Like this a lot. Very interesting listen, short but with several distinctive parts. Well done!

The production quality on this track is really impressive. Also, I love the sounds, individually and together.

Wow, the "largesse" as Nick Batt  would say... The blatant distortion// The bravery of it..

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Field Recording Of Man In Man Cave #3 (disquiet0590)

next to my city studio there is a great construction site... field recordings from there, SOMA ENNER takes care of the feedback

concrète construction site(disquiet0590)

[disquiet0590] It's Different

Field recording and feedback.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

bird song [disquiet0590]

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Concrète Roots.
The Assignment: Make music combining field recordings and feedback.
https://disquiet.com/0590/

The field recording: Cave1 
During a guided tour of the caves of Han sur Lesse in Belgium (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
This cave has a natural feedback.
The guide speaks in Flemish and French.
With a Pure Data patch (Based on Tom Erbe's "+delay~"):
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
The duration of the feedback is 5 seconds.
Edition with Audacity.

... with the sound of Eliane Radigue in mind.

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Racines concrètes.
Faire une musique qui combine enregistrement de terrain et rétroaction.
L'enregistrement de terrain : Cave1
Lors d'une visite guidée des grottes de Han sur Lesse en Belgique (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
Cette grotte a une rétroaction naturelle.
Le guide parle flamand et français.
Avec un patch Pure Data (basé sur "+delay~" de Tom Erbe) :
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
La durée du retard de la rétroaction est de 5 secondes.
Édition avec Audacity.

... en pensant au son d'Eliane Radigue.

-----------------------------------------------------------------------------------------

Project discussion takes place on llllllll.co: 
https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Cave - Disquiet0590

Disquiet Junto Project 0590: Concrète Roots
This track began with field recordings of traffic above and beneath a freeway bridge. The rhythm of cars and trucks passing overhead on Melbourne's Tullamarine Freeway and the corresponding underbridge echoes along with the birdlife and rush of the Moonee Ponds Creek made for a rich soundscape. These were mixed with some pitched Kilohearts resonators and filters in Ableton Live.

Under The Bridge [disquiet0590]

Rain Birds (disquiet0590)

Voice improvisations through VCV rack, edited into an A-B-A-B form.

Disquiet Junto Project 0591: The Loneliest Number
 The Assignment: Record the first third of a trio.
Please note: While this is the start of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the next three weeks.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in.

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: disquiet.com/0591/

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co 1: llllllll.co/t/disquiet-junto-pr…e-loneliest-number/

Photo: Sochu Maekawa no ame: Rain at Maekawa, Sochu., 1932, Tokyo, by Kawase Hasui, Shozaburo Watanabe. Purchased 2016. Te Papa (2016-0008-11)

Untitled [disquiet0591]

Pure ambient soundscapes for meditation and relaxation, chillout and enjoy.

PURE - AMETHYST

I recently took a couple soft mallets to a 1930s Deagan Vibraharp at an antique store along the St Croix River, pairing it with a field recording I made of a clock ticking its tocks and a little improvisation on a Microfreak patch. For some reason it feels connected to the initial digging I've begun into the work of George Van Tassel. 

"Though my parts would add to my divisions, my faceless cosmic clock records no time."

Then, I wonder then, what does it then record? 

Image from George Van Tassel's October 15, 1953 newsletter, Proceedings of the College of Universal Wisdom. 

The Faceless Cosmic Clock of George Van Tassel

Past?

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

[disquiet0590] It's Different

Fake Genius

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