Contacted the awesome Joshua Taipale for remixing Panic Puppet / Twinkle Park originally composed by Jun Senoue for Sonic 3D: Flickies' Island / Sonic 3D Blast and Sonic Adventure / DX. This was featured in SotSS '14,.
Mixing / Arranging / Guitars / Bass / Drums: General Offensive
Lead Guitar: Joshua Taipale 
https://soundcloud.com/joshua-taipale
https://www.youtube.com/channel/UC0qtCi-SfAx_PGp_TXSHKXw

Programming & Additional Guitars: General Offensive

Special Thanks: Mrsonic699 https://soundcloud.com/mrsonic699 , DJEar https://soundcloud.com/huepow00


Jun Senoue - General Offensive feat. Joshua Taipale - Panic Puppet / Twinkle Park [Remix]

Last Dance

Daytime landline

http://www.youtube.com/watch?v=Dzq1y3XO3sg

First act of the Final Zone of Sonic Before The Sequel, an awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

We're talking about a giant mechanical balloon filled with gadgets and electricity and stuff. That can only mean one thing: Trance out the nose.

http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Stratospheric Synergy - For Arcane Altitude Act 1

When The End is in Sight - For Arcane Altitude Act 2

Writing the music for Tails' first boss was quite thought provocative. There were quite a few things to consider.

The first is the fact that unlike Sonic, Tails is completely new at this. It's the first real hint of serious adversity in his new adventure. 

The second is that, like the next Tails boss, (which is a pure Rotatatron homage; we're keeping the track from Colors for that boss, even - the entire zone is a series of homages) this boss involves some rotating mechanics. Lake and I decided really early on that dance music would work really well as a 'leitmotif' for the unique badnik that Tails repeatedly faces off for his bosses, the way Sonic's battles with Eggman all borrow from speed-heavy genres. I needed to build up an expectation for Tails' boss music in general.

With that in mind, this short-ish piece is actually two themes. The first is House-ish, rotary, simplistic, all elements which represent the boss. The second half is a retro, Saturn-ish trailblazing theme, with a somewhat awkward trumpet taking the lead. New at this, it's still unsteady and unsure, but it's going to try its best regardless. This section represents Tails, as he sets off on his new adventure pursuing Sonic.

p.s. M.O.A.B. = My Own Adventure Begins

M.O.A.B. - For Star Shores Boss Act

Sonic 3D Blast (PC)

Gene Gadget Act 1

Chillax sex music.

Written for Tecnology Tree Act 2 of Sonic ATS.

Bandcamp

Stellar Lights

VIDEO LINK: https://www.youtube.com/watch?v=TV1USiTQLs8

Title: Aquatic Ruin Zone [Latin Fusion RMX]
By: Michael Staple
Original Arrangement By: Masato Nakamura

This was a fun remix to do. Also, it's been a long while since I've went back and done Sonic 2 stuff too. The older remixes may have been great for its time, but it's 2020 now. Time to spice things up a notch.

Enjoy!
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Sonic 2 - Aquatic Ruin Zone [Latin Fusion RMX]

Fusion in more ways than one. It's actually a fusion of Neon Paradise and Combat Night!

The climb up Parhelion Peak is (almost) over. Take a moment to feel the breeze. And then realize it's a bad idea because the breeze is chilling.

Featuring Andre Vasconcelos (E.Gt) and Evan Waaramaa (Keys) of Crosswalk Anarchy

Scorching Subzero - For Parhelion Peak Act 3

Technology Tree Zone's special act. This is a 16-bit rendition of Funk Fiction's Technology Tree Act 1 fused with a remix of Collision Chaos Past.
Technology Tree Act 1 (https://soundcloud.com/funk-fiction/rocks-like-this)
For LakeFeperd's fangame Sonic After the Sequel

Technology Tree Zone - Special Act

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.