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I've done a few hours of digging through the forums here trying to find a tweak to live TV transcoding that wil make 1080i deinterlacing look decent. Currently when transcoding, 1080i channels get transcoded to 1080p 29.97 which halves the temporal resolution making motion look jerky. 720p channels get transcoded to 59.94 which preserves fluid motion.


Perhaps the best question to ask at this point is, which client devices support direct-play MPEG2 1080i (so the display does the deinterlacing)? I've found some data that says the Amazon Fire Stick 4K can do this after a firmware update last summer.


The deinterlace performace looks good on both hardware and software encoding, but the output is still 1080p 29.97. I'm looking for a 1080p 59.94 output that will look as if I was running a 1080i source to my TV, letting it do the deinterlacing.


Can I chime in here? I'd really, really like to have Emby be able to play 1080i videos. We download sports events from Europe players and sometimes get 1080i videos. I've learned how to reencode them with Handbrake to play on our system, but it's a hassle. 1080i videos play fine on my laptop with VLC but not on Emby.





Hi to you, Luke. Thank you for your reply. Unless something has changed in the past 2 days, Emby cannot play 1080i. I found that I can make playable files by using Handbrake set to the Decomb deinterlace setting to convert 1080i to 720p, keeping the original frame rate. -Dee


The AppleTV app can't play the 1080i video because its "format is not compatible with Apple TV". We've started using our AppleTV devices instead of Roku because of the AppleTV+ content and because its MotoGP app will load on the "no spoiler" view on the AppleTV and the Roku's MotoGP defaults to the News; eg, it gtells you who won the race!


Hi Luke. Turns out that the Emby app on my Roku Ultra plays the 1080i (50 fps) file just fine. Its the app on my 4th generation Apple TV or, rather, the device itself. The error I get is "format is not compatible with Apple TV", so I think it's a device hardware/firmware deficiency on the Apple TV device, not the Emby app, that is unable to deinterlace 1080i files. The Apple TV is able to play the re-encoded 1080i 50 fps file 720p at its original frame rate, so it's not the frame rate that's the problem. I also tried running a 1080i video on the Apple TV with the PLEX app. PLEX didn't give me an error message, just a rotating "I'm trying" wheel and never loaded it.


Already did that, I thought. What else do you need? I found 1080i plays great on VLC and Roku's Emby app but won't play on the AppleTV's Emby app. It's an AppleTV limitation, I'm sure, not its Emby app. My media server is a Western Digital EX2 Ultra, which I've found has limited file transcoding ability. So the problems seem to be the Apple TV and the WD server. Roku and VLC rock!


I have a setup with 3 monitors (where the last is a 1080i Philips TV) extending my desktop. The TV has not got any options for adjusting over/underscan or anything else helpful which leads to the edges of the pictures displayed on the TV being outside the visisble screen. To solve this problem I've tried using nvidia-settings and configured underscan 50 for the TV which leads to black borders to the left and to the right but that is good enough for me. My problem is that I can't get the settings to persist reboot or restart of X.


I've tried running nvidia-settings as root and saving the settings to xorg.conf and it is updated but after a reboot I get another problem. The underscan seems to be working correctly but the desktop area seems to be wider than combined screen size meaning that when I move my mouse all the way to the right (through all of the screens) I get horizontal scrolling. I've tried running "nvidia-settings --load-config-only" but that did not help the problem. Whe

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Install.exe
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If you've only recently bought your CNC machine, I'm surprised that your supplier has provided you with ArtCAM JewelSmith 2012. I would expect an ArtCAM sales partner or reseller to have shipped ArtCAM JewelSmith 2015 R2, as ArtCAM JewelSmith 2012 was discontinued years ago and is no longer supported. If you provide me with your dongle number, I can try to determine if you're licensed to use a more recent version of ArtCAM JewelSmith. Alternatively, you might want to enquire with your supplier as to why this has happened.


Using the dongle number you've supplied, your company is entitled to use ArtCAM JewelSmith 2012.SP2 (build 359). Therefore, you're already using the latest version and build of ArtCAM JewelSmith available to you.


Another way to solve this issue is to buy ucancam software, this is commonly use in China and I was told it will work perfectly with my cnc. You can do all your design in artcam and save your file has stl. or obj. and import it to ucancam, I will be buying it next month, will let you know how it goes.


