Input is appreciated, always working, always learning.

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

When Notixx’s heavy bass aesthetic collided with Brother Bear’s club music, something beautiful happened. Dusty Bits emerged as a healthy hybrid of bass house and breaks with eclectic influences varying from Baltimore club to dubstep, breaking down the barriers of bass music as we know it. The Buffalo-based DJ/production duo comprised of Ryan Sinatra and Jake Broffman have already proven they’re a force to be reckoned with. They’ve got an EDM.com release and a performance at Webster Hall in NYC under their belt and have already garnered the support of Destructo, Griz, Henry Fong, Wuki and the Chainsmokers, to name a few. Expect Dusty Bits to continue pushing the envelope in dance music and amping up your squad in the nights to come. 

contact/inquiries: dustybitsmusic@gmail.com

ITS YA BOI DEVIOUS
BOOKING: Devioussessions@gmail.com
Facebook:  https://www.facebook.com/ItsDevious
instagram: www.instagram.com/Deviousmusik

Releases on:
@Spicybois
@wubaholics
@PsychocybinRec
@Headbangsociety
@Dramaclubrecs
@Subcarbon
@HybridTrapmusic
@dirtysnatchapromotions


_________^__________
Hybrid Bass
RALEIGH, NC

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Hirie--the frontwoman of the exhilarating pop/reggae band HIRIE--grew up a global citizen. Her father worked for the United Nations and she was born in the Philippines, spent years in Italy, before her family settled in Hawaii, which became her spiritual home. 

San Diego’s seven-piece band HIRIE is ready to offer a global spiritual uplift. Melding the balmy island touches of its singer’s beloved home—as symbolized by its moniker’s first letter, a “H” for  “Hawaii,” with that feeling of irie, the award-winning group offers a soundtrack of hope.  Now, with its masterful most recent album, Wandering Soul, brimming with invigorating female-fronted shamanistic reggae an oasis of positivity is just an album away. 

Wandering Soul’s lush construct reflects this depth. The songs feature chord sequences that have a sophisticated, tension and release accessibility. The musicianship is high-level restraint, showcasing that point of mature virtuosity where laying back implies instrumental prowess. The album’s trippy production—the bulk of it courtesy of Danny Kalb (Beck, Ben Harper, Sia)—replete with adventurous textured passages, heady dub segues, and subtle psychedelic flourishes, make it a rare headphone experience for a pop oriented record. 

Reflecting on the power of HIRIE, Hirie shares this story: “I met a fan who was suffering from of six tumors. He shared with me ‘Your music is the reason I get out of bed, you’re my medicine.’ That drives me to push this movement forward to share conscious music. I feel a responsibility and a duty to share a positive message.” 

iTunes: http://apple.co/29NKvFv
Amazon: https://amzn.com/B01IIPQ89K
CDs & merch: http://hiriestore.com

Falling Frequency is following