‘The Redeemer’ is the brand new track from Nottingham five-piece Falling Off Maps. Released on October 28th, the track is taken from the bands forthcoming album A Seaside Town In Winter. 

Following their first single ‘Honest’, which received radio play from the likes of Edith Bowman and Dermot O’Leary. Another album and live highlight, ‘The Redeemer’ further displays singer Dave Wright’s vulnerable and often dark lyrical content, amid a driving bass-led track. The video to their last track was the first installment of a three-part video arc. The story will continue with the video for ‘The Redeemer’


The Redeemer

Clocks

A Seaside Town In Winter. The phrase conjures a wealth of images. Evokes such strong feelings. Of a frozen ghost town. A dead space. Of imprisonment and flight. Regret. Desperation.
A Seaside Town In Winter is the name of the debut album by new Nottingham five-piece Falling Off Maps. Both the album title and band moniker were in place before a single note had been written or recorded. Before the band even existed, in fact. Falling Off Maps were a thematic concept in mind first – then music.
“My parents live in a seaside town and in winter it becomes desperate, desolate place,” says singer guitar Dave Wright. “In summer it’s thriving but out of season when winter arrives the tourist flee, businesses can’t survive and everything just stops. It becomes a ghost-town. A dead place. That image seemed to inspire the birth of the music and the way in which it evolved from there.” 
“That sort of geographic isolation and escaping from it then grew to take on multiple meaning as the songs grew with it,” adds bassist Dane Prewett. “The seaside town came to represent relationships or previous band experience or other areas of our lives that we wanted to escape from.” 
The title set the tone for Falling Off Maps’ haunted sound then. It’s music that elicits certain adjectives to which the band members keep returning. Solace. Hope. Intimacy. Escape. A British Seaside Town In Winter is bleak - yes, but ultimately it is uplifting too. Band and music speak of release and escape, liberation and euphoria too. Because hope always springs eternal and as sure as winter is frosted and grey, so too summer always comes back round. Life returns. You can’t have the highs without the lows and as such Falling Off Maps make music that ebbs and flows. Here elegiac electro and condensed musical dramas share similar sonic space as Radiohead and Leonard Cohen, Bon Iver, Death Cab For Cutie and early Elbow.
“This is completely at the other end of the spectrum from our previous band,” says Dave. “Before, there was always a pressure to come up with the radio-friendly chorus, but as soon this started we felt liberated from all that. We’re making music that is cinematic in scope. For every dark moment there is one of light. You can’t wallow in bleakness entirely.”
The end result: A Seaside Town In Winter. Here each song illuminates the minutiae of melancholy and peaks and troughs at its own pace. Witness the shimmering and iridescent forthcoming single ‘The Redeemer’, the hushed whisper in the ear of the delicate, string-laden ‘Honest’ or choral chant on ‘Wolf River / The Smoking River At The Hotel Cafe’. 
How rare it is to hear music that is sparse and unafraid to strip it back. Rarer still to witness a band create the architecture of their own world, and then inhabit it so totally. Falling Off Maps’ brilliance sits in the intimate spaces created in their minimalist musical dramas – it’s there in the things they have chosen to leave out as much as what is committed to a recording.
The end result: a well of emotions. A widescreen, cinematic work. A thing of beauty. 
A Seaside Town In Winter. A place you will want to re-visit time and time again.
Ben Myers / March 2013

The Redeemer

Falling Off Maps

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