1 Name: Ucancam V10 Pro Version CNC Engraving Software for CNC Router G Code With Operation Video disc, easy to learn and operate, suitable for Windows 7 & 8 Item Code: CS-UCANCAMV10-PRO Overview Specifications Packing list Warranty Description: Powerfully Simple, Simply powerful is the tagline for Ucancam. Ucancam Pro is a powerful, flexible industrial strength software. Ucancam Pro = Ucancam Standard Version + Parametric + Waveboard + Surface (CAD & CAM) + Interactive Nesting + Plate / Remnant Management +Constraint Driving. Ucancam Pro includes all the design, layout and machining functionality demanded by commercial shops and users, while remaining incredibly easy to use and affordably priced. Ucancam Pro is a complete solution for 3D Model Making (CNC routing, engraving and milling), Rapid Prototyping and Sign making, Wood Carving (Custom fireplaces, door panels), Stone cutting (Memorials, Commemorative plaques). As well as the current mainstream Ucancam Pro's 3D Wave board, for this pro offers all the tools you need for surface waveboard designs' machining, such existing wave-shaped designs as lines, curves, waves can be created on MDF boards. In addition, Original and unique designs and even users' special requirements for cutting characters or graphs on finished wave boards can also be grabbed. Various artistic effects can be achieved through different treatment of MDF boards through Ucancam Pro. New features: 1. Support Python script to develop Ucacnam. You can use Python to create your application. 2. Firstly release 64 bit Ucancam, the installation file includes 32 bit ucancam version and 64 bit ucancam version, which can install the compatible version according your PC OS version (32/64 bit). 3. Set the background color of window. 4. In 3 points circle creation, add the method (point, point, tangent) circle, (point, tangent, tangent) circle, (tangent, tangent, tangent) circle. 5. The toolpath is associated with the drawing. When the position or sharp of drawing are changed, double click the toolpath to regenerate the toolpath. 6. Modify the toolpath name: 1).toolpath attribute dialog in design central. 2).toolpath export dialog. 7. Add the button "copy, cut", "paste" in text popup menu. 8. Add the oscillatio

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Rise of the Zombie had a limited release.[
citation needed
] Swati Deogire of in.com praised Luke Kenny's performance.[2] Rohit Vats of IBNLive gave the film two out of five, saying that it "could have become a better film if the makers would have devised a way of showing a connection between the gloomy environment of the mountains and the mystical origin of the zombie."[3]


Ryan Banerjee (Senior Economist) discusses the rise in the number of zombie firms since the late 1980s. The BIS's analysis suggests that this increase is linked to reduced financial pressure, which in turn seems to reflect in part the effects of lower interest rates.


The rising number of so-called zombie firms, defined as firms that are unable to cover debt servicing costs from current profits over an extended period, has attracted increasing attention in both academic and policy circles. Using firm-level data on listed firms in 14 advanced economies, we document a ratcheting-up in the prevalence of zombies since the late 1980s. Our analysis suggests that this increase is linked to reduced financial pressure, which in turn seems to reflect in part the effects of lower interest rates. We further find that zombies weigh on economic performance because they are less productive and because their presence lowers investment in and employment at more productive firms.1


Zombie firms, meaning firms that are unable to cover debt servicing costs from current profits over an extended period, have recently attracted increasing attention in both academic and policy circles. Caballero et al (2008) coined the term in their analysis of the Japanese "lost decade" of the 1990s. More recently, Adalet McGowan et al (2017) have shown that the prevalence of such companies as a share of the total population of non-financial companies (the zombie share) has increased significantly in the wake of the Great Financial Crisis (GFC) across advanced economies more generally.





In this special feature, we explore the rise of zombie companies and its causes and consequences. We take an international perspective that covers 14 countries and a much longer period than previous studies. The focus on listed companies allows us to consider two different ways of identifying zombie firms: a broad measure proposed by Adalet McGowan et al (2017), based on persistent lack of profitability in mature firms; and a narrow one proposed by Banerjee and Hofmann (2018), which additionally requires expectations of low future profitability inferred from a firm's stock market valuation.


