Name: Haze by falcon in Shock the Algorithm
Duration: 3 min 31 s
Description: Whether you're lost for sleep, or stuck in a haze...

Beautiful....
Relaxing...
nicely produced..
Bravo
👏👏👏👏👏👏

WOW! This is brilliant. Had to stop what I was doing to find out what this is, well done.

Well made, well played. And I mean this in a praiseful way, it vaguelyb takes me to a Grateful Dead place.

Shock the Algorithm

THE RUSH
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2021

THE RUSH

"The Roadside Ghost" by PS Perkins and R Thomas
Guitars, bass, vocals, synths: PS Perkins
Drums, percussion: R Thomas

Featuring Wendy DuMond aka "Bog Witch" aka @mamby-p on phantom background vocals

LYRICS:
---------------------

Out on the street, people you'll never meet
Struggling just to survive
You wouldn't want to be them, pretend you don't see them,
Just roll up your windows and drive

But the ghosts are not dead, and they're not in your head
They're just waiting right there to be seen
There's no way of knowing and the rowers keep rowing
Going somewhere that you've never been

Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?

The days turn to ash with no cars whizzing past
Where only the strangers belong
The desert is wide, and then once you're inside
You are hypnotized by its song

With a guitar to strum, the ghost sticks out its thumb
But it no longer hopes for a ride
Just shuffles along to the beat of the song
To lie down by the river side, dreaming....

Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?

With silence to ponder it's hard not to wander 
Your mind becomes vacant and free
No matter the cost, all who wander are lost
Swallowed up by the sagebrush sea

Your forever host is the roadside ghost
And it's broadcasting now on the breeze
You'll see there's no choice, there is only the voice:
"Follow me, follow me, follow me....."

Singing
Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?

BARDS:Of The Shimmering Seraphs

The Roadside Ghost

Dust on Keys Piano Solo 7

François TAMBY: guitars, drums, bass, arrangements and production
Aline TAMBY : all voices

   A song that rocked my late teens; I've always loved the lyrics, the "Kenloachian" video, Jimmy Somerville's voice and the melody, but much less the synthetic arrangements and 80s production. It's a world far removed from our own, so we've freely reinterpreted the song in our own way...

 Une chanson qui a bercé ma fin d'adolescence ; j'ai toujours aimé les paroles, le clip "Kenloachien", la voix de Jimmy Somerville et la mélodie, mais beaucoup moins les arrangements synthétiques et la production des années 80. C'est un monde très éloigné du nôtre,  nous avons donc librement réinterprété la chanson à notre façon...

CIACCO-Cover-Smalltown Boy-Bronski Beat

Whether you're lost for sleep, or stuck in a haze...

Lost For Sleep

Haze

I often wonder what people are talking about when they write the usual "love" song: my love is higher than a mountain/deeper than a sea/Iit will last forever ( then they add a day. great line John Prine!!)
I really think these songs do a disservice to love and confuse the inexperienced as to what to expect.
Relationships are not easy. Love at first sight is usually more physical than not and so is fragile . 
Respect/devotion/selflessness to some extent are all needed among other difficult traits to make a relationship ( ie love) last through time

lyrics

Love is not a gentle breeze
that takes you where you want to go
love is work
love is hard
not pretty birds singing in your yard

Love doesn't happen at first sight
It's not about soulmates or perfect fits
Love is give
Love is take
And do what you must 
to fix the breaks

It's about forgive it's about forget
It's not just about sex or lust
patience
trust
passion 
devotion

Love is biting your lip
It's about clenching your toes
Take the blows
take the bows
make it work
no matter how

Love is not quitting
or turning your back
take the good
with the bad
take the happy 
with the sad

Love is not the highest mountain
Love is not the deepest sea
Love is two people there for each other
Hand in hand before all others
and especially before themselves

Love is..(or isn't)

