Short dark ambient track. It turned out ok and I like how the YouTube video turned out as well.

Potholes

Pretty abnormal, in fact, when it comes to the duration for this type of song...

Normal

Stream: https://open.spotify.com/album/5XPxpD330QwOEOOfmRZzwe
Buy: https://atlascedar.bandcamp.com/album/fool-ep

A song about climate change and our effect on the planet, its climate and our future. Inspired by a Nature paper about 'the trillionth tonne' of CO2 emissions, this song had/has a working title of 'Sonoma' and was originally about grapes 'withering on the vine'... I didn't realise that 'withering on the vine' is an expression about doing nothing while a problem gets worse and worse, which fits in very well with the subject of climate change.

https://www.nature.com/articles/nature08019
http://trillionthtonne.org/

This song is the 'twin' song of 'Fool' - both songs were written within 48 hours of each other back in May, and both songs were recorded and published online within 24 hours of each other... in August. Both songs were written and played using a bouzouki as opposed to a guitar.

Photography by Hasan Almasi (@hasanalmasi)on Unsplash.com

Music and lyrics by Atlas Cedar (c) 2019
Original improv: 16th May 2019
Recording: 24th August 2019

wither on the vine
poisoning the wine

the futures on the line
running out of time

what have we done
can't blame it on the sun
the time will come

beyond the trillionth tonne
planets going to burn
facing everyone
the barrel of a gun

too late now
can't blame it on the sun
the time will come

what have we done
don't blame it on the sun
the time will come

Beyond The Billionth Tonne

🎧 Listen on Spotify

Beyond The Trillionth Tonne

Your Bright Light

Written by Martin Jenkins. Vocals, guitar,mandocello,bass, Ray Jenkins/Engineered and produced by Ray Jenkins at i cant tap my foot in time studios''Well my shed''

NIGHTFALL'' Acoustic''

very big thanks to my friend nic for all the vocal work he did. please check him out:
https://soundcloud.com/nic_nic_nic
also check out our project with more friends:
https://soundcloud.com/user-248282456

Morningstar - Featuring nic

Grooveclowd with Venus Abalero ----Caught Between Two Worlds

Work in progress... 
music : zeroplusplacebo https://soundcloud.com/zeroplusplacebo Merci pour ce partage
words and voice : luciole langevine

Travel ! under dark canopy of a deep and long night, splashed with mad anguishes and deleterious mists.

Travel ! open-eyed and sharp mind, by dint of vibrant wills and other possible dreamed as strong as living pushes.

Gradually erase the leady black weft and its viscous thoughts... 
Let in light !
Let in light and still go on travel !

Otherwise...

0therwise - Zeroplusplacebo & Luciole Langevine

Spazzole a Disco Fanatico

Music : Mahan Mahan
Vocals : Bobby Byrd (Sampled & used with implied permissions & best of intentions)

Produced & Recorded @ Pahlavi Sound Studios in Mama Shadi's basement, Los Angeles, CA, USA 01/2021

Spazzole a Disco Fanatico

Daddy Never Was The Cadillac Kind

Farmaka is a solo project. I make music occasionally and share a few demos on this platform every now and then. I am not a musician; hence I do not perform. And so far I am a lousy producer, so there are no physical releases - yet...

I label my songs "electronic" because that's what they are. However, I tend to avoid tags that would most probably bring about disagreement on what they actually sound like. Others may judge.

Also, there isn't much point in categorizing, since I have no intention to stay within a certain genre. Composing is my laboratory, in which I enjoy exploring different soundscapes and approaches. Easier than saying what my music is like, is to say what it's not; you probably won't find it very modern. My inspiration generally derives from earlier decades, so I guess my tunes sound more or less retro.

Despite their variation, I believe there is a recurring signature in my preferred sounds, basslines and harmonies. To me, they are echoes of the music I heard in my childhood and youth - either on record or simply in my head. The latter refers to primitive musical patterns, evolving in my mind long before I got the chance to lay my hands on any proper equipment. They constitute prototypes that are now partly materializing.

Normal

farmaka