Since 1989 Dj Amine is renowned for his Funky , Disco ,Soulful , Smooth Jazz , R&B , Dance ,House ,Deep ,Nu-Disco style.
Download  https://koolfunk.bandcamp.com/

Joshua Duerksen, renowned by his DJ name DJ JD, was raised in the Mid-West and California, where his musical tastes were shaped by a diverse range of genres, spanning from Classic Rock and Country to Hip Hop and 90's Dance. He firmly believes that "Good music knows no genre."

Following his graduation from high school, JD enlisted in the United States Navy, dedicating a decade of service to his country. While stationed in Norfolk, Virginia, he had the privilege of meeting several influential DJs who became his mentors, imparting invaluable knowledge about the various aspects of DJing.

In between deployments, JD diligently honed his mixing and performance skills, gaining experience as a Club DJ, Mobile DJ, and Dive Bar DJ. After completing his naval service, he relocated to Idaho and founded a mobile disc jockey entertainment company, specializing in providing exceptional DJ services for weddings, birthday parties, and school dances.

In 2009, JD embarked on a new venture, joining XMiX DJ Music Pool as a video editor. In this role, he skillfully re-edited music videos to match the remixes produced by the talented editors and producers at XMiX, catering to the needs of Video DJs and facilitating seamless music video mixing. During his tenure, JD significantly enhanced his audio editing prowess and mastered the art of creating audio edits and remixes. These creations have been featured in nationally syndicated country mix shows and embraced worldwide, wherever country music finds appreciation.

'The Dreaming Room - Special Edition' OUT NOW
iTunes: http://smarturl.it/TDR_iTunes 
Spotify: http://smarturl.it/TDRSpecial_Spotify
Google Play: http://smarturl.it/TDR_GooglePlay

Facebook - Frank Stallone 
Facebook group - DJ Frank Stallone 
IG - dj_frank_stallone

Available for events and parties NY/NJ area

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Gerts started as a producer of house music in the year 2010 the love for house music has grown into passion and  enjoy others' work and dj sets the music  grabs you and knows no rank or position //www.beatport.com/artist/gerts/980672
SMR Underground
 http://www.beatport.com/track/all-we-do/15907049
Judi Deep

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