Before The Sakura Fall

This song is again recorded with my phone. (Next probably a DAW song!) Motörhead has a cover of "Johnny B. Goode", so I Iistened to the original from the 50s! Chuck Berry Rock ‘n Roll. The intro is great, there are more songs with similar intros. They are so cool that I wanted to learn them at the end of last year and did. In this song, I just use my version of it as the intro. I play it a little lower so it's appropriate for my song. The last chord of the intro is the 1st chord of my song, except I play it as a power chord instead of a major chord. Some of my intro version is pretty much like the original, some is my version. It's really fun to play with these Rock ’n Roll intros, I could do it for hours. In one of the covers of the songs with these intros, the one with Beethoven in the title, there's an orchestral version of Beethoven's famous symphony at the beginning. I wanted that too, but of course only on my guitar, so I made up a guitar version of it and put it in front of the Rock ‘n Roll intro. Only after that my own song begins. It's even more freely than my 1st song here. I know the chords and riffs and lyrics, but decide always when playing when to change the riff. So the recording is a way for me to learn to produce one special version and not play it differently each time. You will hear that it is played and sung very freely. So consider it as a song performance for friends, not really a well-structured and finished song. Furthermore, I play nearly everything as slides, so it is harder to play then it sounds. I wanted to play it a bit faster, but it was not possible, this is the fastest drum accompaniment my amplifier has, it doesn't go any faster. One the other hand, for some parts of the lyrics it would be really difficult to sing it any faster.
Since someone asked for the lyrics of my last song I provide it here:
Guitar Heros
Guitar heroes of the past, may be gone, their music will last.
Chuck Berry, Jimi Hendrix gave us all the great licks
Angus Young, so alive, plays day and night
Eternal guitar riffs sound so loud
Make Berry’s Rock’n’Roll proud

Guitar heroes of the past, may be gone, their music will last.
Eddie van Halen’s fire hand, Tony Iommi’s powerful band
And not forget all the women of Rock:
Lita Ford’s solos wild and bold
Joan Jett’s chords breaking the mold
From their style I find my own
Like from seeds they have sown
With their songs I find my way
Getting better every day
Discovering riffs old and new
Offers a lesson for me and you
For me and you, for me and you

Guitar Heros

Zoo lo-tech

Composition and Sampling collage by Synline
Artwork by Tung Lam

Addictions

June Re-Union Moon... For Stella And Julian

Blue Captain

Ukulele, french horns and flutes...special appearance by Ernie the Dog

Exiting Logos for Mythos

The Gravity Experience is a Mini Album and consists of two parts which, although different, belong together and are mixed as a single track. The first part is named "Zero Gravity" and the second part is called "Gravitational Fields".

The Gravity Experience represents my musical interpretation floating in the beauty of deep space, surrounded by far away planets, stars and galaxies and suddenly experiencing garvitational fields out of nowhere.

The Gravity Experience

The Gravity Experience -  Zero Gravity & Gravitational Fields

Therapy (part 6)

LOFS029

e O is the shared moniker of sibling artists eleu and Olson, whose debut self-titled album ‘e O’ arrives as a beautifully blurred portrait of two inner worlds colliding. Raised on parallel but distinct soundtracks, their collaboration captures the hazy overlap of childhood memory and present-day influence—filtered through a language all of their own.

The record shimmers at the edges of genre, folding together fragments of ambient pop, left-field R&B, experimental electronics, and traces of shoegaze. Olson’s production is built from gently layered textures that ricochet and swell, creating a sense of movement that feels both precise and ineffable, while eleu navigates the album with intimate, delicate vocals. It’s music that feels like stepping into a dream already in progress.

e O draws from a palette of softness and distortion, of digital haze and real-world textures, echoing those in-between hours where clarity and feeling drift in and out of focus. A work of intuition and subtle transformation, this is a debut that doesn't introduce itself loudly—but lingers long after.

Written and Performed by eleu
Produced by Olson
Mixed by Oshi Moon, Olson, eleu
Mastered by Oshi Moon
Artwork by eleu and Number One 

Precursor

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

falcon....  we are working on developing a new sub genre!  , 'Ambi-Prog'. Each track comes from a session of ideas and feelings that we make up as we go along, then developed accordingly while keeping the energy and feelings of the orignal Jams..

Our concept E.P. 'Slower Things'. Like, Comment and share if the concept behind the tracks takes you to that place where slower things reside...

Haze

falcon

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