Jun Senoue's cat woke me up.

►Download (FLAC): https://drive.google.com/file/d/1U_j8UcCN8hyX6KP6UaDRBtL2w4G-xYNt/view?usp=sharing
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The Midas Touch - Golden Capital Act 1 [Sonic Superstars]

Composer: Tyron

PLAY IT NOW! IT'S FREE: www.kartkrew.org/index.html

Game: Dr. Robotnik's Ring Racers
Platform: Microsoft Windows and MacOS
Year: 2024
Kart Krew Dev

Live Studio Audience (EggTV) - Dr. Robotnik's Ring Racers

DiNoctem is a quirky RPG I am working on.
Listen to my songs...

For those who purchase this on Bandcamp (https://orchrestral.bandcamp.com/album/dinoctem-worlds-1-2), 7 Bonus tracks are included!

Cosmo Melody in Woollen Hat and Faux Battle by @auroraborealizzz
Aid on Karie's theme by aderyn

Scuffle! (UNFINISHED!)

I've had a -ton- of professional work this year, to say the least. Between jobs though, I've been keeping sharp by doing things like this. Gives me a chance to try out new things that I can put to use in professional work, ECO, etc.
Kind of went for a SonicTweaker-esque sound with this one. :D Enjoy.

Casino Night Zone 2P

When The End is in Sight - For Arcane Altitude Act 2

Writing the music for Tails' first boss was quite thought provocative. There were quite a few things to consider.

The first is the fact that unlike Sonic, Tails is completely new at this. It's the first real hint of serious adversity in his new adventure. 

The second is that, like the next Tails boss, (which is a pure Rotatatron homage; we're keeping the track from Colors for that boss, even - the entire zone is a series of homages) this boss involves some rotating mechanics. Lake and I decided really early on that dance music would work really well as a 'leitmotif' for the unique badnik that Tails repeatedly faces off for his bosses, the way Sonic's battles with Eggman all borrow from speed-heavy genres. I needed to build up an expectation for Tails' boss music in general.

With that in mind, this short-ish piece is actually two themes. The first is House-ish, rotary, simplistic, all elements which represent the boss. The second half is a retro, Saturn-ish trailblazing theme, with a somewhat awkward trumpet taking the lead. New at this, it's still unsteady and unsure, but it's going to try its best regardless. This section represents Tails, as he sets off on his new adventure pursuing Sonic.

p.s. M.O.A.B. = My Own Adventure Begins

M.O.A.B. - For Star Shores Boss Act

1 - 21 Creature Of Nightmare - For Sunset Star Boss Act

If butt rock is an acceptable genre, butt funk has to be too, right?

Right?

p.s. I'm a cunning linguist.

p.p.s Butt funk sure is a rocky ride.

p.p.p.s Ha. Ha. Ha.

Butt Funk - For Rocky Ride Act 2

Okay, so the track title is somewhat misleading. This is based more on the Generations "Mission 5" remix/rearrangement which includes both the Title Screen and You're My Hero.

Special Stages - Sonic 3D Blast Main Theme

Cyan City Zone's special act, a 16-bit rendition of Cyan City Zone Act 1 by Falk.
Original: (https://soundcloud.com/falk-2/tea-with-ellie-for-cyan-city)
For LakeFeperd's fangame Sonic After the Sequel

Cyan City Zone - Special Act

Technology Tree Zone's special act. This is a 16-bit rendition of Funk Fiction's Technology Tree Act 1 fused with a remix of Collision Chaos Past.
Technology Tree Act 1 (https://soundcloud.com/funk-fiction/rocks-like-this)
For LakeFeperd's fangame Sonic After the Sequel

Technology Tree Zone - Special Act

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.