Some might call this stage "STELLAR" (feel free to troll me in the comments)

Astral Colony (Sonic)

The rusted pipes moan from decades of a diet of robotic sludge as the evil Eggman overflows the world with his dominance.

Or something like that.

Tidal Tempest Bad Future - "Miasma"

Music ages - Seascape (Marina Madness Zone from Knuckles Chaotix)

Original music made by Strife and Woofle for the Indie Game "Freedom Planet", image by raygirldash11.
If you wish to support there work, buy the game on Steam or buy there OST all together.
Self-Note : This OST is awsome, A MUST in your collection !!!

Trap Hideout 1

* Wheels, I hope you like it.
* Please read first.  Then listen.
* 🎧 You just rolled into Wheels.�This track is raw, loud, and unapologetic — built straight from my story.�Before music, I felt like just a guy with CP — a wheelchair user, seen only for my condition.�Then I found GarageBand. That changed everything.�I started creating beats, making noise, and telling my truth.�For the first time, I wasn’t just seen — I was heard.�Thanks for listening.�Repost if it hits. Drop a comment

Wheels! Instrumentals Content.

Let's get hot.(Origina Let's get hot.(Original)

Wheels-Let's get hot. (Original) Instrumental.

2 - 07 - Chiptunes - And - Salsa - For - Perilous - Paradise - Act - 3

http://www.youtube.com/watch?v=rDXldDOlllM

Music for the second Zone of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

This is the first Tails stage, and the "Green _______" trope zone. The music is homage to Richard Jacques and his amazing work with 3D Blast Saturn which I feel helped define the game more than the original Genesis soundtrack. I definitely had a lot of fun working on this one.

*http://www.sonicfangameshq.com/forum/showthread.php?t=7437

In Your Eyes - For Star Shores Act 1

http://www.youtube.com/watch?v=92s47PQNw8Y

Act 3 of the first Zone of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

If Rivulets (Act 1 music) was characteristic of Before the Sequel as a whole, and Downpour (Act 2 music) built on it, this track would be a step towards building expectations for the OST in general. I wanted to, early on, expose players to the full range of genres that could be represented in the soundtrack and dissuade any preconceptions on what a 'retro'-style game had to sound like. Sonic CD was 1992 and its two OSTs fit so well with the game despite it being 224p 16-bit fare.

This was an interesting track to work with. I discovered halfway through working with Act 2's music that the rap I was working with actually mentioned "Rainbows" and "Prisms"- a fact that I didn't know when I was just using its chorus "Feel the Beat" section for Act 1. It worked alongside the orchestral-ish rendition perfectly for Act 3's lighter mood. Kinda funny how things turn out.. ;p Despite the rain being gone, I still get a very chilly vibe from the overall zone coloration (nevermind that it's really Hilltop Zone tiles in the foreground). Hopefully the music conveys that well.

I also threw in Green Hill again like I did with Act 2, except as a feature rather than a hidden easter egg. Musical quotes from Sonic music is going to be another staple for this OST, as it really is my homage to the franchise in general.

* http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Prismatic - For Hilltop Heights Act 3

If butt rock is an acceptable genre, butt funk has to be too, right?

Right?

p.s. I'm a cunning linguist.

p.p.s Butt funk sure is a rocky ride.

p.p.p.s Ha. Ha. Ha.

Butt Funk - For Rocky Ride Act 2

Mach Σ - For Dream Dance Act 1

Fly through.

Written for Foliage Furnace Boss of Sonic ATS.

Bandcamp

Radiance

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.