First, are increases in the incidence of zombie firms just episodic, linked to major financial disruptions, or do they reflect a more general secular trend? Answering this question requires taking a sufficiently long perspective. Our database extends back to the 1980s and covers several business cycles. We find a ratcheting dynamic: the share of zombie companies has trended up over time through upward shifts in the wake of economic downturns that are not fully reversed in subsequent recoveries.


Second, what are the causes of the rise of zombie firms? Previous studies have focused on the role of weak banks that roll over loans to non-viable firms rather than writing them off (Storz et al (2017), Schivardi et al (2017)). This keeps zombie companies on life support. A related but less explored factor is the drop in interest rates since the 1980s. The ratcheting-down in the level of interest rates after each cycle has potentially reduced the financial pressure on zombies to restructure or exit (Borio and Hofmann (2017)). Our results indeed suggest that lower rates tend to push up zombie shares, even after accounting for the impact of other factors.


Third, what are the economic consequences of the rise of zombie companies? Previous studies have shown that zombies tend to be less produc

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I have a couple from the dark side of dimensions booster packs so I was wondering if cards like apple magician girl, chocolate magician girl, and dark magician girl are usable in any way? I'd love to use some of the dark magician and magician girl cards I have floating around in my collection so any ideas for a deck or just general strategies would be great


Yu-Gi-Oh! X - Dark Magician Girl is still used by Yugi along with his son Tag and Tag's friend Darin. During the Duel Monsters Expo, a girl cosplaying as Dark Magician Girl rushed up to Yugi and said it was an honor to meet him before Yugi walked back off. During a duel with his mother, Darin sacrificed Chaos Command Magician to summon Dark Magician Girl. After Dark Magician is sacrificed to summon Dark Eradicator Warlock, Dark Magician Girl goes up to 2300 Attack Points. Darin then had his Dark Magician Girl destroy his mother's Mystical Elf. The Dark Magician Girl card was in the center of Anzu's Soul Room. It was also revealed when Tag was two he played with Yugi's Duel Disk and ended up summoning Dark Magician Girl. Dark Magician Girl then cooed at Tag. Darin later gave Anzu the Dark Magician Girl as a birthday present. During Darin's duel with Thief King Bakura, he summoned Dark Magician Girl, who was Mana at the time. She then used Magical Cylinder to destroy Bakura's Diabound, and then she used Burning Magic to destroy Bakura's Dark Magician. Dark Magician Girl was then used by Tag in his Capsule Monsters match with Leon on Death-T4. When Dark Magician evolved to the Magician of Black Chaos, Dark Magician Girl went up a level. After Magician of Black Chaos is destroyed, Dark Magician Girl goes up one more level, and she destroys Summoned Skull. During Yugi's duel with Kaiba in the Teacher's Tournament, Dark Magician Girl was summoned. During Tag's duel with Gozaburo to save Seth and Isis, Tag used Dark Renewal to sacrifice Gozaburo's Blue-Eyes White Dragon and his Mystical Elf to summon Dark Magician Girl. He later has Dark Magician Girl destroy Gozaburo's Defense Monster, Sagi the Dark Clown. During Duel Monster Spirit Day, Mana becomes Dark Magician Girl and duels Tag and Darin with Mahad. Dark Magician Girl then sacrificed Tag's Silver Fang to summon Dark Magician Girl. Tag then sacrifices his Mystical Elf to summon his own Dark Magician Girl. Tag's Dark Magician Girl is then destroyed when Mana activates Mirror Force. She then used her own Dark Magician Girl to attack Tag correctly. Dark Magician Girl is then destroyed when Tag summons Exodia. During Tag's duel with Weevil in the prelimeraries of the New Duelist Kingdom he sacrificed Celtic Guardian to summon Dark Magician Girl. He later has Dark Magician Girl attack Weevil directly, winning the duel. During Darin's prelimerary duel with Mako, Darin sacrifices Rapid-Fire Magician to summon Dark Magician Girl. He then has Dark Magician Girl destroy Giant Jellyfish. Dark Magician Girl is then destroyed by Great White, but Darin revives her with Monster Reborn. He later has Dark Magician Girl attack Mako directly and destroys her. During a tag team duel Tag and Darin have against Jaden and Syrus, Tag sacrifices Elemental Hero Burstinatrix to summon Dark Magician Girl. He then has her destroy Elemental Hero Avian. Darin then sacrifices Neo the Magical Swordsman to summon his own Dark Magician Girl. Darin then has Dark Magician Girl, strengthened by Dark Magician's fusion into Dark Paladin, destroy Infernal Dragon. During a talk with the gang and Bakura, Tea says that her favorite card is Dark Magician Girl, which Yami Bakura then seals her soul in. During Mahad's duel with Bakura to save everyone, Anzu was summoned. She was then strengthend when Darin (the Dark Magician) was temporarily killed by Man-Eater Bug. Anzu and Darin then both joined their power to attack Bakura directly. Tag

