⁂ Charles Parker Prize 2015 — Silver Award ⁂

Two men come to terms with loss —  in an open, honest confrontation of memory and grief.

A programme about death as a part of living, about pain in remembering but also in forgetting. We are but passing clouds — in the vastness of the experiences we call life. 

From The Mourning Diary by Roland Barthes: 

“There is a time when death is an event, an adventure, and as such mobilizes, interests, activates, tetanizes. And then one day it is no longer an event, it is another duration, compressed, insignificant, not narrated, grim, without recourse: true mourning not susceptible to any narrative dialectic.” 

“How strange: her voice which I knew so well, and which is said to be the very texture of memory ('the dear inflection...'). I no longer hear. Like a localized deafness..”  

WITH
Stephen H.
Andrew Parr (Hypnotherapist)

ADDITIONAL MUSIC
audiography005 by sonicbrat 
audiography012 by sonicbrat 
E R 	by Sylvain Chauveau

The Trace of a Cloud in a Chest / Produced by Weidong Lin

An obscured target, a lost letter, a missed connection? This is a little audio poem for pleasure. Or something.

An Aquarian Request

Damon Galgut’s 2021 Booker Prize-winning novel, The Promise, chronicles the slow decline of a white family on a farm outside Pretoria, South Africa, and the ripple effects of a deathbed promise – made but not kept – to give the family’s Black housekeeper ownership of the small house in which she lives.

Now, the stage adaptation of The Promise, written by Galgut and director Sylvaine Strike, is being readied to premiere at the Star Theatre, at the Homecoming Centre in Cape Town.

But how does a text so praised for its formal inventiveness – the narrative voice shifting from third to first person, and inhabiting multiple interior lives, sometimes within a single paragraph – get translated for the theatre and brought to life?

Writer Bongani Kona goes behind the curtain to watch the rehearsal process unfold. We trace Galgut’s journey from the play’s conception, and follow the director and cast as they workshop scenes, experiment with sound and action, and navigate the unusual set design – all in the build-up to opening night.

The Promise on stage is directed by Sylvaine Strike with stage adaptation by Damon Galgut and Sylvaine Strike. Original music composition by Charl-Johan Lingenfelder.

Photo by Claude Barnardo

Presenter: Bongani Kona
Produced by Catherine Boulle and Bongani Kona

In The Studio: Damon Galgut - Adapting the Promise for the Stage

This was a finely crafted piece of imaginative radio, with a gentle, Zen-like contemplative quality.  Two men discuss death, and specifically the recent deaths of their mothers, in a piece that mixed amusing and sharply observed anecdotes with more mystical thought. “Very moving, slightly hypnotic, innovative and imaginative”, said one judge, while another observed that the maker “brings an oriental sensitivity and originality to the production, transforming the dialogue by subtle use of gongs and bells, drones JORDYand audio overlays.” The judges also praised “a great piece of straight interviewing given how much the man opened up.  A minor critique from the judges was that the title was rather too puzzling for its own good!

The Trace Of A Cloud In A Chest By Weidong Lin SILVER 2015

The sleeper train is a magic thing.
Here a bunk, there a bunk,
everywhere a folding table...

|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|
|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|=|

Sounds from a trip to Ukraine...

/// TRACKLIST \\\

Phil Smith - Overnight Train, Odessa to Lviv (2017-06-26)
Zac Gvi - The Aftermath (reprise)
Phil Smith - Distant Train Station, Morning, Lviv (2017-06-24)
Mare Nostrum - Monteverdi: Si Dolce È Il Tormento (live bootleg)
Phil Smith - Thunder, Morning, Ivano Frankivsky (2017-06-23)
Phil Smith - Overnight Train, Snoring, Lviv to Odessa (2017-06-25)
Christina Pluhar / Philippe Jaroussky - Monteverdi: Si Dolce È Il Tormento
Phil Smith - Train, Lviv to Ivano Frankivsk (2017-06-21)
Troyka - Rest
Phil Smith - Train, Lviv to Ivano Frankivsk (2017-06-21)
José James - Bird of Space
Phil Smith - Rain on the Windscreen, Ivano Frankivsk To Lviv (2017-06-23)
Phil Smith - Brücke
Phil Smith - Train Station, Odessa (2017-06-26)
Naftule's Dream - Sitting in Some Train Watching the Tuscan Landscape Go Speeding Backward
Phil Smith - Overnight Train, Odessa to Lviv (2017-06-26)

NTS: Phil's Jazz Dis-junction [2017]

Jazz Dis-junction - Sleeper Train [NTS Radio, 2017-07-16]

This is a proof-of-concept pilot episode that was procedurally generated for county 1515459035. Sheldon County is a generative podcast about life a simulated American county that inhabits your listening device. It is a project of SHELDON, a computer program written by James Ryan (www.jamesryan.world). Music by Lee Rosevere. Coming 2019.

Seed #1515459035

Episode 1: A Nothing Place

A young teacher's daily struggles provide the backdrop for this harrowing reflection on the Grenfell Tower tragedy. In a move from journalism to drama, George departs with the documentary-style narration of previous episodes to deliver a heart-wrenching story of resilience and neglect in London's inner city. Enlisting the help of rising star Jade Alleyne, poet Sophia Thakur as well as his own brothers, Freddie, Michael and Kenny Mpanga, George introduces a small universe of characters whose witty exchanges offer insight into their respective environments. 

Featured songs:
Chika Dole - Touch
Abi Ocia - Running

Written by George the Poet
Produced by Benbrick and George The Poet
Original score by Benbrick

#HaveYouHeardGeorgesPodcast Episode 3 A Grenfell Story

Hope Chest returns with a new essay written at SPACE on Ryder Farm's Family Residency in July 2018. A week-long artist's residency for parents and their children, SPACE on Ryder Farm affords families that ever-elusive commodity that's so difficult for many artists to find, post-parenting: time. While there, Stacia writes to Story about how the culmination of her academic and professional decisions to date have led her to face some harsh realities of late.

Ep. 6 The Art of Knowing When to Retreat

Prix Italia, Jury Special Mention. Eliot Weinberger's long and continuing prose poem draws on reports, newspapers, official utterances and eye-witness accounts to paint a terrifying picture of the war in Iraq. Sound design / mix: Jon Nicholls.

What I Heard About Iraq

It's the first time I've gone into this much depth exploring who I am in front of a mic and I hope you find a bit of yourself in my little (re)discoveries.

FULL EPISODE: https://www.bbc.co.uk/sounds/play/m0007wvz?fbclid=IwAR2HuSUbv7eEI3GPFo6vHG687gRFW7NBggFcKRHzLAYrulDRF4Bp_B28i44

Full Episode

Short Cuts: How to Remember by Axel Kacoutié

We make documentaries and audio art for radio, podcasts and public spaces.

At the heart of what we do is a belief in the imaginative possibilities of radio. Sounds that can reconfigure the world around you, move you through inner landscapes, sink into your dreams.

We are an intentionally small company that considers carefully the creative, social and political aspects of the work we put out into the world.

Falling Tree has two full-time Directors – Eleanor McDowall and Alan Hall – and we work with freelancers across our projects, including the core Short Cuts production team of Alia Cassam, Axel Kacoutié and Andrea Rangecroft.

We are one of the founding signatories of the Equality in Audio pact. 

You can listen to hundreds of our documentaries in the free, online Falling Tree archive.

In The Studio: Damon Galgut - Adapting the Promise for the Stage

Falling Tree Productions

Related tracks