Ancient Egyptian Music (Song Of Ra)

A new track by masala - A unique combination of Kamancha and Dubstep 
Audio by Ofir J.Rock 
Kamancha by Rot Smila
Enjoy

Don't Brake It - Oriental Dubstep with Kamancha

CLICK HERE TO DOWNLOAD THE MP3 FOR FREE : http://www.unlock.fm/sv

Cover #19 from the series "Songs I Love" by Piers Faccini

As a guitarist and a songwriter I've been been influenced by many different styles of traditional folk music from around the world. Two of the main schools of influence through which I eventually found my own way of writing were the folk music traditions of England, Scotland and Ireland and those of West Africa, more specifically Mali. In the early nineties, I came across the music of Martin Carthy and Davey Graham at around the same time that I discovered the Malian greats, Boubacar Traore and Ali Farka Toure. As incongruous as it might be to compare the musical equivalent of a frosty winter morning on an English moor with that of sweltering afternoon on the Niger Delta, I've always felt there were endless points of comparison between the two worlds. I began my side project The River, with the Malian master N'goni player, Badje Tounkara and French guitarist Seb Martel in order to deepen this profoundly complementary dialogue. 

Being the descendant of Italian, Irish, Ashkenazi and Gypsy immigrants, I don't have a big claim to represent British or Irish Folk traditions any more than I do those of West Africa but what I do feel I can stake a claim to is the right to blend styles just as my blood has been blended with the trace of so many different languages. I've written several songs both for my own albums and for The River that explore the dialogue between northern European Folk and West African traditions but I wanted for the ongoing Vol II of Songs I love to find a cover that I could play with in the same way. Much has been made of the links between Mississippi blues and Mali but I find the ties between certain aspects of British and Irish and Malian folk to be just as strong. Martin Carthy is one of my all time favorite guitar players, I played Badje Tounkara his version of Cold haily, windy night and Badje said."On dirait la musique de chez nous" "It sounds like music from my country"

With Kitty I'll go is a wonderful song that I first heard sung by the extraordinary Norma Waterson. I fell in love with it when I discovered Waterson Carthy's first album. Reading Martin Carthy's original liner notes, I found out that it was an Irish song and that there is also a version in Gaelic. I live in the hills of the Cevennes, in a land that I left London for in order to 'ramble over the mountains wild.' so singing these wonderful words feels like a perfect match!
Here's my version of a wonderful traditional, I hope you'll enjoy it!

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Order book/cd 'Songs I Love' vol.1: http://shop.beatingdrumrecords.com/

Also available on:
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Spotify: http://spoti.fi/1jbGOfl
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Qobuz: http://bit.ly/songsiloveqz
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Piers Faccini : http://www.facebook.com/PiersFacciniMusic
Beating Drum : http://www.beatingdrumrecords.com/

FREE DL

Piers Faccini - With Kitty I'll Go (Songs I Love #19)

Bhai Sadhak Singh & Aykanna - I Am, What I Am (live in Summer Solstice USA)


آلبوم زیبای سه نوازی
با اجرائی  هنرمندانه از استاتید موسیقی    
 حمید متبسم         تار
حسین بهروزی نیا   عود
پژمان حدادی        تنبک


ملودی زیبای کوردی آخ لیل و داخ لیل

Holiday Reverence

Hell on High – Original Motion Picture Soundtrack scores a revisionist Western where the canyon fire is judgment, confession, and revelation all at once. Saloon pianist August Reed (our narrator) watches a thirsty town held in the fist of Luther Brand, a mine and water baron who finds “beauty in the blaze” when the gorge finally burns. Across fifteen tracks, the album shifts between soulful saloon songs, hard campfire harmonies, and wide, cinematic score: August’s gentle “Little Lights in the Valley,” Mara Linwood’s flinty work-song “What My Hands Can Hold,” Calder Pike’s posse anthem “Keepers of the Line,” and Brand’s chilling creed “Beauty in the Blaze.” Instrumental cues ride the posse through chaparral, follow August saving children through smoke, and carry Brand to his last choice at the gate, ending in a quiet reprise as the town walks the ash of Hell on High and counts what’s left worth saving.

Mara’s Ledger

check out our new website :http://faran-ensemble.com/
For more music : http://faran.bandcamp.com/
Stay in touch with our facebook page : https://www.facebook.com/Faran-Ensemble-196939027029288/?fref=ts

Faran Ensemble is a three player group, who joined each other in a
spiritual quest, expressed in music and sounds. It has been years now that
these players have deeply engaged themselves in studying the musical
instruments and the theory of music with the best teachers in the country
and abroad.

The instruments played originate from esoteric and ancient traditions of
the East.
KAMANTCHE is an ancient musical instrument whose origins are
rooted in Azerbaijan.
OUD, one of the most ancient string instruments, is found anywhere it is
customary to have very strong and dark tea in a small cup.
The Percussion which have been in use since the first human heartbeat.

The ensemble members grew up and come from different places,
backgrounds and sceneries. From the very dry desert to the luscious green
through the hectic noisy city sounds. The composed works reflect all of
these as they were composed together by the four ensemble members.
Both the composition-works and the musicians are deeply influenced by
the Eastern musical system called 'Maqam' .
Maqam in translation means all at once a physical place in the musical scale,
the fingers' placing on the strings and the melody which expresses this.
But more than that, 'Maqam' refers to a meditative place. A state that the
player must be attended so the music will be played as it should be.
In ancient cultures each Maqam has its own particular hour in the day,
season and a specific ceremonial connection.

Faran, is a dry desert wadi, which fills with water and life only in rainy
winters; and in the hot season, otherwise silent. It crosses Israel on its
way from Sinai, ignoring all borders.

Music for us is a journey.
Join us..

Fata Morgana

Chagiriram Gal
Vocal: Hamed Zohairy
Arrangement: Ramin Shahinkar
Clarinet: Mohammad Kazemzade
Double Cajon: Pooriya Shiringoo

Chagiriram Gal(Tango Cover)

a recording of my friend Sahid playing his Keyhan ( a guitar made by him self )
great tune

grabacion de my amigo Sahid tocando su Keyhan,  guitara que el construio

gracias,thank you Sahid

Fata Morgana

FARAN ENSEMBLE