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During the Dunkirk evacuation in 1940, a team of German saboteurs assume the identities of dead British soldiers and are transported to England. Their first objective is to cripple British air defences by destroying radar stations. Though the identities and whereabouts of the saboteurs are unknown, a team of British soldiers is set up to track them down and abort their mission. While the Battle of Britain rages overhead, the final confrontation takes place as the German team are about to blow up the RAF Fighter Command control centre.


When Enzo G. Castellari finished the film 
Kill Them All and Come Back Alone
, he asked the producers what their next film would be. They replied a war epic about the Battle of Britain with the Harry Saltzman version yet to be released. Enzo thought that was a great idea but the producers had their sights on Alberto De Martino directing. The producers stipulated that stock footage of the actual Battle of Britain needed to be used in the film and that it should be used in a split-screen method. They asked Enzo if he would direct the special effects sequences and cut it with the stock footage using a split-screen method. Enzo had never heard of "split screen" so he was shown the American films 
The Thomas Crown Affair
 and 
The Boston Strangler
. He shot the effects sequences and mixed it using a triple split screen method. An example is having a British plane shoot on the left side, having a German plane getting hit on the right side, and having stock footage in the middle. When shown this split-screen footage, the producers were so impressed they decided to have Enzo direct the entire picture. After this, Enzo sat down with a writing partner for a week to rewrite the overlong script to make it more action-oriented and less of a "soap opera".[3]


thanks dazdaman!
BTW that spit in the photo was real but in the boming scenes over london at night, they are models. I swear you can even see the strings! One sceen in particular looks like a 2 dimensional left side view of a spitfire from inside the canopy on a HE111 actually it looks like the spit is glued or taped to the canopy!


Never heard of this 1969 WWII movie, possibly because it is an Italian production. But it is coming out on DVD in my neck of the woods in a few weeks and it has a blurb on the cover that suggests that Tarantino loves it. Fair enough, I will have to check it out.


Enzo G. Castellari is best known for his 1978 Macaroni Combat movie The Inglorious Bastards, which inspired 
Quentin Tarantino
 to the similarly titled 
Inglourious Basterds
. In 1969 he made Eagles over London. It was a smash hit in Europe, but remained virtually unknown in the US until Tarantino introduced it to American audiences. It tells a complicated spy story set in wartime, placed against the background of major historic events such as the Dunkirk Evacuation, the Blitz and the Battle of Britain. It was a co-production with France and Spain, obviously made with a decent budget; in some scenes hundreds of extras are used and the modern editing techniques - notably the split screen - give the film a sophisticated look.


The story begins in May 1940, at Dunkirk. Large numbers of British, French and Canadian troops are cornered on the Dunkirk beaches by the German army. They are saved by a hastily assembled fleet in what is known to history as 'Operation Dynamo'. One of the British officers, Captain Paul Stevens, discovers that a group of German saboteurs have infiltrated the British ranks: they have murdered a group of British soldiers and made the crossing by assuming their identity. After he has convinced (not without difficulty) his superiors that the country is in danger he is allocated the assignment to track the saboteurs down, not realizing that his roommate, a 'British' officer he has met at Dunkirk, is one of the men

Eagles Over London

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OpenVPN for Android by Arne Schwabe is a free and open source app that uses any standard OpenVPN configuration files to allow Android users to connect to any VPN service which supports the OpenVPN protocol. This means it's a great alternative way to install a 

VPN on Android

 if you cannot or do not want to use the Google Play Store. In this guide we'll show you how to set up a VPN through OpenVPN for Android.



