Ranine Wa Hanine
Nabil Khalidi
نبيل خالدي
AlWANE Album ألبوم ألوان

Full Album:
http://www.yala.fm/en/artists/nabil-khalidi-07a222575b504df6e4b1381590bba06f

ranine wa hanine رنين وحنين Nabil Khalidi نبيل خالدي

Fernando Pessoa and the Theater of His Self.

My sorrow is my castle, 1924.

The Last Embrace is a deeply emotional orchestral piece built around long, expressive strings and a haunting female choir. Without the presence of percussion, the music flows with intimacy and solemnity, offering a cinematic journey that feels timeless and ethereal — like the final whisper of a memory fading into silence.

The Last Embrace est une pièce orchestrale profondément émotive, portée par de longues cordes expressives et un chœur féminin envoûtant. Sans percussion, la musique s’écoule avec intimité et solennité, offrant un voyage cinématographique à la fois intemporel et éthéré — tel le dernier souffle d’un souvenir qui s’efface dans le silence.

The Last Embrace

Hello everyone! It's been a while. I'm happy to share with you my latest project, The Shimmering.  The Shimmering is an album that is dedicated and serves as a tribute to the old-school RPG Ahriman's Prophecy, developed by Aveyond Studios (formerly Amaranth Games) and released on March 7, 2004. It's a game I rather enjoyed back in my childhood  years and I always wanted to compose some music inspired by it. In this album I'm I am returning to my foundational pursuits in the composition of ambient music. It contains shorter dreamy tracks with more emphasis on atmospheric ambience. Enjoy~

"In the hush of predawn, Talia stirred from her dreams. The first golden rays of the sun danced across the jagged mountain crests bathing the world in hues of gold. A radiant smile bloomed on her face for this was no ordinary morning. Today she would be named, the sacred rite of her mountain village where the young claimed their adulthood profession. But little did she know. The ancient trees murmured of a prophecy in the rustle of their leaves, and the wind whispered of trials yet to come.That fateful dawn, fate moved. In that irrevocable turning, Talia's destiny unfurled like a banner in the gale , sending her in an epic journey across Aia."

Mortar and Pestle

Please, remember: listening without wired headphones results in the loss of quality of the sound. The use of cabled headphones or earphones preserves the richness of the sound of all orchestral sections. This is very crucial for classical music.

Andante per 2 Violoncelli e Orchestra

Oud Concerto - -Simon Shaheen (1 Of 3)

كما لو لا شيء مُحزِن، ونحن وحدنا نحبّ الحزن.. وحدنا، بـ"نا" لا تقول الوحدة.. إذن، وحدي، ربّما، أحبّ الحزن، على ما يبدو، وحدي أناجيه مناجاة المسيح للرّب: "إلهي إلهي..لماذا تركتني؟".
على درب رواه متى كنت أبحث عنك، لكنّني استمعتُ لصوت نيتشه يغيب ولا يحضر إلّا بإنكار غاية الدّرب، فكيف غادرني الدّرب إذن وتهت بين كلّ روايات الطّريق إليك؟
والآن خوف..
والآن بحرٌ، ليس لي.. لا برّ لي أيضًا، ولا حتّى فراغٌ فيّ، لي.
والآن كلّ الوجوه، مثل وجهي، غير شاطئ جنّتك.
***
ألحان "درب الآلام كما رواها متّى"، وكما لحّنها باخ، وأدّتها أوركسترا  Il Profondo
***
في الصّورة لوحة لدرب آلام المسيح كما رآه سلفادور دالي.

درب الآلام كما رواها متى | يوهان سباستيان باخ

يـا عين. يا خضراء،يا واحة ترتاحُ على مرمر ـــ  بالله : لا تُسبلي ستارة غضّة، 
باللـه /لا تستعبـِري.

يمـرّ عجبـاً

Twais - Semaai Bayat  طويس - سماعي بيات

لودفيق فان بيتهوفن، الحركة الأولى من رباعية البيانو رقم 1

Ode An Die Freude.
Radically Original.
https://t.me/minervamimetic

Fernando Pessoa and the Theater of His Self.

Freúde