Tropical Resort - Act 1

Sonic Superstars OST - Lagoon City Act 2

Sonic Superstars OST - Sand Sanctuary Zone

This is one if my top favorite sonic fan games and i love the way they did  classic sonic in the game. They pretty much combined Sonic 1, 2, and CD all together. Sorry if i gave u the trouble of deleting the old and putting another one. But its because so i can upload more tracks since i reached the limit and since they added the repeat button i don't need to upload really long tracks.

Sonic Utopia - Panic In Paradise Green Hill Zone

Composed/Remixed by Tee Lopes for the Sonic Mania OST

Green Hill Zone Act 2 - Sonic Mania OST

Lava Reef Zone Act 1 - Sonic Mania OST

Composed by Tee Lopes for the Sonic Mania OST

Egg Reverie (True Final Boss) - Sonic Mania OST

Just in time for summer, the door has opened to the Chaotix, featuring Knuckles! Personally, this is one of my favorite OST's of the Classic Sonic games. Suprised no one has uploaded the OST on SoundCloud yet, so I thought it'd be perfect to upload it now!

All credit goes to SEGA for the beautiful songs they put together for such an unknown game.

Credit to Liris-san for the incredible 20th Anniversary background for this game. Check it out here: https://liris-san.deviantart.com/art/Knuckles-Chaotix-20th-Anniversary-521825601

Knuckles' Chaotix

Knuckles Chaotix - Door Into Summer

Sonic Battle

Battle Highway

4-08 Stardust Speedway US

For the heck of it, this was the demo version of the audio track accompanying the trailer, given to me by the Unleashed Project team. It's essentially a copypasta shuffled version of the actual Dark Gaia Phase 2 track off the OST, to make up a condensed version of the original song form of Endless Possibilities.

I found it a little hilarious that Dark Gaia is credited to "Tokyo Philharmonic" (Some parts are, just... not the Endless Possibilities parts, quite obviously) so I took it on myself at the last minute to throw together a remake that does the project justice.

Due to the speed required to put this together, the final version is mostly MIDI/sequenced, with Ethan recording the lead lines for the guitar at the same time I was putting the track together. To clarify, in the final version the melody lines are tracked guitar, the rhythm/backing stuff are all sequenced.

I opted to go for a cleaner rock band + orchestral approach, ditching the loops to make more room for these two elements. At one point I also ditched the cinematic percussion I had going at some parts because it was simply detracting from the overall 'lite' feel, and reverted to more traditional percussion in the form of only cymbals, a gran cassa and timpani. (And tubular bells/glockenspiel, obviously)

In remaking this into the final version, my process was to first put the entire drum track together as a framework so I knew where the builds and drop-offs were, then track the bass for a foundation since it's very easy for the bass, kick drum and bottom end of the orchestral elements to muddy each other up (Double Basses and timpani, looking at you)

I then sequenced all the orchestral parts from the demo version that I wanted to keep which was only a little bit of rhythmic hits, the melodies, scrapped the rest of the harmonization/counterpoint because it didn't work for a trailer as much as it did for final boss 'oh god what's happening' music, Sequencing guitars came next, just because they have a tendency to drown out orchestration quite easily and I didn't want to spend time rendering orchestrals that wouldn't be heard anyway.

Last part was to work in the remaining orchestration, taking special care to not step over the overall shape I'd built with the band instruments.

Total work time: About 5-6 hours, not counting me derping with chain crashes with SONAR towards the end due to stupidity.

Just to cover my own poopchute, I don't own the material in this upload, all rights reserved by SEGA yadda yadda.

Unleashed Project - Release Trailer Demo Version

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.