A short (for me!) piece of layered improvisation using Novation BassStation, Summit, Nord Piano, and Viscount Legend and lots of echoes and reverbs to create a drifting bed to drift off to.  I fall asleep at the drop of a hat, so this is definitely long enough for me, but your mileage may vary ;-)

More on this 562nd weekly Disquiet Junto project — Sheep Music (The Assignment: Record something to help someone fall asleep) — at: https://disquiet.com/0562/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0562-sheep-music/

The project’s image was produced using DALL·E 2. “Three sheep floating over a suburban house at night, realistic photograph” was the prompt.

A Little Night Music (Disquet0562)

A moment of your time please [86]

Built out of a short extract from an improvisation between @stellato-strings (violin) and myself (piano) there's some Audacity pitch change going on and I'm keeping this week's @naviar-records Haiku Challenge as sparse as possible, with organ stop shifting and very low growling Garageband string ensemble. The picture is from a sunset this week in Margate.

without a voice
the heron would disappear –
morning snow

Widely regarded as one of the most important female haiku poets, Fukuda Chiyo-ni was a Japanese poet of the Edo period. She started writing haiku early in her childhood and was strongly influenced by Basho’s poetry (probably because her teachers were his students).

The fundamentals in Basho’s poetry include: sabi (detached loneliness), wabi (poverty of spirit), hosomi (slenderness, sparseness), shiori (tenderness), sokkyo (spontaneity), makoto (sincerity), fuga (elegance), karumi (simplicity), kyakkan byosha (objectivity), and shiZen to hitotsu ni naru (oneness with nature). Fukuda Chiyo-ni was particularly interested in the latter, since most of her poetry deals with the realm of nature.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 26th October 2022

haiku by Fukuda Chiyo-ni http://haikukan.city.hakusan.ishikawa.jp/english/about/index.html

morning snow (naviarhaiku459)

The one instruction for this week's Disquiet Junto assignment was to use an octave leap, which is something I quite often do anyway. 

So, I just set about writing a new track without thinking too hard about the brief. I actually started with the percussion that shows up later in the track.

The root on the opening part steps down an octave before introducing the next chord in the progression.

A two-note synth part is just the minor 7 on two octaves (with a major 6 once for colour - still fits the Dorian mode but is pretty HELLO when it shows up imo).

A second synth part doubles the guitar harmonic sounds, coming in via an opening low-pass filter. That synth part has its pitch modulated by a little step sequence, so it steps up one or two octaves, and the rate at which that's happening in shifting about. That part then runs into a delay (Valhalla Delay) which as a descending octave shift in the feedback patch.

A synth bass part arrives later that is just sustained notes following the root of each chord, but an arpeggiator steps up and down an octave. Kind of like with the pitch modulation on the other synth, the tempo of the arpeggiator is being modulated by an LFO, then quantised, to make it less synth disco / Girls & Boys.

More on this 564th weekly Disquiet Junto project — Octave Lept (The Assignment: Work an octave leap — or more than one — into a piece of music) — at: https://disquiet.com/0564/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0564-octave-lept/

The cover image for this project is from DALL·E 2. The prompt: “octave leap.”

[disquiet0565] Octave Leapt

Jet Jaguar - Sound 1 [disquiet0564] (Free download)

[disquiet0564] Royal Road

An exercise created in Pure Data comprising sequences of five, six & seven notes recorded simultaneously in a quasi-serialist mode

More on this 567th weekly Disquiet Junto project — Three Meters (The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures) — at: https://disquiet.com/0567/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/

The cover image for this project is from DALL·E 2, where “three rulers, colorful photograph” was the prompt..

Five, Six & Seven (disquiet0567)

This started with a kick in 5/8, snare in 6/8 and hats in 7/8. Then bass was added in 5/8 and modular in 7/8. I used Felt Instruments' Smugi filter bank sequencing the filters in 5/8 time for the bass and 5/8 and 7/8 for the modular. Modular voice was 2HP Pluck through a Doepfer Wasp filter, sequenced and modulated using CV Toolkit. Drums are Ableton's Core 909.
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More on this 567th weekly Disquiet Junto project – Three Meters (The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures) – at: https://disquiet.com/0567/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/

all at fives, sixes and sevens (disquiet0567)

This track is part of Disquiet Junto Project #0567: Three Meters. See more at https://llllllll.co/t/disquiet-junto-project-0567-three-meters/59494.

[disquiet0567] Eight

This week's Disquiet Junto assignment is to make music that moves between 5/8, 6/8 and 7/8. The main phrase of this is 2 bars of each. 

The opening synth and the claps are doing something different. 

The first synth plays 5 bars of 5/8, then 5 of 6/8, then 5 of 7/8, back down to 6/8, back down to 5/8, and repeat...

The claps are constant polymeters - three patterns, one in each time signature, happening at the same time.

I used this free mastering service, and liked it. https://mastering.ianknowles.com/

More on this 567th weekly Disquiet Junto project — Three Meters (The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures) — at: https://disquiet.com/0567/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/

disquiet0567

Jet Jaguar - The Establishment [disquiet0567] (Free download)

— 
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DOWNLOAD DIGITAL ALBUM : https://slowerpace.bandcamp.com/album/barbershop-simulator-ii
— 
 
Cover art by slowerpace 音楽
www.instagram.com/slowerpacemusic

This is a fictional game created for entertainment purposes only.
The trademarks used here are the property of their respective owners.

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take no shit (hold your ground)

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

[disquiet0567] Eight

Fake Genius

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