Sandy's Trace, sanmal

Holiday 2025

On Refilling Automatic Mulch Tanks

Ah Mulch, such a curious thing
For a tank - dweller doth excitement bring.
Though I know not how it feels
To have Mulch in thine wheels
All I desire is [ERROR : REQUEST LINE DOES NOT EXIST]

Made by @txetext (Indonesia), @tcvbln (Germany), @sandystrace (Taipei), @sanmal307 (Japan)
Mastered by Dominic Clare @ Declared Sound, Leeds
Design by Alypsedon

Out March 17th

Units Mulched w/ TXETEXT, TCV, Sandy's Trace, sanmal [PREVIEWS]

On Refilling Automatic Mulch Tanks

Ah Mulch, such a curious thing
For a tank - dweller doth excitement bring.
Though I know not how it feels
To have Mulch in thine wheels
All I desire is [ERROR : REQUEST LINE DOES NOT EXIST]

@tcvbln
@failed-units

Buy:
https://failedunits.bandcamp.com/album/units-mulched

Units Mulched

PREMIERE: TCV - 24H [Failed Units]

On Refilling Automatic Mulch Tanks

Ah Mulch, such a curious thing
For a tank - dweller doth excitement bring.
Though I know not how it feels
To have Mulch in thine wheels
All I desire is [ERROR : REQUEST LINE DOES NOT EXIST]

Made by @txetext
Mastered by Dominic Clare @ Declared Sound, Leeds
Design by Alypsedon

Out March 17th

TXETEXT - Bug Report (Original)

On Refilling Automatic Mulch Tanks

Ah Mulch, such a curious thing
For a tank - dweller doth excitement bring.
Though I know not how it feels
To have Mulch in thine wheels
All I desire is [ERROR : REQUEST LINE DOES NOT EXIST]

Made by @sandystrace
Mastered by Dominic Clare @ Declared Sound, Leeds
Design by Alypsedon

Out March 17th

Sandy's Trace - Epoxy Smile

On Refilling Automatic Mulch Tanks

Ah Mulch, such a curious thing
For a tank - dweller doth excitement bring.
Though I know not how it feels
To have Mulch in thine wheels
All I desire is [ERROR : REQUEST LINE DOES NOT EXIST]

Made by @sanmal307
Mastered by Dominic Clare @ Declared Sound, Leeds
Design by Alypsedon

Out March 17th

sanmal - Meaninglessness

🌀💦🔄💦With Liquid Transfers, Esgeem pulls you into an enchanted, misty universe, with vibrant ambience and deep-toned rumbles. Delicate, tangible sounds hypnotize and engage the senses. Half synthetic, half organic textures are layered over on familiar rhythmic structures. Deep, pulsating bass flows between the unhurried and persistent beats of the kick drum. Modest breakdowns emphasize the negative space. This deliberate minimalism only adds to the intensity of the tracks and places the feeling at the forefront: otherworldly, exotic, and brimming with energy.

@esgeem - Leipzig-based producer and dj, part of the Breakfest collective. His productions offer a harmonious balance between sonic introspection and uninhibited movement, drawing from halftime, dub and UK bass to form futuristic club music.

Liquid Transfers

Forest In

Youth Remixes

Cyber Suit Suna (De Grandi Remix)

🐝 Second taste of @kioskk’s upcoming EP: Brussels-based @faact reworks the title track with a sharp, syncopated groove and that signature “bzzz” sound—stinging the dancefloor like a swarm of bees

The remix is out now, adding a fresh edge to Ancient Reference EP, out March 28

Mastering by Le Dom
Artwork by Studio Boulon

Stream/DL

k:i:o:s:k - Ancient Reference (fa:act Remix)

@stolenvelour

After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

Suigetsu

@galtier returns to Plasma Sources with Mainframe Incantation, a five-track release marking the 7th position on the label’s roster. First appearing on the Multi Source compilation earlier this year, Galtier now moves beyond the mechanical, sci-fi focus toward a sound that fuses technology with the divine, inhabiting the liminal space between worlds. 

Rooted in the earliest traditions of percussive music as a vehicle for altered states, Mainframe Incantation channels ritual energy through synthesised and digitised means, closing a cultural loop from origin to present. The result is a tension between the spiritual and the mechanical — feverish, dissonant, and hypnotic. 

The journey begins with "Ausmisis States", a restrained, technical opener of squelchy basslines and coarse pads, setting the stage for contact. "Tincture Pump" bursts through next—erratic, bouncy, and high-velocity, with a swelling distortion lead that injects chaotic energy straight to the bloodstream. 

In "Tink Cycle", the pace slows into a groove-laden trance, its caustic bassline dragged forward by steady kicks and splintering snares. At the centre lies "Hex Crawler", a gurgling, otherworldly entity speaking in alien tones before breaking into a vast, unearthly climax. 

Closer "Phantom Tremors" hurls us back toward reality with hasty techno-inflected percussion, metallic strikes, and roaring sub-frequencies. Pulsing hardware bleeps push the final surge, sealing the ritual in a haze of digital energy. 

Mainframe Incantation

Hex Crawler

s o m e t h i n g ' s ___g o n e___w r o n g

https://soundcloud.com/daniel-ruane-2 / https://soundcloud.com/carnelecarne / Vee

Demos and spare parts to failed.units.corp@gmail.com