Kill switches are a useful feature in VPNs. If for any reason your VPN connection fails, it will cut all access to the internet, thereby protecting your real IP address - very helpful for tasks such as torrenting. To configure OpenVPN for Android to act as a kill switch:


It may seem a little counterintuitive, but with full IPv6 routing, bandwidth usage graphs, and the ability to configure as a kill switch, OpenVPN for Android is more fully-featured than almost any custom Android VPN app I have yet reviewed. It is also more fully featured than its desktop equivalents.


Title basically says it all, the Mullvad website tells me to download the config file and then use openvpn for android to import it, but when I click import it doesn't "see" the file (No files). I unzipped it and can see the config files in my folders but the openvpn app doesn't recognize them. Should I try different app? That's just the one the website suggested I use.


I'm using an Ubuntu Server and I wanted to use OpenVpn for my server and my android phone. I installed OpenVpn connect for my phone and the software needs *.ovpn file from my server. How can I generate this file? And how can I enable authentication? I've use OpenVpn Access Server but it gives only two users licensee to authenticate but I need more. I've searched through internet but all training I've found was how to generate client.key , client.crt and ca.crt but I can't use them for my android phone.


You are correct that the way to use OpenVPN on your Android phone is when you are not connected to the Orbi LAN. I was able to get it to work. In MY case, I did not follow the directions exactly. My memory is not that great, but I think I got myself tangled up because the BIG thing to click on ("For Smart Phone") was what downloaded the "phone" config file that was needed, and the tiny thing to click on ("Android") was where the directions were. It wasn't until I accidentally noticed that the cursor turned into a "hand" when it went over those words that I realized it was "something to click on."





I just tested my OpenVPN on my Sony Xperia on Android 9. As I recall, I had some difficulty importing the OVPN config file and putting it in the correct place for OpenVPN to find it. I definitely use the bottom of the three connection options: "OVPN Profile".


Hi, I have a working OpenVPN setup but what is not working on the Android M client is to have it receive and use the DNS IP Address from the server. It simply isn't being pushed despite the presence of "list push 'dhcp-option DNS 10.8.0.1'" in the openvpn config file. The Android client instead uses the Google DNS servers which is an option inside the connection app. Is there a way to have the Android client use the router's DNS server? I'm hoping it isn't necessary to try building up and down scripts simply to have DNS pushed. Thanks in advance for anything that can be shared toward solving this.


If you also have these 2 lines below in your /etc/config/openvpn file then the Android device will receive and use the upstream DNS servers you have defined in the WAN, change the DNS IP below to whatever your router's IP is:
list push 'redirect-gateway def1'
list push 'dhcp-option DNS 192.168.1.1'


Your users can make an SSL VPN connection to the Firebox with an OpenVPN client. For example, users can install O

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The plug-in is available for the VST and AU interfaces and impresses with its well-thought-out features! 
Note
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Like grains of sand piling up to make adune, the journey to a town library was a long one for Sea Bright. Nearly four decadesago, local artist Sarah Hilton, who had a studio in town, decided to dosomething about the fact that the town lacked a library.
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Flows, designed by Metrica Design Studio, unites a world of contrasts: limber yet strong, this collection features a light, elegant aluminium frame combined with the warmth of a handcrafted wood finish. Flows carefully balances old and new to give the pieces their defining characteristics. Flows teak nero version adds an extra touch of luxury with black hues that radiate just the right amount of elegance, drama and power.


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The Opera Quarterly
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 [Access article in PDF] Book Review 
 La romanziera e l'uomo nero. Gaetano Donizetti 
 
Antonina: Patrizia Cigna
 
Tommaso: Gian Paolo Fiocchi
 
Trappolina: Anna Maria Braconi
 
Giappone: Dario Giorgelè
 
Chiarina: Claudia Marchi
 
Orchestra Filarmonia Veneta "G. F. Malipiero"
 
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Fedele: Giovanni Gregnanin
 
Franco Piva, conductor
 
Count/Nicola: Massimiliano Fichera
 
Bongiovanni (distributed Qualiton) gb 2287/88-2 (2 CDs)by
 
Filidoro: Alessandro Calamai
 
 
 Bongiovanni's new release of the Rovigo version of Donizetti's problematic 
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[End Page 273]
 of sentimental tales. That arrangement enlisted the services of Michael Aspinall as an over-the-top narrator.
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We appreciate your ongoing support over the past 14 years that has enabled us to make this move to a much bigger location. Should you have any questions, please contact support@kingsroadmerch.com as always.
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