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Damon Galgut’s 2021 Booker Prize-winning novel, The Promise, chronicles the slow decline of a white family on a farm outside Pretoria, South Africa, and the ripple effects of a deathbed promise – made but not kept – to give the family’s Black housekeeper ownership of the small house in which she lives.

Now, the stage adaptation of The Promise, written by Galgut and director Sylvaine Strike, is being readied to premiere at the Star Theatre, at the Homecoming Centre in Cape Town.

But how does a text so praised for its formal inventiveness – the narrative voice shifting from third to first person, and inhabiting multiple interior lives, sometimes within a single paragraph – get translated for the theatre and brought to life?

Writer Bongani Kona goes behind the curtain to watch the rehearsal process unfold. We trace Galgut’s journey from the play’s conception, and follow the director and cast as they workshop scenes, experiment with sound and action, and navigate the unusual set design – all in the build-up to opening night.

The Promise on stage is directed by Sylvaine Strike with stage adaptation by Damon Galgut and Sylvaine Strike. Original music composition by Charl-Johan Lingenfelder.

Photo by Claude Barnardo

Presenter: Bongani Kona
Produced by Catherine Boulle and Bongani Kona

In The Studio: Damon Galgut - Adapting the Promise for the Stage

Doctor Gwen Adshead is a forensic psychiatrist working with the UK’s most violent offenders, many of them serving life sentences at Broadmoor Prison for murder. Gwen believes that empathy starts with a recognition that there is a capacity for evil in all of us.

"My experience is that evil states of mind can be potentially found in everyone, and evil begins on the inside with a turning away from all that is healthy and beautiful in our lives," she says. She believes that for her patients, “no matter what their history”, therapeutic treatment works.

Gwen speaks with the writer and convicted murderer Erwin James who died shortly after recording this interview. Together they reflect on Erwin’s life story and how he came to commit the crime he did. Erwin describes his own relationship with therapy in prison and he asks Gwen about her relationship with Christianity and how it has supported her. ‘Faith and grace have kept me hopeful in my work with people who seem to have abandoned all hope’ she says.

Producer: Sarah Cuddon
A Falling Tree production for BBC World Service

(Photo: Dr Gwen Adshead. Credit: Andy Vox)

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