Name: FS GUESTMIX ep. 2: Kaa Glo by 𝕱𝖆𝖎𝖗𝖞𝖈𝖔𝖗𝖊 𝕾𝖞𝖓𝖉𝖎𝖈𝖆𝖙𝖊
Duration: 50 min 20 s
Description: Next one in our series of guestmixes is none other than Prague based, hardcore-coded powerhouse - Kaa Glo. Hard but still goofy, serious and entertaining, both gabber, dubstep and latino, all in one wild package, carefully prepared by this super-talented frog lover.

D3VINATION Draconids Meteor Shower hosted by HASTIA on Cashmere radio & Ola Radio

D3VINATION Draconids Meteor Shower Feat. Softworld

SACO! 150BPM - VOREM IPSUM

FROGALICIOUS aka https://soundcloud.com/simon-villaret for https://soundcloud.com/dan1dang3r

https://www.retreatradio.net/love-laugh-life

Love Laugh Life #12 w/ FROGALICIOUS - GROOVALICIOUS MIXXX (10/05/24)

Next one in our series of guestmixes is none other than Prague based, hardcore-coded powerhouse - Kaa Glo. Hard but still goofy, serious and entertaining, both gabber, dubstep and latino, all in one wild package, carefully prepared by this super-talented frog lover.

FS GUESTMIX ep. 2: Kaa Glo

Montalvo - Colle [TRU008]

New York, NY – Colle, the creative alias of experimental musician Maya McGrory, debuts her solo album 'Montalvo' on urtruimage.

Inspired by her childhood memories of Montalvo Rd., this compelling collection of songs offers a profound exploration of McGrory's past, and presents a narrative of multiple lives lived at once. The contrasting landscapes of her life provide a backdrop for her music, allowing her to find solace in the innocence and simplicity of childhood. Emphasising the ephemeral nature of life, she embraces a flow that reflects the worries of her past and the allure of even the harshest conditions.

Her album invites listeners into immersive emotional landscapes; characterised by expansive glacial synths and strings, while trip-hop and shoegaze-inspired beats push her music into an experimental realm of electronic indie-rock, all enhanced by her sincere and captivating vocal delivery.

What began as a return to a specific time in her life evolved into a journey back to traditional songwriting, reimagined into an experimental vision during the production of Montalvo. For Colle, the process is less about distance and more about rediscovery—reclaiming the innocence and wonder that continue to influence her today.

Album Credits -

Mixed by Shane Lavers (Chanel Beads): Silent But For Joy, Green Edge, Day You Told Me, A Real Atone, Winter Garden

Mixed by Issac Eiger (Threshold): Held By You

Mastered by Rob Venning (DJ Pitch) excl. Winter Garden

Mastered by Ben Shirken: Winter Garden

Violin Credits to Zachary Paul: Winter Garden

urtruimage; run by Sophia Mannerfelt, Robert Venning (DJ Pitch)

Plea and Luck

From Shanghai, China 🇨🇳
1% Compromise ✖
20% Love for the world ❤️
50% Random Emotions ❓
100% Hardcore 💀

He spreads Hardcore music in China, running a Hardcore party label called HAMMER, and a dark rave party called DARK HAZE. Enjoy the Hardcore storm of his razor blades.

https://soundcloud.com/l7lbgmidori7
https://www.instagram.com/pashrawboi/
https://www.instagram.com/hammer.cn/
https://www.instagram.com/darkhazesh/

Suicide Club feat. PASHRAWBOI

Holding up Australia’s underground dance scene, Perth based Producer and DJ @Pat16120 AKA @jacobworldofficial delivers 3 hours of very special blend from the two personas intertwined for our December slot on @HKCRonline. 
 Jacobworld’s new EP ‘Chasing Disorder’ replicates feelings of listening to Early Female or Regis on Downwards for the first time.

Belters only

No Tracklist

Coccyx 17-Dec-24 - HKCR feat. Jacobworld / Pat_16120

Metalheart w/ Realcore + Ruegate - 19/12/2024

@DJBEATCOIN
@DJ-ZYRONIX

ON ALL PLATFORMS:
bnd.lc/enigmaa
bnd.lc/enigmaa
bnd.lc/enigmaa

PLAYA POSSE

ENIGMA - Sped Up

T0ture P0rn

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Extraplanetary multidimensional collective of higher beings that are planning to virtually create sets that would enslave the feeble minded to rob human banks for us.

FS GUESTMIX ep. 2: Kaa Glo

𝕱𝖆𝖎𝖗𝖞𝖈𝖔𝖗𝖊 𝕾𝖞𝖓𝖉𝖎𝖈𝖆𝖙𝖊

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